Gary Cooper & Rachel Podger
Mozart Complete Sonatas for keyboard & violin, vol. 6
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2009
Жанр: Classical/Chamber/Piano/Violin
Издатель (лейбл): Channel Classics
Продолжительность: 01:05:46
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
W.A. Mozart
Sonata in F major, KV376 (374d)
01 Allegro 7.20
02 Andante 5.31
03 Rondeau: Allegretto grazioso 6.07
Sonata in C major, KV296
04 Allegro vivace 6.55
05 Andante sostenuto 6.08
06 Rondeau: Allegro 3.49
Sonata in G major, KV27
07 Andante poco Adagio 4.22
08 Allegro. Minore 4.20
Sonata in F major, KV377 (374e)
09 Allegro 6.02
10 Thema: Andante 9.21
11 Tempo di Menuetto 5.34Rachel Podger (violin)
Gary Cooper (fortepiano)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0Доп. информация: Channel Classics CCS SA 26208 (2008). DSD recording
SACD rip via PS3 to iso (3.4GB)
St. Martin’s Church, East Woodhay, Berkshire, UK
Producer: Jonathan Attwood
engineer, editing – C. Jared Sacks
Tech Specs:
Microphones – Bruel & Kjaer 4006, Schoeps
Digital converters – DSD Super Audio / Meitnerdesign AD/DA
Pyramix Editing / Merging Technologies
Speakers – Audio Lab, The Netherlands
Amplifiers – van Medevoort, The Netherlands
Cables – Van den Hul*
mixing board – Rens Heijnis, custom design
Mastering Room:
Speakers – B+W 803d series
Amplifier – Classe 5200
Cables – Van den Hul
Источник (релизер): ManWhoCan (PS³SACD) http://sa-cd.net/showtitle/5440
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-04-02 23:15:35
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Анализ: Rachel Podger - Gary Cooper / Mozart sonatas volume 6
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DR Пики RMS Продолжительность трека
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DR14 0.00 дБ -22.42 дБ 7:20 01-Sonata in F Major - Allegro
DR13 -5.73 дБ -27.51 дБ 5:32 02-Andante
DR16 0.00 дБ -23.61 дБ 6:08 03-Rondeau
DR14 0.00 дБ -20.30 дБ 6:56 04-Sonata in C Major - Allegro vivace
DR14 -3.28 дБ -26.09 дБ 6:09 05-Andante sostenuto
DR13 0.00 дБ -21.37 дБ 3:51 06-Rondeau
DR13 -7.79 дБ -27.48 дБ 4:22 07-Sonata in G Major - Andante poco Adagio
DR13 -4.40 дБ -25.27 дБ 4:21 08-Allegro
DR13 0.00 дБ -19.62 дБ 6:04 09-Sonata in F Major - Allegro
DR15 0.00 дБ -24.12 дБ 9:22 10-Thema:Andante
DR13 -0.69 дБ -25.15 дБ 5:41 11-Tempo di Menuetto
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Количество треков: 11
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 5
Разрядность: 24
Битрейт: 14112 кбит/с
Кодек: DST64
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Анализ: Rachel Podger - Gary Cooper / Mozart sonatas volume 6
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR14 0.00 дБ -19.02 дБ 7:20 01-Sonata in F Major - Allegro
DR12 -5.53 дБ -24.05 дБ 5:32 02-Andante
DR15 0.00 дБ -20.18 дБ 6:08 03-Rondeau
DR13 0.00 дБ -16.81 дБ 6:56 04-Sonata in C Major - Allegro vivace
DR14 -3.00 дБ -22.55 дБ 6:09 05-Andante sostenuto
DR13 0.00 дБ -17.92 дБ 3:51 06-Rondeau
DR13 -5.92 дБ -23.94 дБ 4:22 07-Sonata in G Major - Andante poco Adagio
DR14 -3.71 дБ -21.76 дБ 4:21 08-Allegro
DR13 0.00 дБ -16.10 дБ 6:04 09-Sonata in F Major - Allegro
DR15 0.00 дБ -20.61 дБ 9:22 10-Thema:Andante
DR14 -1.44 дБ -21.61 дБ 5:41 11-Tempo di Menuetto
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Количество треков: 11
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
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Об альбоме (сборнике)
The duo partnership Gary Cooper & Rachel Podger has taken them worldwide. These recordings of Mozart’s Complete Sonatas for Keyboard & Violin have received countless awards & accolades, including multiple Diapason d’Or awards & Gramophone Editor’s Choices, & hailed as ‘benchmark’ recordings.
“Finally, one asks why there hasn’t previously been a complete recording on historical instruments. From my ‘privileged’ position as listener-in-chief, I can tell you it is because no pair can make such transparent & difficult music sound so effortless, elegant, witty, emotionally persuasive & enjoyable.
~ Jonathan Freeman-Attwood, producer.
Anyone thinking of Mozart as a performer probably imagines him at a harpsichord or fortepiano, an accurate picture. Mozart was a gifted keyboard player, but not a showman of the keyboard. He detested empty virtuosity. Wolfgang, however, had been trained from his earliest years by his father Leopold as a double talent. He played both harpsichord & violin. The popularity of his sonatas, variation sets, & concerti for the piano has tended to overshadow his violin compositions, but the 1st sounds that his baby ears received probably came from his father’s violin. Wolfgang heard him tuning the instrument, saw him putting on new strings now & then, playing, rehearsing. He heard Leopold praising his violin & commenting on the music. Until Wolfgang moved to Vienna in 1781, the sound of the violin had accompanied him virtually every day of his life, for Leopold had been with him almost constantly……..
For some 25 years, between the ages of 8 & 32, Mozart’s oeuvre included sonatas for violin & piano. The earliest works, small-scale rococo trifles in which the violin played a subsidiary part & the keyboard (virtually certain to be a harpsichord at that date) was the star performer, date from the time of his 1st major tour through Europe. Leopold Mozart had 4 of these early sonatas published in Paris in 1764, 2 as opus 1 & 2 as opus 2. In the following year, he had another series of 6 sonatas published in London as opus 3. Yet another series of 6 sonatas, opus 4, written in the Hague by Wolfgang (& possibly by Leopold?) in 1766, appeared that same year, both there & in Amsterdam. Then Mozart’s production of violin & piano sonatas was interrupted by a 12-year silence. Not until his stay in Mannheim in 1777 & 1778 would he complete 4 new sonatas, in which the violin’s role had grown considerably, offering a genuine partnership to the piano. In the summer of 1778, Mozart added 2 more new sonatas to the series of 6 Paris sonatas, & published the set there as Opus 1, as if he intended his mature oeuvre to begin at this point. Then, after another interval of 3 years, came the 6 sonatas published in 1781 as Opus 2 by Artaria in Vienna, Mozart’s new & ultimate place of residence. One of the pieces had been composed in Mannheim, & another presumably dated back to Salzburg. Mozart composed the other 4 sonatas in the summer of 1781 in Vienna. Four more violin sonatas, his last works in the genre, were composed, also in Vienna, between 1784 & 1788……
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发表于 2020-12-8 14:56:25
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