Sonny Stitt / Satan
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1974/2019
Жанр: Smooth Jazz
Издатель (лейбл): Janus Records
Продолжительность: 00:33:39
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - Satan 04:08
02 - A Crazy Mixed up World 03:44
03 - Big Bad Henry 06:34
04 - Gee Baby Ain’t I Good to You 01:56
05 - Will You Love Me Tomorrow 05:46
06 - Anone 06:46
07 - It Might as Well Be Spring 04:48
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-02-18 12:45:17
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Analyzed: Sonny Stitt / Satan (Remastered)
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DR Peak RMS Duration Track
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DR12 -1.21 dB -15.24 dB 4:08 01-Satan
DR12 -1.21 dB -16.08 dB 3:44 02-A Crazy Mixed up World
DR12 -1.21 dB -14.50 dB 6:34 03-Big Bad Henry
DR12 -1.21 dB -18.98 dB 1:56 04-Gee Baby Ain't I Good to You
DR11 -1.21 dB -14.61 dB 5:46 05-Will You Love Me Tomorrow
DR11 -1.21 dB -14.65 dB 6:46 06-Anone
DR12 -3.18 dB -18.82 dB 4:48 07-It Might as Well Be Spring
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Number of tracks: 7
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2160 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Sonny Stitt - alto saxophone
Roland Hanna - electric piano (tracks 1-3, 5 & 6)
Billy Butler (tracks 1 & 5), Elliott Randall (tracks 1, 3), John Tropea (track 3) - guitar
Ron Carter - bass (tracks 4 & 7)
Richard Davis (tracks 3 & 6), Gordon Edwards (tracks 1 & 5) - electric bass
Jimmy Johnson - drums (tracks 1, 3, 5 & 6)
Montego Joe (tracks 1 & 5), Norman Pride (tracks 3 & 6) - congas
Kermit Moore - cello (track 2)
Wade Marcus - arranger, conductor
Об исполнителе (группе) https://en.wikipedia.org/wiki/Sonny_Stitt
Sonny Stitt made more records as a leader than any other jazz instrumentalist. Although eclipsed in his era by the extraordinary attention focused on Charlie Parker, Stitt was highly admired by both fans and musicians. Equipped with magnificent technique and iron chops, and gifted with an innate ability swing, he could turn on the music seemingly at will.
Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad. Stitt was a virtuoso on the horn and relished competition on the bandstand. Stitt had the qualities essential to a tenor battler; he was implacable, indefatigable and inventive. Although his playing was at first heavily inspired by Charlie Parker and Lester Young, Stitt eventually developed his own style, one which influenced John Coltrane. Stitt was especially effective with blues and with ballad pieces such as Skylark.
He recorded a number of memorable records with his friend and fellow saxophonist Gene Ammons, interrupted by Ammons’ own imprisonment for narcotics possession. The records recorded by these two saxophonists are regarded by many as some of both Ammons and Stitt’s best work, thus the Ammons/Stitt partnership went down in posterity as one of the best duelling partnerships in jazz.
He was also one of the most prolific saxophonists, recording over 100 records in his lifetime. He was nicknamed the Lone Wolf by jazz critic Dan Morgenstern, due to his relentless touring and his devotion to jazz. Sonny Stitt recorded extensively throughout his career, so frequently that he often could not remember his sessions a year later. The Sonny Stitt Biography is a great example that when a dude is posessed with the “jazz mojo” you just can’t stop him from playing! Sonny Stitt was that kind of cat!
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发表于 2020-9-24 13:00:53
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