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[爵士和蓝调] [TR24][OF] Tom Waits - Blue Valentine (Remastered) - 1978/2018 (Jazz, Rock, Blue

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发表于 2020-9-24 13:04:56 | 显示全部楼层 |阅读模式
Tom Waits / Blue Valentine
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Remastered
Год издания/переиздания диска: 1978/2018
Жанр: Jazz, Rock, Blues, Folk
Издатель (лейбл): Anti - Epitaph
Продолжительность: 49:32
Наличие сканов в содержимом раздачи: Front
Источник (релизер): qobuz
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Треклист:
01. Somewhere (From "West Side Story") 03:53
02. Red Shoes By The Drugstore 03:14
03. Christmas Card From A Hooker In Minneapolis 04:33
04. Romeo Is Bleeding 04:52
05. $29.00 08:15
06. Wrong Side Of The Road 05:14
07. Whistlin' Past The Graveyard 03:17
08. Kentucky Avenue 04:49
09. A Sweet Little Bullet From A Pretty Blue Gun 05:36
10. Blue Valentine 05:50
Лог проверки качества

foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-09 13:35:09
--------------------------------------------------------------------------------
Analyzed: Tom Waits / Blue Valentine (Remastered)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR13      -0.09 dB   -16.12 dB      3:53 ?-Somewhere (From West Side Story)
DR13      -0.06 dB   -14.81 dB      3:15 ?-Red Shoes By The Drugstore
DR14      -0.06 dB   -18.15 dB      4:33 ?-Christmas Card From A Hooker In Minneapolis
DR13      -0.06 dB   -14.23 dB      4:52 ?-Romeo Is Bleeding
DR12      -0.02 dB   -14.89 dB      8:16 ?-$29.00
DR12      -0.07 dB   -14.07 dB      5:14 ?-Wrong Side Of The Road
DR11      -0.05 dB   -12.72 dB      3:18 ?-Whistlin' Past The Graveyard
DR14      -0.09 dB   -17.82 dB      4:49 ?-Kentucky Avenue
DR12      -0.01 dB   -13.82 dB      5:37 ?-A Sweet Little Bullet From A Pretty Blue Gun
DR14      -0.10 dB   -17.49 dB      5:50 ?-Blue Valentine
--------------------------------------------------------------------------------
Number of tracks:  10
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2280 kbps
Codec:             FLAC
================================================================================


Состав
Tom Waits - vocals, electric guitar, piano
Ray Crawford, Roland Bautista, Alvin "Shine" Robinson - electric guitar
Scott Edwards, Jim Hughart, Byron Miller - bass
Da Willie Gonga (George Duke), Harold Battiste - piano
Charles Kynard - organ
Herbert Hardesty, Frank Vicari - tenor saxophone
Rick Lawson, Earl Palmer, Chip White - drums
Bobbye Hall Porter - congas on ("Romeo Is Bleeding")[3]
Bob Alcivar - orchestra

Об исполнителе (группе)
After perfecting his seedy beatnik image on albums like "Small Charge" and "Nighthawks At The Diner", Waits refined and expanded on it until the 1983 breakthrough of "Swordfishtrombones". "Blue Valentine" is full of low-rent nightlife imagery and arrangements that leave Waits' jazz leanings behind in favor of a more direct, blues-oriented approach. Lyrically, he's at his most straightforward and narrative, with tunes like "$29.00" and "Christmas Card From a Hooker in Minneapolis" reading like dimestore detective novels. In a customary nod to tradition, he delivers a marvelously stentorian version of Bernstein's "Somewhere." Blue Valentine songs. Things close in a low-key fashion with the spare, heart-rending title song, a ballad of shattered love.
"Two welcome changes in style made Blue Valentine a fresh listening experience for Tom Waits fans. First, Waits alters the instrumentation, bringing in electric guitar and keyboards and largely dispensing with the strings for a more blues-oriented, hard-edged sound. Second, though his world view remains fixed on the lowlifes of the late night, he expands beyond the musings of the barstool philosopher who previously had acted as the first-person character of most of his songs. When Waits does use the first-person, it's to write a "Christmas Card From a Hooker in Minneapolis," not the figure most listeners had associated with the singer himself. The result is a broadening of subject matter, a narrative discipline that makes most of the tunes story songs, and a coherent framing for Waits' typically colorful and intriguing imagery. These are not radical reinventions, but Waits had followed such a rigidly stylized approach on his previous albums that for anyone who had followed him so far, the course correction was big news."(William Ruhlmann, AMG)
https://ru.wikipedia.org/wiki/Уэйтс,_Том
https://en.wikipedia.org/wiki/Tom_Waits
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