Louis Armstrong / Mack the Knife
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1962/2017
Жанр: Vocal Jazz, Dixieland
Издатель (лейбл): 2xHD
Продолжительность: 00:46:56
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - When It's Sleepy Time Down South 02:46
02 - (Back Home Again In) Indiana 04:33
03 - Give Me a Kiss to Build a Dream On 05:21
04 - My Bucket's Got a Hole in It 02:55
05 - Mack the Knife 03:23
06 - Blueberry Hill 03:28
07 - When the Saints Go Marching In 03:50
08 - Ole Miss 04:06
09 - High Society Calypso 03:12
10 - C'est si bon 03:32
11 - La vie en rose 04:53
12 - The Faithful Hussar 05:06
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-04-24 07:28:49
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Analyzed: Louis Armstrong / Mack the Knife
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DR Peak RMS Duration Track
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DR11 -2.05 dB -17.20 dB 2:46 01-When It's Sleepy Time Down South
DR11 -1.11 dB -15.07 dB 4:33 02-(Back Home Again In) Indiana
DR12 -1.82 dB -19.05 dB 5:21 03-Give Me a Kiss to Build a Dream On
DR12 -0.85 dB -17.57 dB 2:55 04-My Bucket's Got a Hole in It
DR13 -1.92 dB -18.48 dB 3:23 05-Mack the Knife
DR12 -2.34 dB -17.26 dB 3:28 06-Blueberry Hill
DR11 -2.37 dB -16.65 dB 3:50 07-When the Saints Go Marching In
DR13 -2.31 dB -18.11 dB 4:06 08-Ole Miss
DR12 -2.92 dB -18.76 dB 3:12 09-High Society Calypso
DR13 -2.61 dB -20.52 dB 3:32 10-C'est si bon
DR13 -2.08 dB -20.06 dB 4:53 11-La vie en rose
DR12 -2.40 dB -18.53 dB 5:06 12-The Faithful Hussar
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Number of tracks: 12
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4809 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): HDtracks
Состав
Bass – Billy Cronk
Clarinet – Joe Darensbourg
Drums – Danny Barcelona
Piano – Billy Kyle
Trombone – Trummy Young
Trumpet, Vocals – Louis Armstrong
Об альбоме (сборнике) https://www.discogs.com/Louis-Armstrong-Mack-The-Knife/release/13381163
“Armstrong’s celebrated theme, When it’s Sleepy Time Down South, written in 1932 by Leon and Otis Rene and Clarence Muse, kicks off this album and the emery-paper voice of Louie contrasts strikingly with the discreetly decorative piano of Billy Kyle and the limpid, low-register mellow-ness of Darensbourg’s clarinet. You can actually hear the hugely expensive grin as Pops exercises the highly personal scat vocabulary on the bridge.
The imperishable jazz standard, Indiana, always an all-stars favorite, gets the album into its swinging stride with Louis riding incisively over the top of the ensemble.
Give me a Kiss to Build a Dream On, written in 1961 by Oscar Hammerstein, Burt Kalman and Harry Ruby was a song recorded by Louis for Decca Records as a step towards the eventual consecration of a number 1 hit in the Billboard Hot 100. This title was not as overwhelming success but Mack The Knife (on Columbia) had made the number 20 spot early in 1956 and Blueberry Hill (Decca) got to number 29 towards the end of that year. (Louis finally made the number 1 position in the Hot 100 with Hello Dolly in May 1964, toppling the Beatles’ Can’t Buy Me Love from the top spot).
Between his three ‘Pops pops’ recitals Louis recapitulates the old King Oliver number The Bucket’s Got a Hole in It on which he shares vocal duties with Trummy Young. Young also contributes a fine muted trombone solo before the band builds to a characteristic All Stars climax, with Louis trilling on the fifth and sixth note of the F chord.
When the Saints, is another indispensable item on the All-Star’s concert menu and the anthem of the great traditional jazz revival. Here Louis plays it at strolling tempo; his trumpet solo is full of characteristic licks and his singing, as elsewhere on this album, is particularly spirited. He certainly seems on this recording to have been in exceptionally joyful form, despite his 62 years.
Ole Miss dates from 1916 and takes its name from the crack express train that used to link New Orleans and Memphis. There is some cultivated Kyle piano, a bustling solo from Cronk, appeal-ing low-register clarinet from Darensbourg and a fine extrovert outing from Young before the “all-in” out chorus and the mandatory drum break & coda.
From the 1966 movie High Society comes High Society Calypso.
From 1905 we leap forward again to 1950 when Louis was being “discovered” as a pop singer. He recorded C’est si bon and La vie en rose back-to-back for Decca. Trummy plays a delightful obbli-gato to Satchmo’s leads on the first number, on the second he plays harmony as Louis outlines the theme of a lazy tempo, with Darensbourg playing unobtrusive low-register embellishments. Satchmo’s sibilant, croaky baritone breaks all the rules in the book of voice production and his dic-tion would win few prizes from the Académie Française, but his singing is immensely appealing.
For the final number, Louis moves from Paris to Düsseldorf and salute The faithful Hussar, always a favorite in Germany and played here in classic Dixieland ensemble style. There’s some exuber-ant Kyle - who borrows a fragment from Ravel’s Bolero – some sturdy bass from Cronk, and good chorus from Louis.
Louis once said, when he was approaching 60, “That’s what I want, the audience. I want to hear that applause”. He heard it deservedly throughout his life. Louis Armstrong, the entertainer and that’s who you’ll hear on this album. The incomparable, the exuberant, the enthusiastic Louis Armstrong”.
Mike Hennessey
/1 
发表于 2020-9-24 13:25:37
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