Leila Martial / Leïla Martial Baa Box / Warm Canto
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: vocal jazz, contemporary jazz
Издатель (лейбл): Laborie Jazz
Продолжительность: 00:52:37
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): qobuz
Треклист:
01. Amuse Bouche (1’35)
02. Nuit Pygmée (6’38)
03. Le sourire du Clown (3’41)
04. La Danse du Clown (I) (4’04)
05. La Danse du Clown (2) (5’00)
06. Forget and be (4’30)
07. Jeanne (4’27)
08. Serendipity (7’34)
09. Warm Canto (3’29)
10. Petit Temps volé (6’48)
11. Solal (1’29)
12. Pieds nus (3’14)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Другие альбомы Лейлы Мартиаль в хай-резе: [TR24][OF] Leïla Martial - Baabel - 2016 (Vocal Jazz) [TR24][OF] Leïla Martial - Dance Floor - 2012 (Vocal Jazz)
Доп. информация: https://leilamartial.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-03-29 20:50:28
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Analyzed: Leïla Martial BAA BOX / Warm Canto
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -7.01 dB -19.13 dB 1:36 01-Amuse-bouche
DR9 -0.01 dB -14.08 dB 6:40 02-Nuit Pygmée
DR12 -1.00 dB -15.01 dB 3:41 03-Le sourire du clown
DR9 -0.01 dB -12.51 dB 4:05 04-La danse du clown, Pt. 1
DR7 -0.01 dB -11.12 dB 5:03 05-La danse du clown, Pt. 2
DR8 -0.01 dB -12.10 dB 4:31 06-Forget and Be
DR11 -3.20 dB -17.13 dB 4:27 07-Jeanne
DR9 -0.01 dB -12.68 dB 7:36 08-Serendipity
DR12 -1.68 dB -18.07 dB 3:30 09-Warm Canto
DR7 -0.01 dB -11.25 dB 6:50 10-Petit temps volé
DR10 -2.76 dB -19.20 dB 1:30 11-Solal
DR11 -0.02 dB -14.74 dB 3:15 12-Pieds nus
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Number of tracks: 12
Official DR value: DR9
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1433 kbps
Codec: FLAC
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Об исполнительнице (рус.) | About Artist (ru)
Лейла Мартиаль
Лейла Мартиаль (род. в 1984 году в департаменте Арьеж, Франция) – французская джазовая вокалистка и композитор. Лейла росла в семье музыкантов: её мать – певица, а отец – гобоист и преподаватель теории классический музыки. В 10 лет Лейла поступила в Джазовый колледж в Марсиаке, в 17 – в Тулузскую областную консерваторию, в 20 – в консерваторию Сан-Себастьяна. Лейла Мартиаль выработала свой собственный музыкальный язык, в основе которого лежит джазовая звукоподражательная импровизация, а также элементы рока и этнической музыки.
Дискография:
2012 : Dance Floor (OutNote Records)
2016 : Baabel (Laborie Jazz)
2019 : Warm Canto (Laborie Jazz) https://www.last.fm/ru/music/Le%C3%AFla+Martial/+wiki
Об исполнительнице (англ.) | About Artist (en)
Leïla Martial
“Leïla Martial is more than a singer. She is a creator of feelings” Jean-Marc Gélin, JAZZ MAGAZINE
Award-winning French singer, Leïla Martial, inhabits a captivating sonic universe, new wave jazz and rock amidst a flurry of vocal madness. She is one of today’s most experienced masters of a rare instrument: a voice of boundless creativity, a source of onomatopoeia which changes and transforms itself to adapt all soundscapes it browses. Whether she screams, blows, belches or delicately accompanies the melody, Leïla Martial is a force to reckon with. Her second album Baabel released on Laborie Jazz, also owes its richness to the talents of her trio, Pierre Tereygeol’s feverish guitar solos, Eric Perez’s changing rhythms into controlled waterfalls. Baabel delivers the most subtle and unexpected twists, switching from an urgent madness to serenity.
