Polly Gibbons - All I Can Do
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Vocal Jazz
Издатель (лейбл): 2xHD/Resonance Records
Продолжительность: 01:08:01
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
01. Permit Me to Introduce You to Yourself (5:08)
02. Good Hands Tonight (6:28)
03. Beautiful Things (4:21)
04. If You Had the Chance (5:21)
05. Some of My Best Friends Are the Blues (6:36)
06. Anything Goes (4:30)
07. This Is Always (5:39)
08. All I Can Do (5:03)
09. Everything Must Change (7:23)
10. I’m Just a Lucky So-and-So (5:48)
11. Nothing Compares 2 U (6:24)
12. I Want a Little Sugar in My Bowl (5:20)Polly Gibbons, vocal
Tamir Hendelman, piano
James Pearson, piano
Shedrick Mitchell, hammond organ
Paul Bollenback, guitar
Richie Goods, bass
Mark McLean, drums
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-04-22 20:50:31
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Analyzed: Polly Gibbons / All I Can Do
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DR Peak RMS Duration Track
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DR11 -9.59 dB -21.85 dB 5:09 01-Permit Me to Introduce You to Yourself
DR11 -9.19 dB -22.65 dB 6:29 02-Good Hands Tonight
DR10 -10.33 dB -22.84 dB 4:20 03-Beautiful Things
DR9 -8.71 dB -21.22 dB 5:21 04-If You Had the Chance
DR10 -9.69 dB -22.45 dB 6:36 05-Some of my Best Friends Are the Blues
DR9 -10.31 dB -21.74 dB 4:30 06-Anything Goes
DR10 -10.82 dB -24.09 dB 5:40 07-This Is Always
DR9 -8.85 dB -20.27 dB 5:03 08-All I Can Do
DR10 -9.53 dB -22.33 dB 7:23 09-Everything Must Change
DR9 -9.72 dB -21.37 dB 5:48 10-I'm Just a Lucky So and So
DR11 -10.81 dB -26.79 dB 6:26 11-Nothing Compares to You
DR10 -9.79 dB -22.74 dB 5:24 12-Sugar in My Bowl
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Number of tracks: 12
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4574 kbps
Codec: FLAC
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Об альбоме (сборнике)
Los Angeles, March 13, 2019 – Resonance Records discovery Polly Gibbons, a British-born star on the rise, has a sound and style that give off sparks. It’s raw, raspy, and full of heat; it sputters and growls, carves out funky grooves, and wails into the skies. All I Can Do, her third Resonance release, the label’s founder George Klabin, places Gibbons in front of an audience, where she’s at her most explosive.
Recorded before an invited crowd at Power Station, the New York studio where Bruce Springsteen, the Rolling Stones, Paul McCartney, Madonna, and Sting made renowned albums, All I Can Do teams Gibbons with a smoldering quintet: pianist and arranger James Pearson (musical director at the legendary Ronnie Scott’s in London); organist Shedrick Mitchell (who played for nine years with Whitney Houston); guitarist Paul Bollenback; bassist Richie Goods; and drummer Mark McLean. Guest pianist and arranger Tamir Hendelman is a first-call musician in Los Angeles, a first-call accompanist in Los Angeles; he can be heard on the CD and DVD of One Night Only: Barbra Streisand and Quartet at the Village Vanguard.
On All I Can Do, Gibbons roams the musical map while staying grounded in jazz, her home base. She finds the common thread in songs by Horace Silver, Prince, AND Al Jarreau. She borrows tunes from her idols—Nina Simone, Chet Baker, Donny Hathaway—and makes them her own. As Jon Sobel wrote in the Seattle Post-Intelligencer: “I hear echoes of Ella, Lena, Aretha, even Janis. But Gibbons is a full-blown phenomenon of her own.”