Weyes Blood / Front Row Seat to Earth
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Pop, Folk, Country, Electronic
Издатель (лейбл): Mexican Summer
Продолжительность: 00:44:49
Наличие сканов в содержимом раздачи: Front
Источник (релизер): 7digital
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Треклист:
1. Diary
2. Used to Be
3. Be Free
4. Do You Need My Love
5. Generation Why
6. Can't Go Home
7. Seven Words
8. Away Above
9. Front Row Seat
DR Log
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-02-22 09:54:28
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Analyzed: Weyes Blood / Front Row Seat to Earth
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DR Peak RMS Duration Track
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DR7 -0.10 dB -9.56 dB 5:36 ?-Diary
DR7 -0.10 dB -9.89 dB 4:33 ?-Used to Be
DR8 -0.10 dB -11.44 dB 6:23 ?-Be Free
DR6 -0.10 dB -8.01 dB 6:25 ?-Do You Need My Love
DR7 -0.10 dB -11.84 dB 5:21 ?-Generation Why
DR9 -0.10 dB -11.57 dB 4:40 ?-Can't Go Home
DR7 -0.10 dB -10.58 dB 4:37 ?-Seven Words
DR9 -0.10 dB -11.75 dB 5:19 ?-Away Above
DR13 -0.10 dB -18.44 dB 1:55 ?-Front Row Seat
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Number of tracks: 9
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1276 kbps
Codec: FLAC
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Состав
Bass – Kenneth Gilmore (tracks: 2 to 4, 7)
Drums – Booker Stardrum (tracks: 4), Chris Cohen (tracks: 1, 2, 7)
Flute – Alex Brettin (tracks: 7)
Guitar – Chris Cohen (tracks: 2)
Horns – Luke Csehak (tracks: 2)
Piano – John Lindsay (10) (tracks: 5)
Slide Guitar – Meg Duffy (tracks: 7)
Synth – Michael Chadwick (tracks: 1, 4, 6), Shags Chamberlain (tracks: 2, 4, 9)
Tambourine – Luke Csehak (tracks: 7)
Об исполнителе (группе)
Multi-instrumentalist Natalie Mering cut her teeth in the world of noise and experimental rock, playing bass in Portland-based freak rock collective Jackie-O Motherfucker for a time before venturing out solo around 2006. Originally billing herself as Weyes Bluhd, Mering's earliest releases arrived in the form of limited-edition cassettes, a great testing ground for her darkly folky songs that twisted around noisy, electronic undercurrents. Weyes Bluhd embarked on several tours, including a European stint with Brooklyn experimental act Axolotl. Moving to Philadelphia, Mering continued to develop her sound, sometimes playing shows billed as Wiseblood, sometimes joined by a rotating cast of backing players she dubbed the Dark Juices. It was with one incarnation of this backing band that she made her first widely received album, 2011's The Outside Room, released on Not Not Fun Records and attributed to Weyes Blood & the Dark Juices. Among other collaborations, Mering added guest vocals to the 2012 Ariel Pink album Mature Themes, and toured with him as well. Ever nomadic, Mering relocated to rural Kentucky for a time to study herbalism, and also spent time living in New Mexico and Baltimore before eventually landing in New York City in 2012. She followed her debut in 2014 with the pristine and autumnal sounds of The Innocents, released on Mexican Summer. EP Cardamom Times appeared in 2015. In 2016, Mering and Chris Cohen co-produced Weyes Blood's second Mexican Summer full-length, Front Row Seat to Earth. Weyes Blood and Ariel Pink collaborated on a 12" EP, Myths 002, which was released by Mexican Summer in early 2017. https://en.wikipedia.org/wiki/Weyes_Blood
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发表于 2020-9-24 12:29:08
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