Daniel Chorzempa
Bach-Liszt – Organ Works
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1970/2005
Жанр: Classical; Organ
Издатель(лейбл): PentaTone
Продолжительность: 01:00:37
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Johann Sebastian Bach
Toccata and Fugue in D-minor, BWV 565:
01 Toccata
02 Fugue
Passacaglia in C minor, BWV 582:
03 Passacaglia
04 Fugue
Prelude and Fugue in D, BWV 532:
05 Prelude
06 Fugue
Prelude and Fugue in A minor, BWV 543:
07 Prelude
08 Fugue
Franz Liszt
09 Variations on Bach’s cantata – “Weinen, Klagen, Sorgen, Zagen”Daniel Chorzempa (organ)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0
Доп. информация: PentaTone Classics PTC 5186 127 (2005)
DSD re-mastered Quad recording (analogue, originally 1970)
SACD rip via PS3 to iso (2.71GB)
Iso was made with sacd-ripper version 0.36 for PS3, from the magical Mr_Wicked.
Источник (релизер): ManWhoCan (PS³SACD) http://sa-cd.net/showtitle/3428
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-02-23 23:40:27
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Анализ: Daniel Chorzempa / .
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DR Пики RMS Продолжительность трека
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DR7 0.00 дБ -16.66 дБ 2:45 01-Toccata and Fugue in D-minor, BWV 565 - Toccata
DR8 0.00 дБ -18.94 дБ 6:12 02-Toccata and Fugue in D-minor, BWV 565 - Fugue
DR9 -0.39 дБ -19.93 дБ 7:17 03-Passacaglia in C minor, BWV 582 - Passacaglia
DR8 0.00 дБ -17.16 дБ 6:05 04-Passacaglia in C minor, BWV 582 - Fugue
DR8 0.00 дБ -17.06 дБ 4:51 05-Prelude and Fugue in D, BWV 532 - Prelude
DR10 -0.84 дБ -20.27 дБ 5:51 06-Prelude and Fugue in D, BWV 532 - Fugue
DR8 -0.09 дБ -16.77 дБ 3:47 07-Prelude and Fugue in A minor, BWV 543 - Prelude
DR9 0.00 дБ -18.41 дБ 7:03 08-Prelude and Fugue in A minor, BWV 543 - Fugue
DR9 -0.45 дБ -20.50 дБ 16:45 09-Variations on Bach's cantata - "Weinen, Klagen, Sorgen, Zagen"
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Количество треков: 9
Реальные значения DR: DR8
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 5
Разрядность: 24
Битрейт: 14112 кбит/с
Кодек: DST64
================================================================================
--------------------------------------------------------------------------------
Анализ: Daniel Chorzempa / .
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR10 0.00 дБ -15.88 дБ 2:45 01-Toccata and Fugue in D-minor, BWV 565 - Toccata
DR11 -1.09 дБ -18.15 дБ 6:12 02-Toccata and Fugue in D-minor, BWV 565 - Fugue
DR12 -1.51 дБ -19.14 дБ 7:17 03-Passacaglia in C minor, BWV 582 - Passacaglia
DR11 -0.36 дБ -16.35 дБ 6:05 04-Passacaglia in C minor, BWV 582 - Fugue
DR10 -1.39 дБ -16.35 дБ 4:51 05-Prelude and Fugue in D, BWV 532 - Prelude
DR12 -2.48 дБ -19.50 дБ 5:51 06-Prelude and Fugue in D, BWV 532 - Fugue
DR10 -2.08 дБ -16.12 дБ 3:47 07-Prelude and Fugue in A minor, BWV 543 - Prelude
DR12 -1.41 дБ -17.71 дБ 7:03 08-Prelude and Fugue in A minor, BWV 543 - Fugue
DR12 -1.90 дБ -20.64 дБ 16:45 09-Variations on Bach's cantata - "Weinen, Klagen, Sorgen, Zagen"
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Количество треков: 9
Реальные значения DR: DR11
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
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Об альбоме (сборнике)
Amazon review by J Scott Morrison:
When I was doing some research about organist Daniel Chorzempa I was amazed to learn that he is an American, born in Minnesota & educated at the University of Minnesota. I’d known his recordings from years ago & had always assumed he was European, & indeed I believe he has been based in Europe since the late 1960s. He also studied in Cologne, primarily as a pianist & began his career as a pianist 1st & foremost. He even recorded the Well-Tempered Clavier on harpsichord. But it is as a virtuoso organist that he is best known. (He is also a composer of electronic music, none of which I’ve ever heard.)
This SACD from PentaTone was recorded originally in 1970, not long after he’d made his official debut as an organist. (His organ recitals are notable for being played from memory.) The performances were taken down in the then-new quadraphonic system & released on Philips LPs. But of course quadraphonic LPs were a less than ideal carrier for the 4ch sound on the tapes. Fortunately PentaTone, a company founded by ex-Philips personnel, has been reissuing quad recordings on SACDs remastered from those tapes & they sound spectacularly lifelike. They are, of course, in 4ch sound, not the 6ch that the modern SACD system is capable of.
The program here comprises some of the young Bach’s most popular works: the inevitable Toccata & Fugue in D Minor (albeit there is still a scholarly debate about whether the work is actually by Bach — frankly he gets my vote, but then I’m not a musicologist), the Passacaglia in C Minor, & the Preludes & Fugues in D, BWV 532, & in A Minor, BWV 543. The Bach works are played on a 1534 organ considerably updated by the great Dutch organ builder, D. A. Flentrop, in 1968, located in Our Lady’s Church, Breda, Holland.
The program ends with a performance of Liszt’s Variations on Bach’s Cantata ‘Weinen, Klagen, Sorgen, Zagen’ S179. It is played on a different organ, built anew in 1968 by Flentrop for the Rotterdam concert hall ‘De Doelen.’
The playing is virtuosic, to say the least. The Toccata & Fugue performance makes the most of the work’s flash & pizzazz without overstepping the bounds of good taste. The Passacaglia is played with a fair amount of restraint. My only complaint about its performance is that Chorzempa emphasizes the passacaglia bass line rather more than I like. Still, it’s a worthy performance overall. The same virtuosic restraint is characteristic of the 2 Preludes & Fugues, except for the Fugue in D which is breathtakingly exciting especially in its pedalwork. As for the Liszt Variations I cannot be a good judge of the performance largely because I’ve never cottoned to the piece which strikes me as containing some of the worst excesses of Romantic organ writing. It is not helpful that Chorzempa uses a bit more tremolo in his reed-dominated registrations than I am comfortable with.
But for marvelous playing overall, & for spectacular sound of demonstration quality for all its being a 46 years old recording, this SACD is worth its price.
/1 
发表于 2020-12-8 14:56:15
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