[SACD-R] [OF]德彪西 - 拉Mer，jeux＆prelude a l'apres-midi d'联合国美女/海;游戏;下午休息的动物群（Valery Gergive，伦敦交响乐团乐团） - 2011年（古典/管弦乐）

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Valery Gergiev, London Symphony Orchestra
Debussy – La mer, Jeux & Prelude a l’apres-midi d’un faune
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2011
Жанр: Classical/Orchestral
Издатель(лейбл): LSO Live
Продолжительность: 00:56:08
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Claude Debussy (1862-1918)
01] Prelude a l'apres-midi d'un faune
La mer:
02] i. De l'aube a midi sur la mer (Tres lent)
03] ii. Jeux de vagues (Allegro)
04] iii. Dialogue du vent et de la mer (Anime et tumultueux)
05] JeuxLondon Symphony Orchestra
Valery Gergiev (conductor)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0
Доп. информация: LSO0692 (2011). DSD recording.
Recorded: September & December 2009 & May 2010, Barbican, London
James Mallinson producer
Jonathan Stokes & Neil Hutchinson for Classic Sound Ltd balance engineers
SACD rip via PS3 to iso (3.29GB)
Iso was made with sacd-ripper version 0.36 for PS3, from the magical Mr_Wicked.
Источник (релизер): ManWhoCan (PS³SACD)
http://sa-cd.net/showtitle/7077
Лог DR

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2017-02-11 15:43:41
--------------------------------------------------------------------------------
Анализ:   Valery Gergiev, London Symphony Orchestra / DEBUSSY La mer, Jeux and Prelude a l'apres-midi d'un faune
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR15     -11.08 дБ   -35.56 дБ     11:46 01-Prelude a l'apres-midi d'un faune
DR19       0.00 дБ   -30.27 дБ     10:00 02-La mer: i. De l'aube a midi sur la mer (Tres lent)
DR17      -2.91 дБ   -32.04 дБ      7:10 03-La mer: ii. Jeux de vagues (Allegro)
DR17       0.00 дБ   -26.75 дБ      8:21 04-La mer: iii. Dialogue du vent et de la mer (Anime et tumultueux)
DR19      -0.40 дБ   -31.19 дБ     18:51 05-Jeux
--------------------------------------------------------------------------------
Количество треков: 5
Реальные значения DR: DR17
Частота:   2822400 Гц / Частота PCM: 88200 Гц
Каналов:   6
Разрядность:   24
Битрейт:   16934 кбит/с
Кодек:   DST64
================================================================================
--------------------------------------------------------------------------------
Анализ:   Valery Gergiev, London Symphony Orchestra / DEBUSSY La mer, Jeux and Prelude a l'apres-midi d'un faune
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR15      -9.92 дБ   -31.41 дБ     11:46 01-Prelude a l'apres-midi d'un faune
DR19       0.00 дБ   -26.98 дБ     10:00 02-La mer: i. De l'aube a midi sur la mer (Tres lent)
DR16      -5.03 дБ   -28.68 дБ      7:10 03-La mer: ii. Jeux de vagues (Allegro)
DR16       0.00 дБ   -23.45 дБ      8:21 04-La mer: iii. Dialogue du vent et de la mer (Anime et tumultueux)
DR19      -0.14 дБ   -26.65 дБ     18:51 05-Jeux
--------------------------------------------------------------------------------
Количество треков: 5
Реальные значения DR: DR17
Частота:   2822400 Гц / Частота PCM: 88200 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DST64
================================================================================


Об альбоме (сборнике)
HRAudio.net review:
Valery Gergiev’s 1st recording of French music on the LSO Live label, Ravel: Daphnis et Chloé, Boléro, Pavane – Gergiev was characterised by an unexpected affinity for this music & a warmth of expression not usually associated with this conductor. This follow-up issue confirms Gergiev’s credentials as a Francophile conductor (as do his recent meticulous performances of the music of Henri Dutilleux at the Barbican).
This collection of 3 of Debussy’s most popular orchestral works (taken from 3 separate concerts that took place between September 2009 & May 2010) opens with an absolutely ravishing & sensuous account of ‘Prélude à l’après-midi d’un faune’. The playing of the LSO is of the utmost refinement capped by the lovely performance of the long flute solo by principal flute Gareth Davies.
In contrast ‘La Mer’ is given an expansive performance of massive power & dynamic range. Some may question the way Gergiev broadens the tempo of ‘De l’aube à midi sur la mer’ (from 7′ 50”) to a marked degree, but it here it sounds both natural & quite magical in providing a moment of stillness before the tumult of the final section’s shattering climax.
The flecks of percussion & harp in ‘Jeux de Vagues’ emerge with remarkable clarity in a recording that allows every detail of Debussy’s orchestration to be savoured, while the concluding movement ‘Dialogue du vent et de la mer’ has rarely been unleashed with such elemental force. A combination of tempo flexibility & firm control of dynamics makes Gergiev’s exhilarating performance on this disc something rather special.
Debussy’s most enigmatic, & many would argue finest orchestral work ‘Jeux – poème dansé’ was written in 1912 for Diaghilev’s Ballet Russes & 1st staged in 1913. Though ostensibly about 2 girls & a boy searching for a lost tennis ball in a garden at dusk, the scenario has both sinister & erotic aspects that a good performance will illuminate. Nowadays Jeux is usually heard in the concert hall & on recordings, rather than in the theatre, where the subtlety & invention of Debussy’s marvellous score can be fully appreciated. Gergiev allows the full virtuosity of his ever responsive orchestra to come into play with playing of absolute precision. Some impressionistic half-lights may be lacking, but this is more than made up for by the flexible yet precise orchestral playing & Gergiev’s scrupulous attention to Debussy’s extensive tempo indications.
When played at a realistic volume setting, the 5ch DSD recording emerges as 1 of the best that I have heard from LSO Live. Though close & brightly lit it does present a most convincing sound picture & a clarity rarely experienced in the concert hall.
Recommended.
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