MICHAEL DEASE
Reaching
' ' ' Out'
Жанр: Post-Bop, Contemporary Jazz
Год издания: 2018
Издатель (лейбл): Posi-Tone Records
Номер по каталогу: PR 8177
Страна исполнителя: USA
Аудиокодек: FLAC (*.flac)
Разрядность: 24 bits / 88,2 kHz
Количество каналов: 2
Тип рипа: tracks
Продолжительность: 55:05
Источник (релизер): WEB
Наличие сканов: да (сетевые)
01. Something In Common
02. Live And Let Die
03. Morning Shade
04. Tipping Point
05. More Than Words
06. Double Luminosity
07. The Takeover
08. Ballad
09. The Chameleon Eye
10. Blackfoot
11. Water Runs Dry
Лог проверки качества
foobar2000 1.3.12 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-11-14 14:47:57
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Анализ: Michael Dease / Reaching Out
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DR Пики RMS Продолжительность трека
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DR9 -0.97 дБ -11.65 дБ 5:04 01-Something In Common
DR8 -0.97 дБ -11.60 дБ 3:56 02-Live And Let Die
DR10 -0.97 дБ -13.51 дБ 5:56 03-Morning Shade
DR10 -0.97 дБ -13.00 дБ 5:00 04-Tipping Point
DR10 -0.97 дБ -13.33 дБ 4:17 05-More Than Words
DR10 -0.97 дБ -14.56 дБ 4:19 06-Double Luminosity
DR10 -0.97 дБ -12.47 дБ 4:44 07-The Takeover
DR10 -0.97 дБ -13.87 дБ 5:50 08-Ballade
DR9 -0.97 дБ -12.47 дБ 6:12 09-The Chameleon Eye
DR10 -0.97 дБ -13.07 дБ 4:15 10-Blackfoot
DR11 -0.97 дБ -14.93 дБ 5:32 11-Water Runs Dry
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Количество треков: 11
Реальные значения DR: DR10
Частота: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 2714 кбит/с
Кодек: FLAC
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Об альбоме
Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's just that we need more musicians like Michael Dease who, to quote Art Blakey, play jazz that "washes away the dust of everyday life." With Reaching Out, his fifth for Posi-Tone Records (a label whose mission is to throw accelerant on that flame) he doubles down on the joy of music making.
He seems to always find kindred souls who share in his vision, as shown in previous recordings with the veterans Renee Rosnes, Lewis Nash, Steve Wilson, Christian McBride, and Rodney Whitaker. Here, he recruits two giants of the saxophone Ralph Bowen and Walt Weiskopf to interact with some younger talent—players that have the makings of true believers.
What we mean by that is Dease prioritizes the happiness in his jazz. Take the opener, Cedar Walton's "Something In Common," or Steve Turre's "Blackfoot." Both are pieces that are overflowing with a joyful swing. The latter composition, modeled after "Cherokee," is delivered at an auctioneer's hyperspeed with Bowen and Dease chasing drummer Zach Adleman's turbocharged tempo. There is a return to the hipness factor in this music. Dease's original, "The Chameleon Eye," grabs memories of Lee Morgan's funkiness and injects some Herbie Hancock-like rhythm-intensive lines. The composition features the young and talented vibraphonist Behn Gillece (check out his Walk Of Fire (2017)).
What makes Dease stand out is his love of melody and ability to craft arrangements to accentuate such. Perfect examples are the three cover tunes, Babyface's "Water Runs Dry," Paul and Linda McCartney's "Live And Let Die," and the 1990s hair metal band Extreme's "More Than Words." McCartney's title track to the James Bond movie of the same name is given all of the dramatic effect of the original, from it's most gentle beginnings to the soulful dramatics and swinging interludes. All of the covers here could, with lesser arrangements, become schmaltzy or sentimental. But like the masters, Coltrane's take on "My Favorite Things" or Miles' "Surrey With the Fringe On Top," Dease champions familiar music and makes it new again.
(Mark Corroto, allaboutjazz.com)
Состав
Michael Dease - trombone
Ralph Bowen - tenor sax
Walt Weiskopf - alto & tenor sax
Luther Allison - piano
Peter Brendler - bass
Zach Adleman - drums
Behn Gillece - vibraphone (1, 2, 9)
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发表于 2020-9-24 13:03:54
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