Coleman Hawkins / Lover Man
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1960-1968/2017
Жанр: Jazz
Издатель (лейбл): 2xHD Storyville Records
Продолжительность: 00:35:52
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - Lover Man 05:12
02 - Sweet Georgia Brown 03:52
03 - Stuffy 07:26
04 - Yesterdays (from ""Roberta"") 06:32
05 - Marianne - Just You, Just Me 05:57
06 - All the Things You Are 06:53
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-04-30 11:02:26
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Analyzed: Coleman Hawkins / Lover Man (Remastered)
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DR Peak RMS Duration Track
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DR12 -1.09 dB -15.09 dB 5:11 01-Lover Man: Lover Man (Oh, Where Can You Be?)
DR12 -1.83 dB -16.07 dB 3:55 02-Sweet Georgia Brown
DR12 -1.01 dB -15.45 dB 7:27 03-Stuffy
DR15 -0.11 dB -18.38 dB 6:32 04-Yesterdays (from "Roberta"): Roberta: Yesterdays
DR12 0.00 dB -14.57 dB 5:57 05-Marianne: Just You, Just Me
DR12 -2.06 dB -15.82 dB 6:52 06-All the Things You Are: Very Warm for May: All the Things You Are
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Number of tracks: 6
Official DR value: DR13
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4222 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): HDTracks
Состав
1-2 (1968)
Coleman Hawkins (Tenor Saxophone), Kenny Drew (Piano), N.H. Ørsted Pedersen (Bass), Al Heath (Drums)
3-6 (1960)
Coleman Hawkins (Tenor Saxophone), Bud Powell (Piano), Oscar Pettiford (Bass), Kenny Clarke (Drums)
Об альбоме (сборнике)
The first four sides of this album capture the momentous meeting of four great iconoclastic jazz figures. It was a historic, magical moment when Coleman Hawkins, Bud Powell, Oscar Pettiford and Kenny Clarke came together on the stage of the Grugahalie in Essen on the evening of April 2nd, 1960 and played for an Essen Jazz Festival audience of some 8,000 people. That audience was uniquely privileged because it was to witness the performance of some most inspirational spontaneous music from a quartet of jazz masters who were destined never to play together again. Oscar Pettiford, one of the prime emancipators of the bass, died later that year; Bud Powell went to that great 52nd Street in the sky six years later. And three years after that, Coleman Hawkins was dead.
A most precious recording, then – and it underscores yet again the gratitude that all jazz lovers