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' ' ' ' ' Jon Balke ' Warp
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Жанр ♦ Modern Creative, Contemporary, Chamber Jazz
Год издания ♦ 2016
Издатель(лейбл) ♦ ECM Records
Номер по каталогу ♦ ECM 2444
Страна исполнителя ♦ Norway
Аудиокодек ♦ FLAC (*.flac)
Разрядность ♦ 24 bits / 96 kHz
Количество каналов ♦ 2
Тип рипа ♦ tracks
Продолжительность ♦ 52:21
Источник (релизер) ♦ WEB
Наличие сканов ♦ да
Треклист:
1 Heliolatry
2 This Is The Movie
3 Buccolic
4 On And On
5 Bolide
6 Amarinthine
7 Shibboleth
8 Mute
9 Slow Spin
10 Boodle
11 Dragoman
12 Kantor
13 Geminate
14 Telesthesia
15 Geminate Var.
16 Heliolatry Var.
Лог проверки качества
foobar2000 1.3.11 / Dynamic Range Meter 1.1.1
log date: 2016-09-04 04:13:42
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Analyzed: Jon Balke / Warp
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DR Peak RMS Duration Track
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DR12 -1.42 dB -19.67 dB 3:19 01-Heliolatry
DR15 -0.88 dB -21.49 dB 5:18 02-This Is The Movie
DR14 -0.50 dB -18.39 dB 4:05 03-Bucolic
DR15 -0.94 dB -22.49 dB 4:57 04-On And On
DR14 -1.01 dB -20.28 dB 4:51 05-Bolide
DR15 -1.10 dB -21.67 dB 3:03 06-Amarinthine
DR14 -0.82 dB -21.09 dB 2:47 07-Shibboleth
DR14 -3.64 dB -23.34 dB 1:15 08-Mute
DR13 -0.78 dB -19.97 dB 4:23 09-Slow Spin
DR13 -2.44 dB -18.17 dB 2:26 10-Boodle
DR14 -2.35 dB -22.53 dB 3:41 11-Dragoman
DR13 -1.34 dB -20.83 dB 4:05 12-Kantor
DR15 -2.67 dB -24.64 dB 0:53 13-Geminate
DR16 -0.88 dB -22.35 dB 1:29 14-Telesthesia
DR14 -2.93 dB -24.16 dB 1:58 15-Geminate (Variation)
DR13 -0.96 dB -20.28 dB 3:51 16-Heliolatry (Variation)
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Number of tracks: 16
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2314 kbps
Codec: FLAC
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Об альбоме
Jon Balke's musical life has been lived on the wide-open fringe of expression. He has utilized conventional Western European and Asian folk traditions, electronics, classical, jazz and avant-garde techniques, and various spoken, sung, and percussive languages. Given all of his previous experimentation, Warp is one of the most mysterious dates in his career. The vast majority of the 16 pieces here are miniatures, only one is over five minutes. Balke plays solo piano throughout, and accompanies himself by utilizing field recordings and other electronic sounds placed carefully in the backdrops and margins. It would seem this work is one piece initially -- you have to look at the inside sleeve to see the individual titles; but instead, this is a work of carefully sequenced individual works that present a labyrinth. "Heliolatry" opens in the piano's lower middle register with dark, brooding notes. A fluttery static and the scraping of strings inside the instrument lend a backdrop to a thematic flurry of notes and scales as they dialogue with one another. Static and what sounds like an organ pair with the wordless vocals of Wenche Losnegaard in "On and On," which ends with an open-ended question. "Bolide" possesses a hymn-like, folk song quality, while sparse processional chordal statements make up its corpus on either side of middle C. The all-too-brief "Shibboleth" employs somewhat angular improvisation, with field-recorded percussive sounds lining the frame. Balke actually slips into Lennie Tristano-esque scalar runs and then moves off center in a more speculative -- and dissonant -- direction. The indecipherable "announcement reading" of Balke's daughter Ellinor provides a sound sculpture for his plucked bass strings to bridge just the hint of a melody. It's followed by the genuinely haunting "Slow Spin," a jazz improvisation that is framed ever so faintly with droning electronic sounds. While "Kantor" asserts itself as a lithe, elliptical piano interlude, it is transformed by a mesh of field-recorded sounds and the voice of Mattis Myrland into a gorgeous art song. The album closes with a variation on "Heliolatry," then forgoes the inner instrument scraping for a more assertive dialogue with a synth imitating an organ. Balke's piano is assertive, creating a leitmotif from the more spectral dark notes in the first version. Warp is curious. Its quark strangeness may prove a tad unsettling early on, but settles into a quietly compelling invitation for the listener. The entire experience offers a different series of questions, answers, and conclusions each time it is encountered. The language Balke speaks is that of the piano as it encounters the inner resonances of its physical body, as well as those of the outer, indefinable tongues of sound itself. (Thom Jurek, allmusic.com)
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发表于 2020-9-24 12:59:11
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