Malia / Malawi Blues/Njira
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Bonus
Год издания/переиздания диска: 2016
Жанр: vocal jazz, soul
Издатель (лейбл): MPS Classical
Продолжительность: 00:52:06
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): highresaudio
Треклист:
01 Malawi Blues/Njira (05:41)
02 Love Is Holding Both Our Hands (04:20)
03 Chipadzuwa (04:37)
04 Let Me Breathe (04:39)
05 Disgrace (03:44)
06 The Seed (04:22)
07 Black Widow (04:58)
08 Moon River (05:16)
09 Friendship (04:02)
10 Wonder of the World (05:44)
11 Let Me Breathe (Bonus track) (04:38)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Доп. информация: https://www.malia-music.com/
Лог проверки качества
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2019-04-16 03:10:15
--------------------------------------------------------------------------------
Analyzed: Malia / Malawi Blues/Njira
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.12 dB -11.58 dB 5:41 01-Malawi Blues/Njira
DR8 -0.12 dB -9.94 dB 4:21 02-Love Is Holding Both Our Hands
DR9 -0.12 dB -13.14 dB 4:37 03-Chipadzuwa
DR8 -0.12 dB -11.49 dB 4:40 04-Let Me Breathe
DR8 -0.12 dB -10.01 dB 3:45 05-Disgrace
DR9 -0.12 dB -11.53 dB 4:23 06-The Seed
DR8 -0.12 dB -10.14 dB 4:59 07-Black Widow
DR11 -0.06 dB -12.79 dB 5:16 08-Moon River
DR9 -0.38 dB -10.84 dB 4:02 09-Friendship
DR9 -0.12 dB -10.58 dB 5:45 10-Wonder of the World
DR8 -0.12 dB -10.73 dB 4:38 11-Let Me Breathe (Bonustrack)
--------------------------------------------------------------------------------
Number of tracks: 11
Official DR value: DR9
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3054 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
МалияМалия (род. 1978) - джазовая певица родом из южноафриканской республики Малави. Мать Малии – из Малави, а отец – из Великобритании. В возрасте четырнадцати лет певица переехала из Африки в Англию и провела свои подростковые годы в Лондоне. Будучи в Нью-Йорке, Малия услышала французскую песню Лиан Фоли, которая очаровала ее, и она решила познакомиться с её автором – Андре Манукяном, французским композитором, пианистом и продюсером. После чего у них завязалось продолжительное творческое сотрудничество. Во Франции Малия записала с Манукяном три альбома: Yellow Daffodils (2002), Echoes of Dreams (2004) и Young Bones (2007).
В 2010 году в жизни Малии произошла еще одна знаковая встреча: она познакомилась со швейцарским продюсером Борисом Бланком, прославившимся в 80-х в составе электронно-авангардного дуэта Yello. Спустя три года Малия в тандеме с Борисом выпустила мегауспешный альбом Convergence (2014).
На сегодняшний день в багаже малавийской певицы 7 студийных альбомов, включая диск-трибьют Black Orchid (2012), воздающий дань уважения великой джазовой исполнительнице Нине Симон. https://en.wikipedia.org/wiki/Malia_(singer)
Об исполнительнице (англ.) | About Artist (en)
MaliaMalia (born 1978) is a singer from Malawi. She has released six albums to date.
Malia's mother is from Malawi and her father is from the United Kingdom. She moved to London when she was a teenager. A budding singer, while in New York, she heard a French song by Liane Foly that fascinated her and she made contact with the composer/producer of the song, André Manoukian in France. Ever since, she has collaborated with Manoukian for a number of her albums starting with her debut Yellow Daffodils in 2002. The album Black Orchid, her fourth, is a tribute to Nina Simone. https://en.wikipedia.org/wiki/Malia_(singer)
Об альбоме (англ.) | About Album (en)
Info for Malawi Blues/Njira
Marshall McLuhan’s once futuristic idea of the ‘Global Village’ has long since become a reality. Only now in pop music are we in many ways learning and experiencing what the legendary media theorist had already formulated at the beginning of the 60s. Through digital technological advances, the majority of pop genres have acquired a worldwide, global dimension. Hip-hop, blues, and jazz are all evolving in hundreds of regional varieties, far from their original roots. The music of Malia can without a doubt be seen as impressive evidence of this worldwide fusion.
Moving from the southern African republic of Malawi to London at the age of fourteen, the singer spent her teenage years in the Big Smoke. Malia has recorded three albums in France with Andre Manoukian: Yellow Daffodils (2002), Echoes of Dreams (2004), and Young Bones (2007) - all originating in Manoukian’s Paris studio.
In 2010 she got to know the Swiss producer Boris Blank, who, since the 80s as part of the avant-garde duo Yello (‘The Race’, ‘Bostich’) with Dieter Meyer, has enjoyed great success. In 2012, Malia published a tribute to Nina Simone, Black Orchid, which won that year’s ECHO Jazz Award. In 2014, Boris Blank produced the eleven electronically shaped songs of her album Convergence.
Malia’s sixth studio album, Malawi Blues/Njira, sees her clear, incisive voice again amplified in a soul-jazz context. ‘A record that I’ve long wanted to make… Right now the time feels right for this… I wanted songs that reflected my awareness and ancestry’, she sums up the vibe of the ten tracks on Malawi Blues/Njira.
The album features thoughtful, mostly slow-paced originals, with sparingly orchestrated piano supported by guitar and percussion, amongst them an almost minimalistic cover version of the classic ‘Moon River’. Right from the outset, Malia with Malawi Blues/Njira looks back to the sound of her childhood.
Not only in the rousing ‘Love Is Holding Both Our Hands’ are the local vibes of the Kwela- and Kwasa-Kwasa traditions heard. ‘I consider it in all humility my duty to pass on the rich traditions and stories, in the same way my ancestors did, in the way my grandparents and parents did as we sat around the fire in the evenings in Malawi, eating nsima with pumpkin leaves and peanut sauce.
Of course that is just one aspect of her rich oeuvre. Her songs are characterized by artistic experiences and experiments, an amalgam that has shaped Malia’s life, and a lasting effect of her time on the club scene in London, where she was able to sharpen her sense of timing in small bars in front of small audiences. Here she was always able to adjust her sets live and directly, evening after evening. This musical diversity is now to her benefit, when, on ‘Chipadzuwa’ (a slang term in southern Africa for pretty woman), she switches between the regional language of Chichewa and the world language of English with mellifluous ease. With the support of the virtuoso pianist Alex Wilson, comes a sound that is cool and yet warm-hearted. Malia has arrived in a global musical world which she works and fights for. ‘To all the quiet warriors of this world’, concludes Malia, ‘Malawi Blues/Njira is for you!’ https://www.highresaudio.com/en/album/view/hrexsq/malia-malawi-blues-njira
Состав | Artists
Malia, vocals
Alex Wilson, piano
Dimitri Christopoulus, bass
Edwin Sanz, drums
/1 
发表于 2020-9-24 13:17:14
提升卡
置顶卡