Luciano Pavarotti
Ti Adoro
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2002
Жанр: Classical; Crossover; Vocal
Издатель(лейбл): Decca
Продолжительность: 00:55:24
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Il canto 03:44
2. Neapolis 03:35
3. Starai con me 04:23
4. Ti adoro 03:13
5. Notte 04:48
6. Come aquile 05:02
7. Domani verrà 03:41
8. Buongiorno a te 04:15
9. Ai giochi addio 04:23
10. Stella 04:12
11. Tu e il tuo mare 04:16
12. Il gladiatore 04:10
13. Caruso (with Jeff Beck) 05:43Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0
Доп. информация: Decca 470 635-2 DSA
Recorded 2003
Producer Michele Centonze
Источник (релизер): pssacd (PS³SACD) http://sa-cd.net/showtitle/1446
Об альбоме (сборнике)
Allmusic Review
Luciano Pavarotti has long avoided doing the kind of solo crossover release often proffered by his Three Tenors comrades Plácido Domingo and José Carreras; indeed, in his liner introduction he claims that he was initially “very skeptical” of this project. He came around, though, and the result marks his first solo album of any kind in years. Catty opera cognoscenti hoping for an embarrassment may be gratified by a few booklet photos (keep that shirt on, Luciano!), but otherwise they’re out of luck. The music is actual modern Italian pop rather than the sort of international sentimental style that seems to have been dreamed up in a marketing department, not a music studio. The songs included are mostly originals (several by producer Michele Centonze), and though they vary in quality they don’t rely on the kind of flabby familiarity that can doom a crossover project artistically. (An adaptation of Nino Rota’s old Love Theme From Romeo and Juliet will please Three Tenors fans.) The style is vocally oriented and suits Pavarotti well; electronic accompaniments are quiet and rarely compete with his voice. The singer even has fun with the quasi-rock & roll title track and with a portrait of the aging Caruso, featuring Jeff Beck on guitar. His age is clearly audible, but he’s still got it. Some have suggested that Ti adoro represents an attempt on the part of Pavarotti’s label Decca to compete with the current crop of teen-classical crossover divas. If so, the attempt is misconceived and proves little — except that he could teach them a thing or three. On its own terms, however, it works just fine. You might even wish he’d done it ten years ago, but even so you won’t find another 68-year-old who can sing with this kind of verve.
/1 
发表于 2020-12-8 14:56:35
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