Otis Redding
Otis Blue
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1965/2016
Жанр: Soul, R&B
Издатель(лейбл): ATCO / Analogue Productions
Продолжительность: 00:33:35
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Ole Man Trouble 02:40
2. Respect 02:09
3. Change Gonna Come 04:23
4. Down In The Valley 03:01
5. I’ve Been Loving You Too Long 03:18
6. Shake 02:42
7. My Girl 02:56
8. Wonderful World 03:12
9. Rock Me Baby 03:32
10. Satisfaction 02:49
11. You Don’t Miss your Water 02:544Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Released September 15, 1965
Recorded April 19 and July 9–10, 1965 Stax Recording Studios (Memphis, Tennessee)
Analogue Productions CAPP 095 SA
Producer Jim Stewart, Isaac Hayes, David Porter
Supervised By Jim Stewart
Engineer – Tom Dowd
Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/Otis-Redding-Otis-Blue-Otis-Redding-Sings-Soul-Hybrid-...uctinfo/APSA095/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-02-23 22:19:29
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Анализ: Otis Redding / Otis Blue
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DR Пики RMS Продолжительность трека
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DR13 -1.64 дБ -19.74 дБ 2:40 01-Old Man Trouble
DR14 -1.41 дБ -19.21 дБ 2:09 02-Respect
DR14 -2.28 дБ -21.38 дБ 4:23 03-Change Gonna Come
DR13 -2.09 дБ -18.18 дБ 3:01 04-Down In The Valley
DR14 -1.01 дБ -22.51 дБ 3:18 05-I've Been Loving You Too Long
DR14 -1.05 дБ -18.00 дБ 2:42 06-Shake
DR14 -2.49 дБ -19.56 дБ 2:56 07-My Girl
DR14 -1.71 дБ -18.68 дБ 3:12 08-Wonderful World
DR14 0.00 дБ -17.43 дБ 3:32 09-Rock Me Baby
DR13 -1.23 дБ -17.56 дБ 2:49 10-Satisfaction
DR14 -3.20 дБ -21.62 дБ 2:54 11-You Don't Miss your Water
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Количество треков: 11
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Состав
Backing Vocals – Earl Sims
Baritone Saxophone – Floyd Newman
Bass – Donald "Duck" Dunn
Design [Cover Design] – Haig Adishian
Drums – Al Jackson Jr.
Guitar – Steve Cropper
Keyboards – Booker T. Jones, Isaac Hayes
Tenor Saxophone – Andrew Love
Trumpet – Gene Miller, Wayne Jackson
Vocals – Otis Redding
Об альбоме (сборнике)
Otis Blue/Otis Redding Sings Soul, or simply Otis Blue, released September 15, 1965 on Stax Records, is the third studio album by soul singer Otis Redding. The album mainly consists of cover songs by popular R&B and soul artists, and, bar one track, was recorded in a 24-hour period over July 9/10 1965 at the Stax Recording Studios in Memphis, Tennessee. Otis Blue was critically acclaimed upon release and became one of Redding’s most successful albums; it reached number 6 on the UK Albums Chart, and was his first to reach the top spot of the Billboard R&B chart. Furthermore, it produced three popular singles, all charting at least in the top 50 on both the Billboard R&B and the Billboard Hot 100 chart. It is considered by many critics to be Redding’s first fully realized album.
Three of the eleven songs were written by Redding: “Ole Man Trouble”, “Respect”, and “I’ve Been Loving You Too Long”. Three songs were written by Sam Cooke, a soul musician who had died a few months earlier. As was the case in the previous albums, Redding was backed by house band Booker T. & the M.G.’s, a horn section of members of The Mar-Keys and The Memphis Horns, and pianist Isaac Hayes.
Otis Blue is included in a number of “best album” lists, including Rolling Stone’s 500 Greatest Albums of All Time, Time magazine’s list of the All-Time 100 Greatest Albums, and Robert Dimery’s “1001 Albums You Must Hear Before You Die”. Rhino Records released a two-disc Collectors Edition of Otis Blue in 2008.
All Music Review
Otis Redding’s third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding’s versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, “A Change Is Gonna Come” and “Shake,” are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it’s useful to hear the songs from those sessions juxtaposed with each other, and with “Wonderful World,” which is seldom compiled elsewhere. Also featured are Redding’s spellbinding renditions of “(I Can’t Get No) Satisfaction” (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding’s style), “My Girl,” and “You Don’t Miss Your Water.” “Respect” and “I’ve Been Loving You Too Long,” two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King’s “Rock Me Baby” that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene “Bowlegs” Miller’s trumpets and Andrew Love’s and Floyd Newman’s saxes providing the backing. Redding’s powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.
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发表于 2020-9-24 13:12:48
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