The English Patient - Soundtrack (1996/2003)
Жанр: Soundtrack
Носитель: SACD
Год издания: 1996/2003
Издатель: Fantasy (Hong Kong)
Номер по каталогу: FCD-16001 SACD
Аудиокодек: DST64 5.1
Тип рипа: image (iso)
Продолжительность: 01:15:11
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.The English Patient - Gabriel Yared 03:37
02.A Retreat - Gabriel Yared 01:26
03.Rupert Bear - Gabriel Yared 01:28
04.What Else Do You Love ? - Gabriel Yared 01:05
05.Why Picton ? - Gabriel Yared 01:10
06.Cheek To Cheek - Fred Astaire 03:20
07.Kip’s Lights - Gabriel Yared 01:29
08.Hana’s Curse - Gabriel Yared 02:12
09.I’ll Always Go Back To That Church - Gabriel Yared 01:54
10.Black Nights - Gabriel Yared 01:58
11.Swoon, I’ll Catch You - Gabriel Yared 01:52
12.Am I K. In Your Book ? - Gabriel Yared 01:00
13.Let Me Come In - Gabriel Yared 02:41
14.Wang Wang Blues - Benny Goodman 02:56
15.Convento Di Sant’Anna - Gabriel Yared 09:13
16.Herodotus - Gabriel Yared 01:11
17.Szerelem, Szerelem - Muzsikás feat. Márta Sebestyén 04:36
18.Ask Your Saint Who He’s Killed - Gabriel Yared 01:10
19.One O’Clock Jump - Benny Goodman 03:17
20.I’ll Be Back - Gabriel Yared 04:03
21.Let Me Tell You About Winds - Gabriel Yared 01:01
22.Read Me To Sleep - Gabriel Yared 05:01
23.The Cave Of Swimmers - Gabriel Yared 02:01
24.Where Or When - Shepheard’s Hotel Jazz Orchestra 02:19
25.Aria From The Goldberg Variations - Julie Steinberg 03:04
26.Cheek To Cheek - Ella Fitzgerald 03:47
27.As Far As Florence - Gabriel Yared 05:12
28.En Csak Azt Csodalom (Lullaby For Katharine) - Gabriel Yared 01:09
SACD+Back
All Music Review
Gabriel Yared composed most of the music for the soundtrack of one of 1996′s most acclaimed dramas, which was largely performed by the Academy of St. Martin in the Fields; John Constable (on solo piano) and Marta Sebestyen (vocals) are also featured. Yared’s score is mostly typical wide-screen epic stuff–nothing special. More interesting are Hungarian folk singer Sebestyen’s occasional contributions. A few period pop/jazz cuts by Benny Goodman, Ella Fitzgerald, and Fred Astaire are interspersed throughout, and are most likely more effective on screen than on disc, where they juxtapose uncomfortably with the orchestral instrumental pieces.