Teddy Wilson Trio / Revisits The Goodman Years
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1980/2020
Жанр: Jazz
Издатель (лейбл): Storyville Records
Продолжительность: 00:39:47
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - S' Wonderful 03:01
02 - Someday Sweetheart 02:59
03 - The Sheik Of Araby 03:16
04 - More Than You Know 02:58
05 - Nobody's Sweetheart Now 03:40
06 - Rose Room 04:13
07 - China Boy 04:16
08 - Sweet Sue 02:21
09 - Moonglow 02:43
10 - Exactly Like You 03:16
11 - Sweet Lorraine 03:36
12 - Whispering 03:28
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-05-17 20:18:54
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Analyzed: Teddy Wilson Trio / Revisits The Goodman Years (Remastered)
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DR Peak RMS Duration Track
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DR13 0.00 dB -16.56 dB 3:02 01-S'Wonderful
DR12 -0.25 dB -16.70 dB 3:00 02-Someday Sweetheart
DR12 -1.15 dB -16.93 dB 3:16 03-Sheik of Araby
DR13 -3.05 dB -19.70 dB 2:59 04-More Than You know
DR13 -2.32 dB -18.45 dB 3:41 05-Nobody's Sweetheart
DR13 -2.59 dB -19.10 dB 4:13 06-Rose Room
DR13 -1.05 dB -17.80 dB 4:16 07-China Boy
DR13 -0.71 dB -16.61 dB 2:22 08-Sweet Sue
DR14 -2.49 dB -19.91 dB 2:44 09-Moonglow
DR13 -0.98 dB -17.66 dB 3:17 10-Exactly Like You
DR14 -2.10 dB -19.65 dB 3:36 11-Sweet Loraine
DR13 -1.36 dB -17.26 dB 3:29 12-Whispering
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Number of tracks: 12
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2764 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Bass – Jesper Lundgaard
Drums – Ed Thigpen
Piano – Teddy Wilson
Об альбоме (сборнике)
Recorded June 15th 1980 Copenhagen
Obviously, when pianist Teddy Wilson made this recording in 1980, six years before his death, he wasn’t at the peak of creativity with which he first dazzled the jazz world in the 1930s. He was merely at the advanced level of perfection that he maintained all of his life as a supreme melodist, a master of control and touch, a calm commander of rhythm.
In some of his latter-day collections, Wilson’s consistency and smoothness could create an attention-deficit problem for the listener. Here, they do not. In 18 tunes recalled from his days with Benny Goodman, he is energized, alert and resourceful. The fact that he was famously unruffled and able to lay back does not mean that Wilson lost his ability to surprise, as he does here on several tunes with flurries of left (stride)-right (arpeggio) combinations and, on “Keepin’ Out of Mischief Now,” with delicious references to Fats Waller and Earl Hines. He turns what sounds like a finger bobble in the first phrase of “How High the Moon” into an opportunity for melodic invention, and he creates a fresh chromatic reduction in “Rose Room,” which he had probably played a thousand times. Ed Thigpen, impeccable on brushes throughout, and the forthright bassist Jesper Lundgaard provide inspirational assistance. Lundgaard’s solo on “St. Louis Blues” is a highlight.
This album is a good way to make Wilson’s acquaintance, and should it lead new listeners back to his work with Goodman and his great solo and combo recordings, all the better.
/1 
发表于 2020-9-24 13:23:15
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