Puce Mary / The Drought
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Noise, Experimental, Industrial, Power Electronics, Dark Ambient
Издатель (лейбл): PAN / PAN87
Продолжительность: 00:44:16
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Dissolve [02:31]
02. A Feast Before the Drought [06:45]
03. To Possess Is to Be in Control [05:32]
04. Fragments of a Lily [04:22]
05. Red Desert [03:24]
06. Coagulate [02:56]
07. The Size of Our Desires [07:22]
08. The Transformation [06:48]
09. Slouching Uphill [04:42]
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат:РСМ
Количество каналов: 2.0
Источник (релизер): Red, Gigaa -> Qobuz
Лог проверки качества
foobar2000 1.1.5 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-10-17 05:57:04
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Анализ: Puce Mary / The Drought
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DR Пики RMS Продолжительность трека
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DR7 -0.12 дБ -9.66 дБ 2:30 01-Dissolve
DR6 -0.05 дБ -7.66 дБ 6:44 02-A Feast Before The Drought
DR6 0.00 дБ -8.45 дБ 5:32 03-To Possess Is To Be In Control
DR6 -0.23 дБ -7.35 дБ 4:22 04-Fragments Of A Lily
DR8 -0.26 дБ -10.41 дБ 3:24 05-Red Desert
DR9 0.00 дБ -11.26 дБ 2:55 06-Coagulate
DR5 0.00 дБ -7.58 дБ 7:21 07-The Size Of Our Desires
DR7 -0.12 дБ -10.06 дБ 6:47 08-The Transformation
DR6 0.00 дБ -7.77 дБ 4:41 09-Slouching Uphill
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Количество треков: 9
Реальные значения DR: DR7
Частота: 96000 Гц
Каналов: 2
Разрядность: 24
Битрейт: 2754 кбит/с
Кодек: FLAC
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Скриншот спектра частот
Об альбоме (сборнике)
Scowling industrial bad vibes from Frederikke Hoffmeier’s Puce Mary, mounting her debut LP with PAN after dishing out dozens of albums and oddjobs for Posh Isolation, Ascetic House, iDEAL under her own name and also as Amphetamine Logic, JH1.FS3, and Body Sculptures during the preceding decade
“Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.
Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.
“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.
Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises the artist’s transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.” Boomkat