[TR24][OF] Underworld & Iggy Pop - Teatime Dub Encounters (EP) - 2018 (E

59519

Underworld & Iggy Pop
Teatime Dub Encounters






• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Страна исполнителя: UK
• Год издания релиза: 2018
• Жанр: Electronic | Techno | Punk
• Издатель (лейбл): Caroline International®
• Продолжительность: 00:27:30
• Источник, релизер: NTDMMANIAC ®
• WEB релиз: qobuz
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/48
• Формат: WAV (flac.ape.wv)
• Количество каналов: 2.0
• Наличие сканов: front

✵ 01 - Bells & Circles (00:07:29)
✵ 02 - Trapped (00:07:43)
✵ 03 - I’ll See Big (00:04:46)
✵ 04 - Get Your Shirt (00:07:30)


• Замер динамического диапазона •

foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2018-07-27 01:12:57
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Анализ:   Underworld & Iggy Pop / Teatime Dub Encounters
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DR         Пики         RMS           Продолжительность трека
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DR7       -0.09 дБ    -7.53 дБ      7:30 01-Bells & Circles
DR7       -0.09 дБ    -8.59 дБ      7:43 02-Trapped
DR8       -0.09 дБ   -10.61 дБ      4:46 03-I’ll See Big
DR7       -0.09 дБ    -8.37 дБ      7:31 04-Get Your Shirt
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Количество треков: 4
Реальные значения DR: DR7
Частота:  48000 Гц
Каналов:  2
Разрядность:   24
Битрейт:  1798 кбит/с
Кодек:   FLAC
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• Скриншот спектра частот •






• INFO •

When Rick Smith from 90s Born Slippy techno giants Underworld first met up with the 71-year-old Iggy Pop for tea at the Savoy, he realised he had “one chance to convince this gentleman that we should work together”. Thus, Smith turned up with what the former Stooge called “a whole bloody studio set up in a hotel room” – an offer Pop couldn’t refuse. Thus, 22 years after they both appeared on the Trainspotting film soundtrack, this unlikely four-track collaboration finds Smith’s daughter Esme providing sublime backing vocals and channels Pop’s formidable wordsmith talents into spontaneous, narrative freestyles.
Percussive/synth opener Bells & Circles begins as a reflection on the erosion of personal freedoms (“I remember smoking on the aeroplane”), veers into a comical/moral aside about how snorting cocaine on a jet once meant he got too stoned to hook up with the stewardess, and delivers the punchline like a haymaker: “It’s over for the liberal democracies. Here comes the jungle.” Trapped is a Suicide/B-52s type electro-rocker about the fear of ageing (“No drug, no drink can help me no more”), and is somehow dark, but fun, before I’ll See Big again changes gear, for an electronic rumination on mistakes and friendship.
Pop calls the enormo-grooved Get Your Shirt “a good old rock’n’roll moan about ripoffs”, which doesn’t quite capture its dreamlike qualities or subtle discourse on the personal cost of globalisation as both parties hurtle by the seat of their pants into an inspired commentary on our lives and times.

                                                                                                                                                               
                       
                       
                       
                       
                       
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