Ry Cooder / Boomer’s Story
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited Numbered Edition
Год издания/переиздания диска: 1972/2017
Жанр: Roots rock, blues, folk, Americana
Издатель (лейбл): Warner Bros. / Mobile Fidelity
Продолжительность: 00:39:08
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Boomer’s Story 04:16
2. Cherry Ball Blues 04:13
3. Crow Black Chicken 02:20
4. Ax Sweet Mama 04:27
5. Maria Elena 04:33
6. Dark End of the Street 03:27
7. Rally ‘Round the Flag 03:40
8. Comin’ in on a Wing and a Prayer 03:03
9. President Kennedy 04:38
10. Good Morning Mr. Railroad Man 04:33Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Released November 1972
Recorded Amigo Studios, Burbank
Producer Jim Dickinson, Lenny Waronke
Mobile Fidelity UDSACD 2154
The ISO image is created using sacd-ripper for PS3 version 0.21.Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/Ry-Cooder-Boomers-Story-Numbered-Limited-Edition-Hybri...tinfo/MOBSA2154/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-06-26 20:47:21
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Анализ: Ry Cooder / Boomer's Story
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DR Пики RMS Продолжительность трека
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DR10 -0.49 дБ -13.30 дБ 4:13 01-Boomer's Story
DR12 -0.45 дБ -16.23 дБ 4:11 02-Cherry Ball Blues
DR10 -1.01 дБ -13.33 дБ 2:17 03-Crow Black Chicken
DR11 -0.51 дБ -14.04 дБ 4:25 04-Ax Sweet Mama
DR16 -0.32 дБ -20.05 дБ 4:29 05-Maria Elena
DR12 -1.12 дБ -16.56 дБ 3:24 06-Dark End of the Street
DR14 -0.70 дБ -19.00 дБ 3:36 07-Rally 'Round the Flag
DR10 -0.40 дБ -15.11 дБ 3:00 08-Comin' in on a Wing and a Prayer
DR13 -0.70 дБ -17.17 дБ 4:38 09-President Kennedy
DR11 -0.74 дБ -15.81 дБ 4:33 10-Good Morning Mr. Railroad Man
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Количество треков: 10
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Boomer’s Story is the third studio album by American roots rock musician Ry Cooder, released in 1972.
The title track was previously recorded as “The Railroad Boomer” by Bud Billings (aka Frank Luther) and Carson Robison in a performance recorded at the studio at Liederkranz Hall in New York on September 9, 1929 (Victor V-40139). Although it is credited on Cooder’s album as “traditional,” Robison was awarded a copyright and the song “can’t be shown to have circulated in oral tradition.” Gene Autry recorded it in December of the same year.[5] In the 1930s the song was recorded for Decca Records by the Rice Brothers’ Gang, in 1939 by Roy Acuff & His Smoky Mountain Boys, in 1941 by Riley Puckett for RCA, and in the 1950s by Cisco Houston (as “The Rambler”) and by The New Lost City Ramblers, who included Cooder’s guitar teacher, Tom Paley.
All Music Review
Boomer’s Story, Ry Cooder’s third record, continues his archeological dig through music’s familiar and forgotten past. As was the case with his previous recordings, he not only looks to the masters — including blues legend Sleepy John Estes, songwriter Dan Penn (both of whom appear here) and the great Skip James — for material, but to lost and neglected pieces of American folk and blues, as well. Cooder adds the traditional title-track, which opens the album, and Lawrence Wilson’s “Crow Black Chicken,” which dates back to the late 1920s, to this collection of discoveries — both of which are handled with just the right balance of personality and reverence. Elsewhere, he injects a dark irony into the jingoistic “Rally ‘Round the Flag,” with its slow, mournful piano (played by Randy Newman) and slide guitar, while the Joseph Spence-style guitar arrangement of the World War II standard “Comin’ in on a Wing and a Prayer” has a sense of hope and conviction. Often criticized for possessing a less than commanding voice, Cooder steps back from the microphone for four of the album’s ten tracks — three instrumentals and one featuring Sleepy John Estes on his own “President Kennedy.” And while all of the instrumentals presented here are fine renditions of great tunes, it’s “Dark End of the Street” which truly stands out. Here, Cooder realizes that the only thing in his arsenal that can do justice to James Carr’s definitive version is his own remorseful slide guitar. Without uttering a single lyric, he’s able to convey the shame and deep regret of the Dan Penn/Chips Moman classic. Thanks to moments like this, along with Cooder’s consistently strong choice of material and brilliant guitar work, Boomer’s Story — less eccentric than his first, and less eclectic than Into the Purple Valley — ranks among his best work
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发表于 2020-9-24 13:06:57
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