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[爵士和蓝调] [TR24][OF] Nitai Hershkovits - New Place Always - 2018 (Jazz, Contemporary Jazz)

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发表于 2020-9-24 13:04:23 | 显示全部楼层 |阅读模式
Nitai Hershkovits - New Place Always
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Jazz, Contemporary Jazz
Издатель (лейбл): Yellowbird Records
Продолжительность: 00:36:36
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.comТреклист:
1. Red Wagon Go (03:07)
2. Annette & Issac (02:15)
3. Go Go Stay (03:06)
4. Explaining Sage (02:28)
5. Jenny Wren (02:49)
6. Woman's Reach (03:06)
7. Green Hill Pearls (03:00)
8. South to Cairo (02:31)
9. Helicopter (03:53)
10. King's Seat (02:13)
11. Double Astral Move (02:46)
12. Oye Asem (02:30)
13. Now You (02:58)
Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-09-28 18:06:36
--------------------------------------------------------------------------------
Analyzed: Nitai Hershkovits / New Place Always
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -2.68 dB   -19.74 dB      3:07 01-Red Wagon Go
DR11      -5.19 dB   -21.88 dB      2:15 02-Annette & Issac
DR12      -7.01 dB   -23.21 dB      3:06 03-Go Go Stay
DR13      -1.65 dB   -20.25 dB      2:28 04-Explaining Sage
DR14      -0.65 dB   -19.12 dB      2:49 05-Jenny Wren
DR14      -1.27 dB   -21.67 dB      3:06 06-Woman's Reach
DR12      -2.32 dB   -18.83 dB      3:00 07-Green Hill Pearls
DR15      -0.52 dB   -18.91 dB      2:31 08-South to Cairo
DR12      -5.37 dB   -21.48 dB      3:53 09-Helicopter
DR12      -0.52 dB   -17.14 dB      2:13 10-King's Seat
DR13      -4.98 dB   -21.63 dB      2:46 11-Double Astral Move
DR14      -0.52 dB   -17.10 dB      2:30 12-Oye Asem
DR12      -2.17 dB   -19.15 dB      2:58 13-Now You
--------------------------------------------------------------------------------
Number of tracks:  13
Official DR value: DR13
Samplerate:        88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2260 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Pianist and composer Nitai Hershkovits has been described as a ‘Genuine prodigy’ by BBC music. He is a charismatic performer with an incredibly strong voice and musical vision. His dynamic playing crosses boundaries and genres thanks to a light, elegant touch that conveys a full spectrum of deep emotions and contrasts. As a solo artist, Nitai Hershkovits’ repertoire consists mainly of original work written for piano, giving space for interpretation. Nitai started playing the clarinet at the age of twelve, only to discover his love for the piano at age fifteen. Around that time, he was first exposed to the sound of jazz giants such as Wynton Kelly and Sonny Clark. By the age of seventeen, Nitai had moved to Tel Aviv to combine regular school with private music and piano lessons under the guidance of jazz educators Amit Golan and Yuval Cohen. In 2011, Nitai joined bassist Avishai Cohen’s group. As part of Cohen’s Trio as well as of other symphonic projects, they recorded three albums together.
In 2016 Nitai relocated to New York City and is keeping a busy schedule, touring and recording. New Place Always is a collection of melodies that have resonated through time, long enough to evoke a sense of folkloric familiarity. Nitai writes: “Before the recording, I had all kinds of ideas, but we wanted the music to fit the piano and the room, so I wrote most of it there. The rest of the tunes consist of songs that were composed in NY and hand-picked renditions of music by people who inspired me at that time. Even though it has been 17 years since I took my first Piano lesson, its’ familiarity doesn’t reveal itself fully-- it is almost like coming back to a place I've visited before, yet have never been to.”
                                                                                                                                                               
                       
                       
                       
                       
                       
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