Miho Hazama & Metropole Orkest Big Band - The Monk: Live at Bimhuis
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Big Band, Post-Bop
Издатель (лейбл): Sunnyside
Продолжительность: 00:50:09
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Thelonious (Monk) - 6:43
02. Ruby, My Dear (Monk) - 8:37
03. Friday the 13th (Monk) - 6:58
04. Hackensack (Monk) - 6:51
05. 'Round Midnight (Hanighen-Monk-Williams) - 7:53
06. Epistrophy (Monk-Clarke) - 7:52
07. Crepuscule with Nellie (Monk) - 5:15
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.5.1 / Dynamic Range Meter 1.1.1
log date: 2020-03-03 15:36:57
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Analyzed: Miho Hazama & Metropole Orkest Big Band / The Monk: Live at Bimhuis
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DR Peak RMS Duration Track
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DR8 -1.16 dB -12.38 dB 6:43 01-Thelonious
DR11 -1.16 dB -16.11 dB 8:37 02-Ruby, My Dear
DR8 -1.16 dB -11.81 dB 6:58 03-Friday the 13th
DR8 -1.16 dB -12.22 dB 6:51 04-Hackensack
DR14 -1.16 dB -20.19 dB 7:53 05-'Round Midnight
DR8 -1.16 dB -10.99 dB 7:52 06-Epistrophy
DR13 -1.16 dB -17.15 dB 5:15 07-Crepuscule with Nellie
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Number of tracks: 7
Official DR value: DR10
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1550 kbps
Codec: FLAC
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Источник (релизер): redacted Состав
Miho Hazama - conductor, arranger
Metropole Orkest Big Band:
Marc Scholten, Paul van der Feen, Leo Janssen, Sjoerd Dijkhuizen, Max Boeree - saxophone, clarinet
Ray Bruinsma, Martijn de Laat, Nico Schepers, Rik Mol - trumpet
Jan Oosting, Look Boudesteijn, Jan Bastian - trombone
Martin van den Berg - bass trombone
Marcel Serierse - drums
Aram Kersbergen - bass
Peter Tiehuis - guitar
Hans Vroomans - piano
Recorded live at Bimhuis, Amsterdam, The Netherlands on October 13, 2017.
Review by Dave Cantor
Thelonious Monk effortlessly referenced disparate developments in jazz history, moving from bop back to stride during any given session. And it’s the capacious nature of his practice that conductor Miho Hazama captures in her seven arrangements of Monk tunes for the Metropole Orkest Big Band.
One of the date’s most endearing musical moments, though, comes during a sprightly spotlight: Most of the band drops out, leaving just the rhythm section and a lone trumpeter to linger in the chords behind “Ruby, My Dear.” Of course, Hazama’s conducting seamlessly brings the entire band back to lovingly ply the well-worn work in the end. “’Round Midnight” rarely has sounded as forlorn as it does a few tracks on, and “Epistrophy,” as wonky as ever, swings with blustery humanism. This is a work of fellowship and camaraderie, and it’s readily apparent.
The source material, of course, was a good place to start, but Hazama’s previous efforts—Journey To Journey (2013) and Time River (2015)—bolster a blossoming reputation. Even if this had arrived without her past work for context, The Monk: Live At Bimhaus comes off as a good-natured reflection of both its namesake’s personality and Hazama’s as she charts an astute course through the jazz landscape.