Claire Martin / Too Darn Hot!
Жанр: Vocal, Jazz
Страна-производитель диска: UK
Год издания: 2004 (2002)
Издатель (лейбл): Linn Records
Номер по каталогу: AKD243
Страна: UK
Аудиокодек: DST64 2.0 & 5.1
Тип рипа: image (ISO)
Битрейт аудио: 5645 kbps
Продолжительность: 56:25.867
Источник (релизер): ManWhoCan
Наличие сканов в содержимом раздачи: да
Треклист:
01. Something's Coming
02. Love at Last
03. The Gentleman Is a Dope
04. These Foolish Things
05. It's Raining in My Heart
06. Too Darn Hot!
07. Black Coffee
08. Noir
09. Love is a Necessary Evil
10. When I Fall in Love
11. I Can Let Go Now
12. Four Walls
13. Blue Motel Room
Об исполнителе (группе)
Клэр Мартин (Claire Martin, род. 1967) - британская джазовая певица.
Дебютировала в 1991 году и на текущий момент записала 14 альбомов. Является обладательницей многих музыкальных наград, в числе которых The British Jazz Awards и BBC Jazz Awards за лучший женский вокал.
1992 The Waiting Game
1993 Devil May Care
1994 Old Boyfriends
1995 Off Beat
1997 Make This City Ours
1999 Take My Heart
2000 Perfect Alibi
2001 The Very Best of Claire Martin: Every Now and Then
2002 Too Darn Hot
2004 Secret Love
2005 When Lights Are Low
2007 He Never Mentioned Love
2009 A Modern Art
2010 Witchcraft (Claire Martin and Richard Rodney Bennett)
2012 Too Much in Love to Care (Claire Martin and Kenny Barron)
Об альбоме (сборнике)
The album’s centerpiece and blockbuster is the old standard Black Coffee, but Ms. Martin is not content to sit around and bemoan her sad predicament ala Peggy Lee or Ella Fitzgerald – she’s been done wrong by her man, and she lets you know it in no uncertain terms! Richard Cottle gets a nice turn on Hammond B-3, along with some excellent tenor sax work by Nigel Hitchcock. An absolute knockout, this tune alone is worth the price of admission of this superb disc.
Audiophile Audition (30 April 2002)
Tom Gibbs
As soon as I heard the saxophone burst that powers the opening of Something’s Coming (from West Side Story), I knew this disc was something very special, and not just another rehashing of tired old standards given quirky treatments by some new upstart trying to make a name for herself. The tune swings hard – during the instrumental break during the bridge, it’s almost impossible to resist the urge to get up and dance! The brashness, confidence and total control that Claire Martin exudes suits the song perfectly – it’s still faithful to the Bernstein/Sondheim tradition, but she sings it like she owns it!
The tracks here are an eclectic mix, ranging from the familiar to the obscure, with well- and lesser-known songs from Broadway and Tin Pan Alley, along with jazz standards; even covers of tunes made popular by artists as diverse as Buddy Holly to Nat King Cole and Joni Mitchell, with a few originals thrown in for good measure. The clever arrangements the songs are given only serve to add to your enjoyment, and elevate them far beyond the usual fare. When this album swings, as is often the case, it swings hard – due in no small part to the snappy piano playing of Gareth Williams and the excellent rhythm section featuring bassist Geoff Gascoyne and drummer Clark Tracey, who anchor most of the tracks. And Claire Martin’s voice – oh, what a voice! From sweet, to sassy and sultry – when she tells you its too darn hot, you feel the temperature rise.
There are tender moments – who would have expected a cover of the old Buddy Holly tune It’s Raining In My Heart? Richard Rodney Bennett, whose jazz credentials make him the perfect arranger, gives it a string quartet treatment that’s sheer perfection. He offers a similarly sympathetic arrangement on the chestnut When I Fall In Love, that, along with Gareth Williams achingly beautiful piano solo and Claire Martin’s heartfelt vocal, lifts the song above the more maudlin treatment it’s often given. These Foolish Things, another song most often associated with Nat King Cole, is given a snappy – rather than the more commonly – sappy arrangement, and bassist Gascoyne and drummer Tracey each take several nice bars during the bridge.
The album’s centerpiece and blockbuster is the old standard Black Coffee, but Ms. Martin is not content to sit around and bemoan her sad predicament ala Peggy Lee or Ella Fitzgerald – she’s been done wrong by her man, and she lets you know it in no uncertain terms! Richard Cottle gets a nice turn on Hammond B-3, along with some excellent tenor sax work by Nigel Hitchcock. An absolute knockout, this tune alone is worth the price of admission of this superb disc.
Sonically, this disc is nothing short of stunning – the surround mix is just splendid, with all the instruments spread nicely in an arc across the soundstage from front to sides. The individual instruments have a very palpable realism, but the real star here is Claire Martin’s voice, which is mixed perfectly between front and center channels – the illusion is uncanny, and her voice just seems to float in space in front of you, such that you’d swear she was in the room with you – it’s the most realistic center channel presentation I’ve heard yet, and easily betters any of the hundreds of SACDs in my current collection. The album isn’t entirely acoustic, either – electric bass and piano (and the aforementioned Hammond B-3) are used on a few songs, and there’s obviously some judicious use of reverb (mostly noticeable on the opening track) – everything is tastefully incorporated into the final mix. There isn’t much in the way of source information for the tapes, but with a reference-quality disc such as this one, that doesn’t even need to be a consideration. Very, very highly recommended!
Recorded at Snakeranch Studios, London, 2-5 April & 6-7 May 2002
Additional Recording at Denham Grange studio 14-17 May 2002
Recording Engineers: Gerry O’Riordan, Phil Harmer, Richard Cottle, John Gallen. Assistant Engineer: Paul Richardson
Mixed at Cottage Studios, Glasgow, 13 – 15 August 2002
Mix Engineer: Calum Malcolm
Claire would like to thank Richard Cottle for endless energy, enthusiasm and encouragement. This has been a most enjoyable recording experience and your judgement, insight and musicianship have been outstanding.
Sir Richard Rodney Bennett for song suggestions and two beautiful arrangements. Joel Siegel for a brilliant new lyric (hope you like the tempo!) - thank you both for your continued support and friendship.
Состав
Claire Martin vocals with:
Gareth Williams - piano
Geoffrey Keezer - piano and electric piano
Richard Cottle - keyboards and organ
Geoff Gascoyne - double bass
Laurence Cottle - bass guitars
Clark Tracey - drums
Ian Thomas - drums
Nigel Hitchcock - saxes
Phil Robson - guitar
Miles Bould - percussion
Ian Shaw - additional vocals
The Tapestry String Quartet
Recorded at Snakeranch Studios, London, 2-5 April & 6-7 May 2002
Additional Recording at Denham Grange studio 14-17 May 2002
Recording Engineers: Gerry O’Riordan, Phil Harmer, Richard Cottle, John Gallen.
Assistant Engineer: Paul Richardson
Mixed at Cottage Studios, Glasgow, 13-15 August 2002
Mix Engineer: Calum Malcolm
The SACD layer is both 5.1 channel and 2-channel.
Claire would like to thank Richard Cottle for endless energy, enthusiasm and encouragement. This has been a most enjoyable recording experience and your judgement, insight and musicianship have been outstanding.
Sir Richard Rodney Bennett for song suggestions and two beautiful arrangements. Joel Siegel for a brilliant new lyric (hope you like the tempo!) – thank you both for your continued support and friendship.
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发表于 2020-10-29 21:03:41
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