Viktoria Tolstoy / Letters to Herbie
Формат записи/Источник записи: [TR24][OF]
Год издания/переиздания диска: 2011
Жанр: Vocal Jazz
Издатель (лейбл): ACT Music
Продолжительность: 00:57:15
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - Trust Me 04:02
02 - Textures 05:22
03 - I Thought It Was You 05:37
04 - Chan’s Song 03:54
05 - Butterfly 04:15
06 - Come Running To Me 05:57
07 - Give It All Your Heart 03:45
08 - Letter To Herbie 04:08
09 - Paradise 03:42
10 - Chemical Residue 04:49
11 - Tell Me A Bedtime Story - 03:52
12 - Naima 03:47
13 - Come On, Come Over 04:05
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-05-27 14:24:49
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Analyzed: Viktoria Tolstoy / Letters To Herbie
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DR Peak RMS Duration Track
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DR10 -0.64 dB -11.87 dB 4:02 01-Trust Me
DR10 -0.26 dB -12.20 dB 5:23 02-Textures
DR9 -0.69 dB -11.81 dB 5:38 03-I Thought It Was You
DR11 -0.73 dB -14.51 dB 3:54 04-Chan’s Song
DR9 -0.61 dB -11.77 dB 4:15 05-Butterfly
DR11 -0.73 dB -13.08 dB 5:57 06-Come Running To Me
DR10 -0.47 dB -12.29 dB 3:46 07-Give It All Your Heart
DR10 -0.61 dB -12.07 dB 4:08 08-Letter To Herbie
DR9 -0.70 dB -11.87 dB 3:42 09-Paradise
DR10 -0.72 dB -14.45 dB 4:49 10-Chemical Residue
DR10 -0.62 dB -12.09 dB 3:52 11-Tell Me A Bedtime Story
DR10 -2.53 dB -15.05 dB 3:47 12-Naima
DR10 -0.63 dB -12.33 dB 4:05 13-Come On, Come Over
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Number of tracks: 13
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1535 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): HIGHRESAUDIO
Состав
Viktoria Tolstoy, vocals
Jacob Karlzon, piano & keyboards
Krister Jonsson, guitars
Mattias Svensson, bass
Rasmus Kihlberg, drums
Special Guests:
Nils Landgren, trombone & vocals
Magnus Lindgren, woodwinds
Об альбоме (сборнике)
Herbie Hancock is without doubt one of the few remaining greats of jazz as a pianist and composer. Of late he has been playing jazz, rock and pop standards with a number of prominent guests - on “Possibilities” (2005) and most recently on “The Imagine Project” he joined up with global stars like Santana, Sting, Christina Aguilera and Pink to perform a range of popular classics. Now the tables have turned, and rather than Herbie covering the music of other artists, a fan of the 71-year-old has written a series of musical “Letters to Herbie” – ACT’s star Viktoria Tolstoy has recorded 12 songs for (and in most cases by) Herbie Hancock.
Viktoria Tolstoy has been a great admirer of Hancock since her early youth and the idea to do a tribute project has been with her for a while. “I think it was in 2004,” says Tolstoy, “at the Jazz Baltica Festival in Salzau, when I had the privilege to share the stage with Herbie and his band, including the amazing Wayne Shorter. As usual, after that there was a big late night jam session going on. I was sitting behind the drums and had just started to play, when someone called ‘Viktoria, Herbie is expecting you – he wants to have dinner with you!’ I immediately dropped the drumsticks and went downstairs, where Herbie and his entire band were already waiting for me. I was seated directly opposite my idol and next to Wayne Shorter. It was a truly surreal experience and I enjoyed every second of it!”
Needless to say, it was Hancock’s openness towards pop, soul and funk which won Viktoria Tolstoy over. She herself found widespread acclaim with her pop influenced ‘90s album “White Russian” (which she recorded with the Esbjörn Svensson Trio), and ever since she has remained true to melodic jazz spiced up with Scandinavian, Russian or American pop and folk music. With “Letters to Herbie” Tolstoy was faced with a tough choice. “It was not easy to select 12 out of the huge amount of songs, but I just listened to my heart.” Her smart decision was not to pick the biggest hits, such as “Cantaloupe Island” or “Watermelon Man”, which have already been covered too often. Her choice of songs fits together perfectly, although the selection covers Hancock’s different musical eras. The focus is largely on the songs of his funky ‘80s era, with selections such as “I Thought It Was You” or “Give It All Your Heart”, but classics are also included; Hancock’s “Butterfly” or Coltrane’s “Naima”, of which Hancock recorded a thrilling version in 2002.
Whether its ballads like “Chan’s Song“, or groovy pieces like the bonus track “Come On, Come Over“, Tolstoy’s versions sound timeless, neither artificial nor deliberately, ostentatiously modern. All of them are carried by Viktoria’s voice, which gives the music a special touch with its incredible clarity and imaginativeness. The overall effect also has a lot to do with the wonderfully attuned band, particularly Nils Landgren. As well as producing the album and playing the trombone, he wrote the title song himself and sings it with Tolstoy and Magnus Lindgren, telling the story of Viktoria’s encounter with Hancock. Tolstoy’s longstanding pianist, Jacob Karlzon, accepts the challenge of taking the seat of the master and convinces with impressive solos on piano and a variety of tones and colours on keyboard and Fender Rhodes, while Matthias Svensson on bass and Rasmus Kihlberg on drums provide the silky, groovy rhythms. Krister Johnsson’s guitar is strongly influenced by soul music, occasionally evoking George Benson (but not forgetting the funky wah-wah-pedal), and the impressive brass sections were played and arranged by Magnus Lindgren.
In order to discover all the technical nuances and the musical subtleties, such as the brass section in “Come Running to Me”, and the outstanding quality of the individual interpretations, you have to listen to the songs several times. “I wrote a letter to Herbie, he never answered,” sings Victoria Tolstoy in the title song. This time he most probably will.
„A neat piece of work: Letters to Herbie sounds sometimes groovy, sometimes funky, sometimes fresh and sparkling - but never nostalgic or like over-sweet admiration.”
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发表于 2020-9-24 13:07:06
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