Miho Hazama - Dancer in Nowhere
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: Big Band, Contemporary Jazz
Издатель (лейбл): Sunnyside
Продолжительность: 01:04:45
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Today, Not Today (Hazama) - 8:03
02. The Cyclic Number (Hazama) - 8:02
03. Run (Hazama) - 7:07
04. Somnambulant (Hazama) - 9:45
05. Il Paradiso del Blues (Hazama) - 8:56
06. Magyar Dance (Hazama) - 8:06
07. Olympic Fanfare and Theme (Williams) - 6:08
08. Dancer in Nowhere (Hazama) - 8:38
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.5.1 / Dynamic Range Meter 1.1.1
log date: 2020-03-03 15:18:31
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Analyzed: Miho Hazama / Dancer in Nowhere
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DR Peak RMS Duration Track
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DR9 -0.70 dB -12.56 dB 8:03 01-Today, Not Today
DR8 -0.70 dB -12.32 dB 8:02 02-The Cyclic Number
DR8 -0.80 dB -11.62 dB 7:07 03-Run
DR8 -0.80 dB -13.89 dB 9:45 04-Somnambulant
DR8 -1.07 dB -12.02 dB 8:56 05-Il Paradiso del Blues
DR8 -0.76 dB -11.54 dB 8:06 06-Magyar Dance
DR8 -0.70 dB -11.68 dB 6:08 07-Olympic Fanfare and Theme
DR8 -0.80 dB -12.39 dB 8:38 08-Dancer in Nowhere
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Number of tracks: 8
Official DR value: DR8
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2718 kbps
Codec: FLAC
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Источник (релизер): redacted Состав
Miho Hazama - conductor
Steve Wilson - alto saxophone, soprano saxophone, flute
Ryoji Ihara - tenor saxophone, clarinet, flute
Jason Rigby - tenor saxophone, clarinet (#4,8)
Andrew Gutauskas - baritone saxophone, bass clarinet
Jonathan Powell - trumpet, flugelhorn
Adam Unsworth - French horn
Tomato Akeboshi, Sita Chay - violin
Atsugi Yoshida - viola
Meaghan Burke - cello
James Shipp - vibraphone, guiro, shekere
Billy Test - piano
Sam Anning - bass
Jake Goldbas - drums
Kavita Shah - voice (#4,6)
Lionel Loueke - guitar (#4)
Nate Wood - drums (#8)
Recorded at Sound on Sound Studios, NJ on August 22-23, 2018.
Review by Britt Robson
It isn’t a coincidence that the three albums Miho Hazama has recorded with her 13-piece “m_unit,” most recently Dancer in Nowhere, convey a sense of movement that is both tangible and ethereal. Hazama’s compositions are at once strikingly restless and reassuringly lithe. She knows how to conjure impressionistic clouds that blossom into clarity, and create clearings for soloists to make their case before a new juxtaposition reveals itself.
Sometimes these changes have a long arc, as on “Somnambulant,” which opens with wordless vocals from Kavita Shah, a stark simplicity enriched by hovering strings and then horns. You expect the breathy tenor solo from Jason Rigby that eventually ensues, but the filigreed electric guitar solo from guest Lionel Loueke comes out of nowhere. By contrast the next track, “Il Paradiso del Blues,” is a rapidly-changing, reed-driven festival of horns, Latin spice with a pinch of Count Basie, highlighted by the birdlike modulations of alto Steve Wilson, followed closely by drummer Jake Goldbas and eventually yielding to a baritone saxophone solo from Andrew Gutauskas. The muscular “The Cyclic Number” leads with a Mingus-like bass solo from Sam Anning, features the vibes of James Shipp and stops short for an extended viola break from Atsuki Yoshida.
The least successful numbers are the final two. After covering Lady Gaga and then A Perfect Circle on the first two m_unit albums, Hazama’s lone non-original this time is John Williams’ “Olympic Fanfare and Theme,” a bad match from the opening handclaps. The closing title song is designed as a vehicle for guest Nate Wood on drums, but feels claustrophobically busy, without enough of Hazama’s trademark pivots in mood.
/1 
发表于 2020-9-24 13:24:38
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