Coming from a a family of musicians in the south-west of France, Leïla Martial trained at the celebrated Collège jazz of Marciac, a place known worldwide by its famous Jazz in Marciac Festival. She then entered the Conservatoire de Toulouse and several jazz schools, following in the footsteps of her friend Emile Parisien. She hesitated between a career as an actress or a musician, when in 2009 she won the first soloist prize at the Concours de la Défense (for the first time awarded to a singer), and soon after taking France by surprise with the release of Dance Floor, her debut album in 2012. In 2014 her quartet was selected by the AJC Network for the annual Jazz Migration tour.
Leïla performs also in Anne Pacéo’s Circles and in FiL, her duo with Valentin Ceccaldi. Inspired by musicians as diverse as Eric Dolphy or Médéric Colignon, and just as moving as Jeanne Lee, Leïla Martial is the equal of her Swiss counterpart Andreas Schaerer, with whom she has performed at the Südtirol Jazz Festival. Among these influences, she also quotes Björk, Magma, Bobby McFerrin, Maria Joao or the singer Camille. https://leilamartial.com/en/
Об альбоме (англ.) | About Album (en)
Info for 'Warm Canto'
Vocalist, clown and improvisor Leïla Martial releases her third album, Warm Canto, on 24 May. It features her trio Baa Box. The album focuses around the human voice, mostly hers, stretching its physical and musical capabilities. Made up of Martial, voice, glockenspiel and senza (thumb piano); Eric Perez, voice and guitar; and Pierre Tereygeol, voice, guitar and percussion, the trio explores looping, vocal effects and layered patterns to create an interesting and lively tone palate.
Growing up in a musical family, Martial studied at the Marciac Village Music College from the age of ten, later continuing her studies at Collège Jazz de Marciac, the home of the Jazz in Marciac festival. Leïla was torn between the career of an actress or a singer; it was her 2009 Concours de la Défense win that led her to pick music. Two albums followed; 2012’s Dance Floor, and 2017’s Baable, with Baa Box. The trio, according to her website, is named after the “baa” made by goats. This is because a goat “does not look for aesthetics, it IS”. The trio’s previous album was based on “epic rock,” the new album represents something quite different. This is another step on her self-professed journey of developing a magical musical language based on improvisation.
A large part of it is made up of beautiful, intricate vocalisation intertwined with looped vocal harmonies, percussive sung phrases and supportive guitar lines. The press release for the album states that it is influenced by “vocal possibilities beyond a Western framework, including Romani, Pygmée and Inuit”. Songs such as Nuit Pygmée showcase the range of Martial’s shape-shifting vocalisation, jumping from flowing lines to staccato, twisted, disjointed phrases. The band use loops to create a full and energetic sound on Serendipity, one of the albums rockier numbers, with its use of effect pedals on the vocals. The layering of the vocal lines give the effect of a choir supporting the song.
In the slower, more poignant numbers such as Le sourire du clown the instrumental aspect of the band is featured more prominently; creating an uneasy, creaking, rattling sound-world with feverish percussive tapping, slow and steady guitar lines and shimmering, sometimes quite creepy, vocalisations accompanied by glockenspiel. Jeanne allows the guitar to be more than just an accompanying instrument. Positioned seventh in the twelve-song order it is a welcome momentary break from the album’s fairly continuous vocal focus.
There is always a danger when using loop pedals and layered vocal lines that the music you make, especially if collated into an album, will be repetitive and aesthetically similar. Warm Canto does repeat textures and ideas, however this doesn’t hinder ones enjoyment of the music. Focusing more on the voice and its musical possibilities rather than using it as a means to an end in the song-writing process brings about interesting and fresh material. This is an accessible, enjoyable album with some real vocal gems embedded within.
(Laborie Jazz CD.LJ48. CD review by Sebastian Maniura)
Состав | Artists
Leïla Martial, vocals, glockenspiel, senza (thumb piano)
Eric Perez, voice, guitar, human bass
Pierre Tereygeol, guitar, vocals, percussion
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发表于 2020-9-24 13:18:00
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