foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-02-28 22:02:50
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Analyzed: Emil Brandqvist Trio / Entering the Woods
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DR Peak RMS Duration Track
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DR12 -0.66 dB -17.44 dB 4:19 01-My New Bike
DR12 -0.30 dB -14.99 dB 5:08 02-Unbreakable
DR14 -1.11 dB -18.91 dB 3:41 03-From Now On
DR12 -0.30 dB -14.33 dB 4:01 04-Crowded Apartment
DR12 -0.59 dB -17.19 dB 4:55 05-When the Light Shines Through
DR13 -0.74 dB -16.53 dB 5:25 06-The Woods
DR12 -0.30 dB -13.52 dB 3:56 07-Grand Piano
DR13 -1.13 dB -19.52 dB 3:59 08-Butterflies
DR13 -2.26 dB -18.88 dB 2:42 09-Hide and Seek
DR11 -0.49 dB -14.18 dB 4:13 10-The Clouds Are Clearing
DR12 -0.30 dB -14.38 dB 2:45 11-Downhill
DR14 -0.59 dB -17.61 dB 5:58 12-Raindrops
DR13 -0.79 dB -20.39 dB 3:53 13-Epilogue
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Number of tracks: 13
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2509 kbps
Codec: FLAC
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Об исполнителях (рус.) | About Artists (ru)
Трио Эмиля Брандквиста
Можно сказать, что основатель Emil Brandqvist Trio, шведский композитор и исполнитель Эмиль Брандквист при своей склонности к тихой игре на барабанах в большей степени является художником звука, нежели «парнем, задающим ритм». Попирая амбиции, ему хватает смелости ставить в творческом процессе мелодию на первое место, параллельно объединяя в своих композициях джазовые гармонии с фольклорными веяниями далекого севера. В состав трио Эмиля Брандквиста, кроме него самого входят финский пианист Туомас А. Турунен и шведский бас-гитарист Макс Торнберг. В настоящее время коллектив Emil Brandqvist Trio считается одним из самых успешных фортепианных трио в Европе. https://skiprecords.com/site/artists/emil-brandqvist
Об исполнителях (англ.) | About Artists (en)
Emil Brandqvist Trio
The reactions to Emil Brandqvist’s debut album with SKIP in 2013, ‘Breathe Out’ (SKP 9115), were nothing less than enthusiastic. The recording together with the Sjöströmska String Quartet not only clocked in as CD of the Week at radio broadcasters WDR3 and HR Mikado, it was the Audio Tip for STEREOPLAY magazine. The German periodical Jazzthetik attested to ‘an intriguing alternative draft to the general view of what a drummer does.’ As for festival and club appearances, though there weren’t many last year he cast a spell that left audiences in a rapt, attentive and even euphoric mood.
One could say that this drummer and composer from Göteborg, Sweden is more an audiophonic painter than ‘the guy who sets the beat’. Fearless and persuasively convincing, he has the courage to put the melody first, to live out his folkloric influences from the far north and his penchant for quiet drum-playing. The trio’s line-up equally comprised of Tuomas Turunen, pianist and composer from Finland, and bass-player Max Thornberg from Stockholm, provides copious support. Turunen is a discovery all by himself: Inclined toward the classic vein, his playing is at times cheerfully bubbly, other times reserved, with dabs and dashes. A pianist who knows how to set distinctive accents. Following ‘Breathe Out’ with its string quartet arrangements, on ‘Seascapes’ (SKP9128) Emil Brandqvist has now turned to winds & horns. In his inimitable way he manages to create an atmosphere ranging between levity (for instance on the track ‘Silloin lennän’ by Turunen), melancholy (on ‘Vals’, the opener), spontaneous surprise and magic moments. The album also features Johan Asplund / flugelhorn, Martin Brandqvist / flutes, clarinet and bass clarinet, and Nils Börén / clarinet, all of whom strive to add to ‘the big picture’ without soloist allures. The final touches on ‘Seascapes’ came from Stefano Amerio at the studio ARTE SUONO in Udine, Italy, a world-class audio engineer who most recently put the ‘spit & polish’ on a number of albums for ECM, not to mention the last four Tingvall Trio productions for SKIP.
This time the CD is predominantly presented as a trio. For Emil Brandqvist, it’s tracks like ‘Vals’ that come closest to his ideal of lyrical pieces playfully wrought for a trio. ‘Skog’ (‘the forest’) describes a feel-your-way stroll, the magical ‘Du haller min hand’ the balance between the tension and happiness of a jaunt to the big city with his child. Encounters with ‘Bobergs udde’ and ‘Grimsholmen’, places where Brandqvist spends the summer, along with thoughts given to ‘Den sista isbjörnen’ (‘the last polar bear’) belong to the widely varying points for listeners to enter the world of Emil Brandqvist. German magazine STERN: “Magical music: weightless melodies… a blend of film score in wide-screen format and chamber play, sweet melancholy… thoughts on love, homesickness and yearning – 5 Stars, Highest Rating.” https://skiprecords.com/site/artists/emil-brandqvist
Об альбоме (англ.) | About Album (en)
Info for 'Entering the Woods'
The trio’s secret lies in the rare gift of having evolved such an inimitable sound marked by the finely sculpted soundscapes of Emil Brandqvist on drums and the at times sensitively dotted and dashed, other times rolling like a juggernaut neo-classicism of Tuomas A. Turunen. The stoically driving force emitted via Max Thornberg’s playing on double bass lends the trio unmistakeable body and weight. As usual, Emil Brandqvist himself is responsible for most of the compositions, but it’s become a fine tradition that Tuomas A. Turunen, who now calls the south of France home, acts as co-composer, too. No sooner than the first notes of “My New Bike” finds the listener riding along in the EBT cosmos of sweetly spiced drum accents and lush piano harmonies. On “Unbreakable”, a Tuomas A. Turunen composition, the notes literally pearl across the voluminous yet discreet bass lines by Max Thornberg: audiophonic moments that invite us to dream and ‘resense images’. With the EBT, you can’t help but hear the highly detailed production work with which Emil Brandqvist successfully manages to enhance the piano trio genre time and again by adding surprising twists: tricky rhythms like the ones on “Crowded Apartment” are just as much a part of his toolkit as adding guest musicians, like on “The Woods”. Here accordion-player Lisa Langbacka joins the trio to provide mellifluously melancholy moments. On “Grand Piano”, Mr. Emil from Gothenburg employs uncompromising drumwork to whip the trio on while deploying a bass clarinet played by Martin Brandqvist and a flugelhorn played by Johan Asplund to set atmospheric accents. “Butterflies”, a waltz in typical EBT attire, lets the fragile creatures dance as they do their winged-thing. In contrast, “Hide And Seek” sounds like a toy clock gone wild as it spins its way ahead while Tuomas A. Turunen delivers the space for keyboard runs far beyond metronome tick-tock atop meaty, earthy sounds from Brandqvist and Thornberg. In conclusion, and thanks to the central key role played by Max Thornberg, “The Clouds Are Clearing” sounds as if Sting had migrated back to the world of jazz. Embellished with prepared piano effects, celesta, bowed bass, horns and woodwinds, it has all the makings of the soundtrack for a cinematic epic. https://shop.skiprecords.com/collections/frontpage/products/entering-the-woods
Состав | Artists
Emil Brandqvist – Drums, Percussion
Tuomas A. Turunen – Piano
Max Thornberg – Double Bass
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发表于 2020-9-24 13:15:27
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