[SACD][OF] Wes Montgomery - Incredible Jazz Guitar of Wes Montgomery - 2003 (Jaz

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Wes Montgomery / Incredible Jazz Guitar of Wes Montgomery
Жанр: Jazz
Год выпуска альбома 1960
Страна-производитель диска: USA
Год издания: 2003
Издатель (лейбл): Riverside
Номер по каталогу: RISA 1169-6
Страна: USA
Тип рипа: PS3, image (ISO)
Кодек: DSD 2.0
Битрейт аудио: 1 bit/2,8224 MHz
Продолжительность: 44:00
Источник (релизер): ManWhoCan
Наличие сканов в содержимом раздачи: да
Треклист:
01 Airegin
02 D-Natural Blues
03 Polka Dots and Moonbeams
04 Four on Six
05 West Coast Blues
06 In Your Own Sweet Way
07 Mr. Walker (Renie)
08 Gone with the Wind
Об альбоме (сборнике)
A dazzling display of the unorthodox technique & emotional power that combined to make Montgomery a literally “incredible” artist. Ever since its initial release in 1960, this album has been a consensus choice of musicians, critics, & knowledgeable listeners as a matchless example of the talents of 1 of the finest jazz instrumentalists of all times.
SA-CD.net review by muzikman
Wes Montgomery’s 2nd album The Incredible Jazz Guitar of Wes Montgomery (released in 1960) is an extraordinarily durable album that stands today as a monumental achievement of jazz guitar genius. It comes as no surprise to me that Fantasy chose this particular album for their SACD reissue series.
Montgomery was self-taught, which makes his artistry that much more incredible & precious. Although all 6 tracks are equally superb, it was evident to me that the 1st 2 compositions really set the pace for the entire album. Fluid 6-string workouts such as “Airegin” & “D-Natural Blues” put his rare talent into a category all by itself. Personally, Montgomery reminded me of 1 of my all time favorites Joe Pass, not because of his style but for the effortless precision of every note he produced. His accompaniment was outstanding as well; Tommy Flanagan (piano), Percy Heath (bass) & Albert “Tootie” Heath (drums) were a valuable compliment to the singularity of his master guitar work.
I think its obvious now to those audiophiles that purchase music in this format what the difference is. The SACD offers clear & crisp separation of each instrument, which is extremely important when listening to a good jazz recording, as far as I am concerned. Whoever developed the SACD must have been a true appreciator of great jazz music.
                                                                                                                                                               
                       
                       
                       
                       
                       
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