Gerry Mulligan / Gerry Mulligan Sextet - Stuttgart 1977
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1977/2018
Жанр: Jazz
Издатель (лейбл): 2xHD
Продолжительность: 00:49:08
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - For an Unfinished Woman 09:50
02 - Line for Lyons 06:24
03 - Taurus Moon 08:18
04 - Babes in Arms: My Funny Valentine 05:28
05 - Four for Three 06:34
06 - K-4 Pacific 12:38
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-05-24 22:48:31
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Analyzed: Gerry Mulligan / Gerry Mulligan Sextet - Stuttgart 1977 (Remastered)
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DR Peak RMS Duration Track
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DR12 -1.35 dB -17.54 dB 9:50 01-For an Unfinished Woman
DR12 -3.59 dB -20.46 dB 6:24 02-Line for Lyons
DR12 -1.07 dB -16.28 dB 8:18 03-Taurus Moon
DR12 -1.55 dB -18.44 dB 5:28 04-Babes in Arms: My Funny Valentine
DR11 -1.13 dB -14.95 dB 6:34 05-Four for Three
DR12 -0.86 dB -16.94 dB 12:38 06-K-4 Pacific
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Number of tracks: 6
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4976 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): HDtracks
Состав
Baritone & Soprano Saxophone – Gerry Mulligan
Bass – George Duvivier
Drums – Bobby Rosengarden
Guitar – Mike Santiago
Piano – Thomas Fay
Vibraphone – Dave Samuels
Об альбоме (сборнике)
Recorded live at Liederhalle Stuttgart, November 22, 1977.
Together with Gil Evans and Miles Davis, the 20 year old Gerry Mulligan conceived the revolutionary nonet music for Birth of the Cool. In Stuttgart, at age 50, he was already looking back on a career spanning almost thirty years and was much in demand. The fact that he wrote fascinating film scores and won Grammys for them in the ‘70s, not to mention his burgeoning interest in jazz-rock fusions, once again highlighted this extraordinary musician’s exceptional openness and creative potential.
This Stuttgart concert shows that the ever self-critical jazzman never let his identity slip. It was evident in his choice of players; rising stars such as vibraphonist Dave Samuels or guitarist Mike Santiago proved they could harmonise with experienced greats such as bassist George Duvivier as if they had been doing it all their lives. Like Ellington, Gerry Mulligan always preferred his jazz “IN A STATE OF BECOMING”.