Mahler: Symphony No. 1 – San Francisco Symphony /Michael Tilson Thomas (2001/2002)
Жанр: Classical, Orchestral
Носитель: SACD
Год издания: 2001/2002
Издатель: San Francisco Symphony
Номер по каталогу: 821936-0002-2
Аудиокодек: DSD64 2.0, DST64 5.0
Тип рипа: image (iso)
Продолжительность: 00:56:19
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.2.0
Релизёр:
Треклист:
01.1st Movement: Langsam. Schleppend 16:08
02.2nd Movement: Kräftig bewegt, doch nicht zu schnell 07:44
03.3rd Movement: Feierlich und gemessen, ohne zu schleppen 11:31
04.4th Movement: Stürmisch bewegt 20:56
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The 1st Symphony
“The 1st Symphony shows Mahler at his most characteristic & vulnerable – for here he makes an enormous symphony out of the sonic stuff we all know from our lives. Mahler was like a cinematographer in music, creating enormous soundscapes that include everything we know of life. His 1st symphony concerns the voyage from a lonely contemplation of nature to a radiant assuredness about man’s place in the universe.” - Michael Tilson Thomas
Mahler’s Symphony No. 1 was 1 of the most stunning debuts in symphonic music history. This powerful & passionate performance of the “Titan” was recorded in 2001 & captures the live performance excitement of the Grammy-winning conductor-symphony partnership that the Los Angeles Times declared, “the most exciting Mahler combination anywhere right now.”
SA-CD.net Review:
SA-CD.net review by akiralx October 14, 2004:
Interpretatively this is a superb Mahler 1, alongside Bernstein’s & Abbado’s DG recordings & many others.
One tiny caveat is that compared to the other MTT Mahler SACDs I have heard in surround sound (Nos 4 & 6), this 1 does feature rather too much ambient sound from the rear speakers – & I am not the only reviewer to have commented on this. Such a slight imbalance does not afflict the superb 4th on SACD, which is truly state of the art in terms of sound.
If you just listen in stereo, then buy with 100% confidence, as this is a highly involving performance in superb sound.
SA-CD.net review by Polly Nominal November 7, 2008:
This is a reading that I find hard to match with the glowing reviews accorded to it.
The playing in the main is good but far from that of a front rank, world class orchestra especially 1 steeped in a tradition of performing Mahler. For 1 thing, the brass above a forte becomes rather blaring than piercing to this listeners ears & becomes quite uncomfortable on repeated listening. The main issue is 1 of Tilson-Thomas’ conducting – quite why he feels it necessary to rush through the (what should be to these ears) terrifying restatement of the opening motif at around 8 minutes & obviate any feeling of panic is not apparent. Nor are the many contrary expansions of ritardando’s to the almost perversely turgid. Both the rushing & the slowing have, for this listener at least, ruined any sense of a build up of momentum by continually pulling the underlying tempo around by such a large extent that it breaks rather than bends.
The engineering is very good for a live performance although a far greater amount of audience noise mid-music intrudes than on the comparable Mahler: Symphony No. 1 – Jansons (until the Dutch audience erupts with acclamation after the final orchestral hammer blows).
As other reviews illustrate though, this approach finds its admirers & devotees – it is clear that Mahler divides performers & listeners as almost no other composer, so do listen before purchasing.
Musicians:
San Francisco Symphony
Michael Tilson Thomas (conductor)
/1 
发表于 2020-12-8 14:55:42
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