Taylor Ho Bynum 9-tette / The Ambiguity Manifesto
Формат записи/Источник записи: [TR24][OF]
Год издания диска: 2019
Жанр: Avant-Garde Jazz, Contemporary Jazz
Издатель (лейбл): Firehouse 12 Records
Продолжительность: 01:10:57
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Источник: WEB
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. neither when nor where 05:21
02. enter ally 02:50
03. real/unreal (for ursula k. le guin) 10:15
04. (g)host(aa/ab) 17:18
05. enter (g) neither 18:25
06. ally enter 07:18
07. unreal/real (for old music) 09:25
Released September 20, 2019
Состав
Taylor Ho Bynum: cornet, compositions;
Jim Hobbs: alto saxophone;
Bill Lowe: bass trombone, tuba;
Mary Halvorson: guitar;
Ken Filiano: bass;
Tomas Fujiwara: drums;
Ingrid Laubrock: tenor saxophone, soprano saxophone;
Tomeka Reid: cello;
Stomu Takeishi: electric bass
All About Jazz review by KARL ACKERMANN (****)
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an "accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form—however unconventional—both in the composition and performing of these large ensemble works. With a 9-tette made up of members of his sextet and Plus Tet, Bynum adds Stomu Takeishi on electric bass.
Bynum cites Anthony Braxton, Cecil Taylor and Bill Dixon—all of whom he has worked with—as affecting this music, but those, or any amalgam of influences, are not as apparent as the composer's own approach. There may not be a formal narrative holding the material together, but there are linked ideas where the initial outlines are analyzed and turned inside-out as the album progresses. Bynum doesn't overload the concept, letting the group distinguish themselves through their individual and collective interpretations.
The quirkily swinging, propulsive rhythm of "Neither When nor Where" opens the album on an exuberant note and leads into the brief, constantly-shifting "Enter Ally" with its multifaceted rhythms and free improvisations. Tomas Fujiwara's kit ushers in "Real/Unreal (for Ursula K. Le Guin)" with Tomeka Reid's cello and Bynum lending a solemnity to the ten-minute tribute to the late, great science fiction and non-fiction writer and lecturer. The most darkly melodic piece on The Ambiguity Manifesto, it nevertheless builds to a more disordered conclusion, apropos of the two worlds Le Guin called home. The seventeen-minute "(G)host(aa/ab)" is by turns a carnival-like, theatrical, and rock-driven extravaganza with the entire ensemble keeping countless balls in the air. Slightly longer, "Enter (g) Neither" is a more episodic series of free improvisations held together by Fujiwara's magic.
As always, the brilliance of the horns of Bynum, Jim Hobbs, Ingrid Laubrock, and Bill Lowe, guitarist Mary Halvorson's ingeniously transformative presence and the imaginativeness of bassist Ken Filiano, give many lives to the music. For all the complexity of The Ambiguity Manifesto, there is a resounding clarity to the entire project. It is a testament to an exceptional—and unique—composer and the first-rate company he keeps.
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-10-01 21:30:54
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Analyzed: Taylor Ho Bynum 9-tette / The Ambiguity Manifesto
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DR Peak RMS Duration Track
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DR10 -0.50 dB -13.25 dB 5:21 01-neither when nor where
DR10 -0.50 dB -13.35 dB 2:51 02-enter ally
DR12 -0.50 dB -16.83 dB 10:16 03-real/unreal (for ursula k. le guin)
DR9 -0.50 dB -14.12 dB 17:19 04-(g)host(aa/ab)
DR12 -0.50 dB -16.91 dB 18:26 05-enter (g) neither
DR11 -0.50 dB -16.16 dB 7:19 06-ally enter
DR8 -0.50 dB -11.90 dB 9:26 07-unreal/real (for old music)
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Number of tracks: 7
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2643 kbps
Codec: FLAC
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发表于 2020-9-24 12:52:11
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