Duke Ellington & His Famous Orchestra - ...And His Mother Called Him Bill
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 1968/2018
Жанр: Jazz, Big Band
Издатель (лейбл): RCA - Legacy
Продолжительность: 00:44:23
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.comТреклист:
1. Snibor (04:16)
2. Boo-Dah (03:32)
3. Blood Count (04:17)
4. U.M.M.G. (03:12)
5. Charpoy (03:05)
6. After All (03:46)
7. The Intimacy of the Blues (02:59)
8. Raincheck (04:34)
9. Day-Dream (04:17)
10. Rock Skippin' at the Blue Note (02:59)
11. All Day Long (02:54)
12. Lotus Blossom (03:56)Recorded : August and September 1967 in RCA Victor’s Studio A, New York City
Engineered by: Ed Begley
Produced by: Brad McCuen
Исполнители:
Duke Ellington, piano
Cat Anderson, trumpet
Mercer Ellington, trumpet
Clark Terry, flugelhorn
Lawrence Brown, trombone
Chuck Connors, bass trombone
Johnny Hodges, alto saxophone
Russell Procope, alto saxophone, clarinet
Jimmy Hamilton, tenor saxophone, clarinet
Paul Gonsalves, tenor saxophone
Aaron Bell, double bass
Steve Little, drums
Лог проверки качества
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2018-10-05 16:35:13
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Analyzed: Duke Ellington / ...And His Mother Called Him Bill
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DR Peak RMS Duration Track
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DR11 -0.46 dB -14.68 dB 4:19 01-Snibor
DR9 -0.46 dB -12.16 dB 3:30 02-Boo-Dah
DR10 -0.46 dB -15.17 dB 4:21 03-Blood Count
DR10 -0.46 dB -12.67 dB 3:16 04-U.M.M.G
DR12 -0.46 dB -14.98 dB 3:09 05-Charpoy
DR12 -0.79 dB -17.00 dB 3:54 06-After All
DR12 -0.46 dB -16.25 dB 2:59 07-The Intimacy of the Blues
DR10 -0.46 dB -13.70 dB 4:39 08-Raincheck
DR11 -0.46 dB -14.57 dB 4:26 09-Day-Dream
DR10 -0.46 dB -13.94 dB 3:02 10-Rock Skippin' at the Blue Note
DR10 -0.46 dB -13.27 dB 2:59 11-All Day Long
DR12 -0.87 dB -18.03 dB 3:54 12-Lotus Blossom
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Number of tracks: 12
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3013 kbps
Codec: FLAC
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Об альбоме (сборнике)
When Billy Strayhorn died of cancer in 1967, Duke Ellington was devastated. His closest friend and arranger had left his life full of music and memories. As a tribute, Ellington and his orchestra almost immediately began recording a tribute to Strayhorn, using the late arranger’s own compositions.
The album features well-known and previously unrecorded Strayhorn tunes that showcase his range, versatility, and, above all, the quality that Ellington admired him most for: his sensitivity to all of the timbral, tonal, and color possibilities an orchestra could bring to a piece of music.
Full of informality and soulful verve, these recordings feel like they are an afterthought, an unwillingness to completely let go, a eulogy whose final words are questions, elegantly stated and met with only the echo of their last vibrations ringing in an empty room, full of wondering, longing, and helplessness, but above all the point of the questions themselves: “Is this enough?” or “Can there ever be enough to pay an adequate tribute to this man?”
They are interesting questions, because only five years later we would all be saying the same thing about Ellington. For a man who issued well over 300 albums, this set is among his most profoundly felt and very finest recorded moments.
"When Billy Strayhorn died of cancer in 1967, Duke Ellington was devastated. His closest friend and arranger had left his life full of music and memories. As a tribute, Ellington and his orchestra almost immediately began recording a tribute to Strayhorn, using the late arranger’s own compositions and charts. The album features well-known and previously unrecorded Strayhorn tunes that showcased his range, versatility, and above all, the quality that Ellington admired him most for: his sensitivity to all the timbral, tonal, and color possibilities an orchestra could bring to a piece of music." (All Music Guide)