Thelonious Monk Trio - Thelonious Monk Trio
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1954/2014
Жанр: Post-Bop
Издатель(лейбл): Prestige Records
Продолжительность: 34:49
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Blue Monk (7:39)
02. Just A Gigolo (3:01)
03. Bemsha Swing (3:10)
04. Reflections (2:48)
05. Little Rootie Tootie (3:06)
06. Sweet And Lovely (3:34)
07. Bye-Ya (2:47)
08. Monk's Dream (3:07)
09. Trinkle, Tinkle (2:50)
10. These Foolish Things (2:46)
Personnel:
Thelonious Monk - piano
Gary Mapp - bass (3-10)
Percy Heath - bass (1, 2)
Art Blakey - drums (1, 2, 5-8)
Max Roach - drums (3, 4, 9, 10)
Rec.: Van Gelder Studio, Hackensack, NJ, October 15 (#5-8) and December 18 (#3, 4, 9, 10), 1952, and September 22 (#1. 2), 1954.
Об альбоме
The position of legendary figure is usually reserved for a deceased musician who has played two decades before. It usually requires this posthumous status and span of time, for the various stories concerning him to grow into a legend but it took a very much alive Thelonious Monk only five years to surround himself with an air of mystery and receive the title “High Priest of Bebop” in the Forties.
Perhaps this element of weird glamour prevented many people from enjoying Monk’s music to the fullest extent. Certainly he is always low man on the totem pole whenever the triumvirate of the founding fathers of bop is evaluated. This is due in part, no doubt, to the greater solo prowess of Charlie Parker and Dizzy Gillespie, but Thelonious’s contributions in time, chord patterns, and the original lines resulting from them were unjustly minimized. Actually they were the basis for much of the jazz of the Forties and Fifties.
Today he stands as an individual, a highly original musician who is the mentor of many young musicians in New York and the influence of countless others all over the globe. In his writing and playing, he consistently proves his right to the often misapplied title of creator. This album is composed of two separate sessions. As a belated sequel to Thelonious’s successful trio sessions of 1952, this one was also richly rewarding.
Though not a great soloist from the standpoint of technique, brilliance, and flash, Monk’s originality of style and width of idea serve to make him a highly interesting and important one. His playing can be characterized by roast beef, and a martini in which vermouth plays a very minor supporting role; much meat and very dry.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-02-28 20:52:43
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Analyzed: Thelonious Monk Trio / Thelonious Monk Trio
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DR Peak RMS Duration Track
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DR11 0.00 dB -13.26 dB 7:39 01-Blue Monk
DR13 -0.15 dB -15.22 dB 3:01 02-Just A Gigolo
DR11 -0.18 dB -12.20 dB 3:10 03-Bemsha Swing
DR11 -1.03 dB -13.23 dB 2:48 04-Reflections
DR10 -0.14 dB -11.50 dB 3:06 05-Little Rootie Tootie
DR10 -0.15 dB -11.84 dB 3:34 06-Sweet And Lovely
DR10 -0.06 dB -11.35 dB 2:47 07-Bye-Ya
DR10 -0.15 dB -11.40 dB 3:07 08-Monk's Dream
DR10 -0.13 dB -11.73 dB 2:50 09-Trinkle, Tinkle
DR10 -0.10 dB -11.66 dB 2:46 10-These Foolish Things
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Number of tracks: 10
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1456 kbps
Codec: FLAC
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发表于 2020-9-24 13:18:07
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