Daymé Arocena / Cubafonía
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: afro-cuban, vocal jazz, soul, world music
Издатель (лейбл): Brownswood Recordings
Продолжительность: 00:40:11
Наличие сканов в содержимом раздачи: Да (сканы)
Источник (релизер): qobuz
Треклист:
01. Eleggua 03:07
02. La Rumba me llamo yo 04:24
03. Lo que fue 03:49
04. Maybe Tomorrow 02:56
05. Negra Caridad 03:11
06. Mambo Na’ Mà 03:22
07. Cómo 05:05
08. Todo por Amor 03:08
09. Ángel 02:54
10. It’s Not Gonna Be Forever 03:50
11. Valentine 04:25
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Другие альбомы Дайме Аросены в хай-резе: [TR24][OF] Daymé Arocena - Sonocardiogram - 2019 (afro-cuban, vocal jazz, soul, world music) [TR24][OF] Daymé Arocena - Nueva Era - 2015 (afro-cuban, vocal jazz, soul, world music)
Доп. информация: http://daymearocena.com/en/
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-01-16 11:39:23
--------------------------------------------------------------------------------
Analyzed: Daymé Arocena / Cubafonía
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR8 -0.09 dB -9.72 dB 3:08 01-Eleggua
DR8 -0.08 dB -9.58 dB 4:24 02-La Rumba Me Llamo Yo
DR8 -0.09 dB -9.98 dB 3:49 03-Lo Que Fue
DR9 -0.10 dB -11.99 dB 2:57 04-Maybe Tomorrow
DR9 -0.10 dB -10.68 dB 3:11 05-Negra Caridad
DR8 -0.09 dB -10.75 dB 3:22 06-Mambo Na' Mà
DR8 -0.10 dB -10.83 dB 5:05 07-Cómo
DR10 -0.10 dB -11.75 dB 3:09 08-Todo por Amor
DR10 -0.10 dB -13.89 dB 2:55 09-Ángel
DR8 -0.08 dB -8.98 dB 3:50 10-It's Not Gonna Be Forever
DR10 -0.05 dB -12.39 dB 4:25 11-Valentine
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Number of tracks: 11
Official DR value: DR9
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1640 kbps
Codec: FLAC
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Об исполнительнице (рус.) | About Artist (ru)
Дайме АросенаИсточник: арт-дайджест «Солонеба»
Тем, кто помешан на Кубе, с её колоритными песнями, пронизанными заводными барабанными трелями и украшенными гирляндами ярких мелодий, творчество Дайме Аросены очень даже придётся по вкусу. Остальным следует вести себя осторожно, ведь слушая и пританцовывая под сексуальные ритмы гуагуанко (одна из разновидностей афро-кубинской румбы), трудно сохранить ясный ум и не впасть в эндорфиновую зависимость от переизбытка эмоций.
Вокалистка и пианистка Дайме Аросена (род. в январе 1992 г. в Гаване, Куба) – ярчайшая представительница новой волны афро-кубинского джаза, обладающая инновационным композиторским стилем и невероятной вокальной техникой. В восьмилетнем возрасте Дайме была ведущей солисткой биг-бенда Los Primos, а в четырнадцатилетнем уже выступала на сцене с Уинтоном Марсалисом. Её первый альбом Nueva Era («Новая эра»), записанный всего за несколько дней в Лондоне и Гаване, по мнению Национального общественного радио (NPR) стал одним из 50 лучших альбомов 2015 года. Ведущий NPR Феликс Контрерас, описывая голос Аросены, назвал его «благородной смесью Силии Крус и Ареты Франклин», добавив, что имя молодой кубинки «вполне заслуживает того, чтобы быть в одном ряду с этими двумя легендами». Продюсером дебютного диска Дайме, а также последовавших за ним сольных альбомов Cubafonía (2017) и Sonocardiogram (2019), выступил британский ди-джей, ведущий радиопрограмм BBC 6 Music и Worldwide, основатель лейбла Brownswood Recordings и глава этой компании Жиль Петерсон, который познакомился с Аросеной во время подготовки на Кубе одного из ди-джейских сетов к популярной серии Havana Cultura. В том же 2015 году в составе джаз-группы Maqueque Дайме Аросена получила награду Juno Award за лучший джазовый альбом.
Кроме увлечения музыкой, Аросена также является страстным приверженцем и сторонником распространённой на Кубе синкретической религии Лукуми или Сантерии, представляющей собой верования народа йоруба, смешанные с элементами католицизма. Эта религия имеет множество сходных элементов с вуду и другими африканскими верованиями. Чтобы открыто выражать свою веру Дайме Аросена часто одевается в традиционные белые одеяния и выступает в тюрбане. Подобный имидж лишь в выгодном свете подчеркивает самобытную харизму талантливой исполнительницы с Карибского острова. http://soloneba.com/dayme-arocena/
Об исполнителе (англ.) | About Artist (en)
Daymé ArocenaDaymé Arocena (born January 1992 (Aquarius)) is an award-winning Afro-Cuban jazz singer from Havana, who has been described as Cuba's "finest young female singer." She won the 2015 Juno Award for the best jazz album, as a member of the jazz band Maqueque performing with Canadian musician Jane Bunnett.
Arocena is on National Public Radio's (NPR) list of 50 favourite albums of 2015, with the album Nueva Era. Describing Arocena's voice, NPR host Felix Contreras called her "a cross between Celia Cruz and Aretha Franklin," saying that Arocena's name "deserve to be alongside those two legendary voices."
