Miles Davis / Quiet Nights
Жанр: Jazz, Bossa Nova
Страна-производитель диска: US
Год издания: 1964, 2000
Издатель (лейбл): Columbia / Sony
Номер по каталогу: CS 65293
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 39:54
Источник (релизер): unknown
Наличие сканов в содержимом раздачи: да
Треклист:
1. Song No. 2 [01:42]
2. Once Upon A Summertime [03:30]
3. Aos Pes Da Cruz [04:20]
4. Song No. 1 [04:37]
5. Wait Till You See Her [04:06]
6. Corcovado [02:45]
7. Summer Night [06:06]
8. The Time Of The Barracudas [12:45]
Доп. информация:
Этот SACD раздается здесь: https://maomicd.com/forum/viewtopic.php?t=4103989
Я нашел FLAC в USENET.
Об альбоме (сборнике)
Quiet Nights is the ninth studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1964 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
Keeping to his standard procedure at Columbia to date of alternating small group records and big band studio projects with Gil Evans, Davis entered the studio with Evans to follow up the latest studio LP by the working quintet, Someday My Prince Will Come. In 1961, Davis had also released his first live albums, two independent LPs entitled Friday Night at the Blackhawk and Saturday Night at the Blackhawk, in addition to the studio set. Another live set from 1961 also with both the quintet and a large ensemble conducted by Evans, the poorly recorded Miles Davis at Carnegie Hall, was issued in 1962.
The genesis of this Davis/Evans album, however, encountered far greater difficulties than its three predecessors. Bossa nova had recently become a commercial success in 1962 with the single "Desafinado" from the album Jazz Samba by Stan Getz, and Columbia executives may have pressured Davis and Evans to attempt something similar with this album. Sessions were also protracted over long stretches of time.
Two songs were recorded at the first session in July, "Corcovado" and "Aos Pes Da Cruz," and released as Columbia singles 4-33059 and 4-4-42583; neither made a dent in the chart. The pair returned to longer forms for the subsequent sessions, Evans perhaps not given enough time to finish the charts for the earlier session. The attempt to mix potential hit singles and Evans' writing style for Davis, essentially concertos for jazz trumpeter, may have torpedoed the project.
After three sessions spread over four months, the yield was approximately 20 minutes of usable music, enough for an album side but not an entire album. Evans and Davis never made it back into the studio to complete more recordings, and the project was shelved. Faced with the expenses from the large ensemble and the studio time, producer Teo Macero added a quartet track from an April 1963 session in Hollywood to complete the album and give the label something to show for its investment, Quiet Nights, released two years after the start of recording. Davis was furious at the release of what he viewed as an unfinished project, and did not work with Macero again until the October 1966 sessions for Miles Smiles. The added tune, "Summer Night," was an outtake by Davis' group as recorded for the album Seven Steps to Heaven.
On September 23, 1997, Legacy Records reissued the album for compact disc with the bonus track "Time of the Barracudas" recorded in Hollywood on October 9 and 10, 1963. Written as a commission from Peter Barnes to accompany a production of his play of the same name starring Laurence Harvey and Elaine Stritch, it is unknown whether the music was actually used for its intended purpose.
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发表于 2020-9-24 12:54:41
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