Miles Davis And Milt Jackson - Quintet / Sextet
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1955/2016
Жанр: Bop
Издатель (лейбл): Prestige Records
Продолжительность: 31:01
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Dr. Jackle (8:55)
02. Bitty Ditty (6:37)
03. Minor March (8:18)
04. Changes (7:11)
Personnel:
Miles Davis – trumpet
Milt Jackson – vibraphone
Jackie McLean – alto saxophone
Ray Bryant – piano
Percy Heath – bass
Art Taylor – drums
Rec.: Van Gelder Studio, Hackensack, NJ, August 5, 1955.
Об альбоме (сборнике)
This 1956 release features Miles Davis backed by an all-star group including vibraphonist Milt Jackson who shares co-billing, Jackie McLean on alto saxophone on his two original contributions, pianist Ray Bryant, bassist Percy Heath and drummer Art Taylor. In addition to McLean's two songs, the rest of the programme contains Ray Bryant's Changes and Bitty Ditty, written by Thad Jones.
Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups. Quintet/Sextet is notable for two compositions by Jackie McLean: "Dr. Jackle" and "Minor March" (it appears on his famous 1959 Blue Note date New Soil as "Minor Apprehension"). The former is a Charlie Parker-ish line featuring a masterful Milt Jackson symposium on the blues – Davis' typically lyric approach, a tart, spacious flight from McLean, and a soulful, dancing Ray Bryant. The latter is a mysterious minor figure with jabbing rhythm breaks and a joyous bridge that recalls "Tempus Fugit." McLean's vaulting cadences and fervent cry anticipate the rapture of his mature style, and Bryant takes a harmonically adventuresome solo. Elsewhere, the group digs into the Bud Powell-like changes of Ray Bryant's low, slow "Changes" (over the rock-solid groove of Percy Heath and Art Taylor), and the quirky harmonies and angular melodies of Thad Jones' "Bitty Ditty." "Changes" inspires a lovely muted statement from Davis, and illustrates Bryant's unique blend of blues, sanctified gospel, and bebop. Davis and Jackson combine for pungent voicings on the head to "Bitty Ditty," then demonstrate their elegant mastery of harmony and swing. Both are inspired by the shape of Jones' line, and are completely unfazed by its intricacies.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-12-21 16:25:26
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Analyzed: Miles Davis And Milt Jackson / Quintet / Sextet
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DR Peak RMS Duration Track
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DR12 -0.10 dB -14.51 dB 8:55 01-Dr. Jackle
DR12 -0.10 dB -14.55 dB 6:37 02-Bitty Ditty
DR11 -0.10 dB -13.58 dB 8:18 03-Minor March
DR12 -0.10 dB -15.68 dB 7:11 04-Changes
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Number of tracks: 4
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3566 kbps
Codec: FLAC
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发表于 2020-9-24 13:07:23
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