Arocena began performing semi-professionally when she was eight years old; at the age of 14, she became the lead singer of the band Los Primos. She is considered a musical prodigy, and is a trained composer, arranger, choir director, and band leader, in addition to being a singer.
Arocena is a strong believer in Santeria, an Afro-Caribbean religion based on Yoruba principles; to mark her faith, she frequently performs wearing a turban and dressed in white. https://en.wikipedia.org/wiki/Daym%C3%A9_Arocena
Об альбоме (англ.) | About Album (en)
Info for 'Cubafonía'
With Cuba poised to become more connected to the rest of the world, the Cuban people’s pride in a unique musical heritage has never felt more vital. Arising from that lineage, Daymé Arocena has returned to deliver an ambitious second long player; rooting her compositions in Cuba’s classic rhythms, Daymé encompasses the rich, diverse musical make-up of her home whilst looking outward too – to the world she has spent the last two years traveling.
It’s her most polished, fully realised project since meeting her mentor (and record label head), Gilles Peterson, in 2012. Benefiting from Gilles’ expansive vision as a DJ, broadcaster and promoter, Daymé has been nurtured to this point by the Havana Cultura project – a platform for contemporary Cuban creativity driven by Havana Club rum.
First, there was 2014’s Havana Cultura Mix album, which introduced her to working with electronic producers for the first time. She then accompanied Gilles in his journey through rumba culture for the expansive Havana Club Rumba Sessions project, which produced a feature-length documentary along with an album – using her distinctive vocals – of rumba reimaginings and sample pack. As a solo artist, she released her debut album Nueva Era to critical and popular acclaim in 2015, with an EP of cover versions, titled One Takes, released in early 2016.
The reception to her music has spurred a whirlwind of opportunities: she shared an off-the-cuff live moment with Roy Ayers and Brazilian superstar Ed Motta to leave Worldwide Festival in tears of joy, jumped on stage with Miguel Atwood-Ferguson at his triumphant Suite for Ma Dukes show at the Barbican, and rung the opening bell of the New York Stock Exchange with a delegation from Women of the World. She has played shows from LA to Tokyo, charming audiences with her mesmerising vocal range and earthy sense of humour. She name-checks Kendrick Lamar and Anderson Paak as artists she would love to work with.
Despite all that, however, it’s not distracted Daymé from a deep sense of seriousness about her art form; born of a uniquely musical culture, she strives to forge a cohesive musical language from Cuba’s distinct musical dialects. Growing up in a two-bed house with 21 other people, every available surface was scuffed from the rumba rhythms which had been played out on them. It’s a childhood typical of a country where children grow up readily exposed to the island’s numerous, particular rhythms.
That immersive upbringing forms the record’s starting point. Entering one of Havana’s prestigious, state-funded classical conservatoires at age 9, that rigorous classical training has informed an interconnected vision of Cuban music, where inspiration comes from the Caribbean island’s different rhythms and styles – from Guantánamo’s fast-paced changüí, to ubiquitous guaguancó and ‘70s-style ballada. Sung mainly in Spanish, Daymé drops into English (and even tries out a little French) when the mood takes her. Produced alongside Soundway artist Dexter Story, with string arrangements from Miguel Atwood-Ferguson, this is heritage music for modern-day citizens of the world.
Interviewing Daymé at the Sound of Cuba showcase at SXSW last year, NPR wrote, “It is hard to imagine a better voice to open her country’s gates” – and it feels like this statement holds true. Ambitious, hardworking, and hungry for cultural exchange that doesn’t compromise the unique flavour of her home country of which she is so proud, it feels like 2017 could be a monumental year for Daymé. She possesses a clear sense of her music’s intermingling influences: “We don't have this native culture,” she explains. “We don't have indigenous people, like Maya or Quechua. They made a country with people from everywhere – that’s what makes Cuban culture so different.”
released March 10, 2017 https://daymearocena.bandcamp.com/album/cubafon-a
Состав | Artists
Lead Vocals, Piano (3), B3 Organ (10) – Daymé Arocena
Vocals – Bárbara Llanes (tracks: 1), Dreyser Durruti (tracks: 1), Julio Padron (tracks: 11)
Backing Vocals – Daniela Barreto, Dexter Story (tracks: 7, 10), Ernesto Lastres, Jorge Luis Lagarza, Loreta Zerquera, Mayquel González
Baritone Saxophone – Yuniet Lombida (tracks: 1 to 3, 5, 6, 10)
Clarinet – Emir Santacruz (tracks: 10)
Double Bass – Gastón Joya (tracks: 1, 2, 5, 8, 9, 12)
Drums – Ruly Herrera
Electric Bass – Gastón Joya (tracks: 7), Rafael Aldama (tracks: 3, 4, 6, 10)
Guitar – Rober Luis Gómez (tracks: 4, 5, 7)
Marimbula – Gastón Joya (tracks: 11)
Percussion – Yaroldy Abreu, Yosvany Díaz (tracks: 2)
Percussion [Güira] – Ruly Herrera (tracks: 11)
Piano – Jorge Luis Lagarza
Strings – Miguel Atwood-Ferguson (tracks: 4, 7)
Tenor Saxophone – Emir Santacruz (tracks: 1 to 3,5 to 7, 10, 11)
Tres – Lino Lores (tracks: 11)
Trombone – Heikel Trimiñio (tracks: 1 to 3, 5 to 7, 10)
Trumpet – Mayquel González (tracks: 1 to 3, 5, 6, 10, 11)
Executive-Producer – Gilles Peterson
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发表于 2020-9-24 13:11:45
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