Bela Bartok
Blubeard’s Castle / A kékszakállú herceg vára
Valery Gergiev / Валерий Гергиев
London Symphony Orchestra
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2009
Жанр: Classical/Orchestral/Vocal/Opera
Издатель (лейбл): LSO Live
Продолжительность: 00:58:52
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Prologue and Introduction
2. First Door – Bluebeard’s Torture Chamber
3. Second Door – the Armoury
4. Third Door – the Treasury
5. Fourth Door – the Garden
6. Fifth Door – Bluebeard’s Vast and Beautiful Kingdom
7. Sixth Door – the Lake of Tears
8. Seventh Door – Bluebeard’s Wives
Sung in Hungarian (spoken prologue in English).Elena Zhidkova, mezz0-soprano
Sir Willard White, bass-baritoneКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0Доп. информация: Recorded live 27 and 29 January 2009 at the Barbican, London
Engineer [for Classic Sound Ltd.] – Jonathan Stokes, Neil Hutchinson
Producer – James Mallinson
LSO Live – LSO0685
The ISO image is created using sacd-ripper process for the SONY BDPS590.
Источник (релизер): Surrhead (PS³SACD) https://www.amazon.co.uk/Bartok-Bluebeards-Castle-LSO-Gergiev/dp/B002C8BQMO
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-09-30 02:13:57
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Анализ: Valery Gergiev, Elena Zhidkova, Sir Willard White, London Symphony Orchestra / BARTOK Bluebeard's Castle
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DR Пики RMS Продолжительность трека
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DR16 0.00 дБ -32.21 дБ 15:22 01-Bluebeard's Castle: Prologue and Introduction
DR15 -6.03 дБ -31.43 дБ 4:20 02-Bluebeard's Castle: First Door: Bluebeard's Torture Chamber
DR17 -4.56 дБ -33.22 дБ 4:16 03-Bluebeard's Castle: Second Door: The Armoury
DR14 -10.46 дБ -33.95 дБ 2:15 04-Bluebeard's Castle: Third Door: The Treasury
DR15 -1.94 дБ -28.42 дБ 4:32 05-Bluebeard's Castle: Fourth Door: The Garden
DR15 -0.15 дБ -25.37 дБ 6:06 06-Bluebeard's Castle: Fifth Door: Bluebeard's Vast and Beautiful Kingdom
DR19 -0.41 дБ -31.86 дБ 13:31 07-Bluebeard's Castle: Sixth Door: The Lake of Tears
DR16 -2.29 дБ -29.68 дБ 8:29 08-Bluebeard's Castle: Seventh Door: Bluebeard's Wives
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Количество треков: 8
Реальные значения DR: DR16
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 6
Разрядность: 24
Битрейт: 16934 кбит/с
Кодек: DST64
================================================================================
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Анализ: Valery Gergiev, Elena Zhidkova, Sir Willard White, London Symphony Orchestra / BARTOK Bluebeard's Castle
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR16 0.00 дБ -27.38 дБ 15:22 01-Bluebeard's Castle: Prologue and Introduction
DR15 -6.16 дБ -26.69 дБ 4:20 02-Bluebeard's Castle: First Door: Bluebeard's Torture Chamber
DR16 -4.02 дБ -28.54 дБ 4:16 03-Bluebeard's Castle: Second Door: The Armoury
DR14 -9.60 дБ -29.26 дБ 2:15 04-Bluebeard's Castle: Third Door: The Treasury
DR16 -1.43 дБ -23.57 дБ 4:32 05-Bluebeard's Castle: Fourth Door: The Garden
DR15 0.00 дБ -20.56 дБ 6:06 06-Bluebeard's Castle: Fifth Door: Bluebeard's Vast and Beautiful Kingdom
DR19 -0.08 дБ -27.03 дБ 13:31 07-Bluebeard's Castle: Sixth Door: The Lake of Tears
DR16 -1.82 дБ -24.80 дБ 8:29 08-Bluebeard's Castle: Seventh Door: Bluebeard's Wives
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Количество треков: 8
Реальные значения DR: DR16
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
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Об альбоме (сборнике)
Bluebeard’s Castle, Béla Bartók (1881-1945)
Bartok’s only opera occupies a unique place in 20th-century musical theatre. Predominantly
dark-hued, static and with only two characters, it has, nevertheless, astonishing theatrical power; shorn of
irrelevant ornamental action, this extraordinary work concentrates on the relationship betweeen Judith and
Bluebeard, the gradual exposure of his possessions, domains and, most importantly, psyche. The libretto,
by the writer and socialist Béla Balázs, is rich in symbolism and plots the course of Judith’s persistence
in revealing the inner landscape of a tortured soul.
Although based on the 17th-century fairy tale of Charles Perrault, Balázs’s libretto is more akin to
the near-Expressionist world of Maeterlinck’s Ariane et Barbe-bleu.
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发表于 2020-12-8 14:56:07
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