Выживший / The Revenant
Формат записи/Источник записи: [TR24][OF][FM]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2015
Жанр: Score
Композиторы: Ryuichi Sakamoto, Alva Noto, Bryce Dessner
Издатель (лейбл): Milan Records
Продолжительность: 01:10:39
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Источник (релизер): redacted Треклист
01. Ryuichi Sakamoto - The Revenant Main Theme (2:41)
02. Alva Noto & Bryce Dessner - Hawk Punished (2:14)
03. Ryuichi Sakamoto & Alva Noto - Carrying Glass (3:08)
04. Ryuichi Sakamoto & Alva Noto - First Dream (3:05)
05. Ryuichi Sakamoto - Killing Hawk (3:49)
06. Ryuichi Sakamoto - Discovering River (1:12)
07. Ryuichi Sakamoto - Goodbye to Hawk (3:41)
08. Ryuichi Sakamoto & Alva Noto - Discovering Buffalo (2:44)
09. Ryuichi Sakamoto - Hell Ensemble (2:38)
10. Ryuichi Sakamoto - Glass and Buffalo Warrior Travel (1:51)
11. Ryuichi Sakamoto - Arriving at Fort Kiowa (1:22)
12. Ryuichi Sakamoto & Alva Noto - Church Dream (2:38)
13. Ryuichi Sakamoto, Alva Noto, Bryce Dessner - Powaqa Rescue (5:35)
14. Bryce Dessner - Imagining Buffalo (2:40)
15. Ryuichi Sakamoto - The Revenant Theme 2 (1:55)
16. Ryuichi Sakamoto & Alva Noto - Second Dream (1:13)
17. Ryuichi Sakamoto - Out of Horse (3:57)
18. Bryce Dessner - Looking for Glass (2:51)
19. Alva Noto, Bryce Dessner, Ryuichi Sakamoto - Cat & Mouse (5:43)
20. Ryuichi Sakamoto - The Revenant Main Theme Atmospheric (2:50)
21. Ryuichi Sakamoto & Bryce Dessner - Final Fight (6:36)
22. Ryuichi Sakamoto - The End (2:16)
23. Ryuichi Sakamoto & Alva Noto - The Revenant Theme (Alva Noto Remodel) (4:00)
Лог проверки качества
foobar2000 1.5.1 / Dynamic Range Meter 1.1.1
log date: 2020-03-02 13:15:08
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Analyzed: Alva Noto & Bryce Dessner / The Revenant (1)
Alva Noto, Bryce Dessner, Ryuichi Sakamoto / The Revenant (2)
Bryce Dessner / The Revenant (3-4)
Ryuichi Sakamoto & Alva Noto / The Revenant (5-10)
Ryuichi Sakamoto & Bryce Dessner / The Revenant (11)
Ryuichi Sakamoto, Alva Noto, Bryce Dessner / The Revenant (12)
Ryuichi Sakamoto / The Revenant (13-23)
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -2.10 dB -14.62 dB 2:14 02-Hawk Punished
DR12 -0.10 dB -16.65 dB 5:43 19-Cat & Mouse
DR9 -0.10 dB -12.91 dB 2:40 14-Imagining Buffalo
DR11 -0.10 dB -16.05 dB 2:51 18-Looking for Glass
DR8 -1.23 dB -15.06 dB 3:08 03-Carrying Glass
DR18 0.00 dB -25.03 dB 3:05 04-First Dream
DR9 -0.10 dB -14.97 dB 2:44 08-Discovering Buffalo
DR10 -0.41 dB -18.20 dB 2:38 12-Church Dream
DR9 -0.50 dB -14.14 dB 1:13 16-Second Dream
DR7 -0.10 dB -12.64 dB 4:00 23-The Revenant Theme (Alva Noto Remodel)
DR8 -0.10 dB -13.50 dB 6:36 21-Final Fight
DR10 -0.10 dB -13.89 dB 5:35 13-Powaqa Rescue
DR12 -0.14 dB -16.70 dB 2:41 01-The Revenant Main Theme
DR10 0.00 dB -13.81 dB 3:49 05-Killing Hawk
DR7 -0.11 dB -12.51 dB 1:12 06-Discovering River
DR8 -0.10 dB -15.16 dB 3:41 07-Goodbye to Hawk
DR11 -0.36 dB -16.26 dB 2:38 09-Hell Ensemble
DR12 -0.10 dB -18.33 dB 1:51 10-Glass and Buffalo Warrior Travel
DR11 -0.10 dB -19.27 dB 1:22 11-Arriving at Fort Kiowa
DR10 -0.10 dB -14.48 dB 1:55 15-The Revenant Theme 2
DR11 -1.22 dB -17.00 dB 3:57 17-Out of Horse
DR12 -0.10 dB -17.03 dB 2:50 20-The Revenant Main Theme Atmospheric
DR10 -0.10 dB -16.12 dB 2:16 22-The End
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Number of tracks: 23
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1084 kbps
Codec: FLAC
================================================================================
Review by Tom Moon
How does a film conjure the unfathomable vastness of nature? How can it make moviegoers feel the harshness of a desolate place?
These are some of the challenges director Alejandro González Iñárritu (Birdman) faced in creating The Revenant, a revenge thriller that stars Leonardo DiCaprio as a fur trapper who's been left for dead. After a little while, like maybe 10 seconds into the trailer, you realize that there's only so much a filmmaker can do to capture the scope of the forbidding American West in winter. The snow-covered mountains all look alike. The sweeping vistas in fading afternoon light all blend together. There's a limit to the horizon-gazing.
But cue up a low, slow-moving chordal drone, let it hang like an ominous gray cloud over a scene, and just like that you've summoned the profound disquiet of a desolate place. The bleakness of a landscape becomes suddenly vivid. Sound deepens the foreboding while adding a sense of psychoactive urgency. In the same way Antonio Sanchez's sizzling drumming became a window into the interior life of Birdman's main character, the score of The Revenant — which was mostly written and performed by Ryuichi Sakamoto, with additional music from The National's Bryce Dessner and German electronic artist Alva Noto — provides the film with its emotional baseline. Brooding and expansive slowness (which feels breathy and natural even when synthesizers are involved) runs pretty much throughout the music. It amplifies the serenity of the calm scenes and then, with little change in the musical content, underscores the more terrifying fight scenes. The subliminal message: In this realm, tension is a constant, and it's meted out in carefully calibrated degrees. No rattling drum marches are used to telegraph the drama.
Sakamoto has long displayed mastery of the soundscape: Some of his most breathtaking albums are built on pristine, perfectly ornamented ambient drones. Here, he makes his slow-moving backdrops poignant by emulating the austerity of the film's setting: The elegy "Goodbye To Hawk" is rendered by a flitting, flute-like synthesizer as it plays gorgeously sloping melodies every now and then — melodies that describe the graceful gestures of a bird in flight. A solo cello does similarly evocative swooping later on, in "The Revenant Theme 2" — which, in one of the few moments of "conventional" movie scoring, is anchored by typically melodramatic lilting piano chords. It's also one of the few pieces, along with a pulsating chase scene and the percussive "Final Fight," to operate in a fixed tempo. Much of the music unfolds according to its own clock, moving (or, more accurately, not really moving) with a stately, curtain-opening sense of majesty. In these audio tableaux, tiny shifts of texture and harmony can have brutal, seismic impact.
Sakamoto successfully battled throat cancer during the making of The Revenant, but that's just one reason a team of composers contributes to the score: The film is long, and Iñárritu wanted specific tonal colors he'd heard in a concert piece Dessner wrote for Kronos Quartet. Dessner created string-orchestra scenes ("Imagining Buffalo" is one) for the film that operate on two levels at once — they're seemingly placid on the surface, but with churning, fitful energy coursing underneath. In a few places, Dessner's orchestrations were superimposed over a first-draft demo created by Sakamoto on the ancient Prophet 5 synthesizer. You'd think the contrast between acoustic strings and synthesized elements would create a confused jumble within this kind of score, but the opposite is true: Sakamoto balances these devices masterfully, using them to conjure the breathtaking beauty of nature, the random terror of nature, and just about everything in between.
/1 
发表于 2020-12-8 14:36:18
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