Various / IsoMike Tests 2006
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Sampler
Год издания/переиздания диска: 2006
Жанр: Classical, Demo
Издатель(лейбл): isoMike
Продолжительность: 00:59:28
Наличие сканов в содержимом раздачи: НетКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 / 4.0
Треклист
01 - Choir Test A (2:49)
02 - Choir Test B (5:26)
03 - Choir Test C (2:58)
04 - Choir Test D (1:58)
05 - Choir Test E (1:24)
06 - Musical Theater Test A (1:18)
07 - Musical Theater Test B (5:58)
08 - Musical Theater Test C (6:26)
09 - Solo Piano Test A (4:22)
10 - Solo Piano Test B (10:09)
11 - Solo Piano Test C (3:45)
12 - Symphonic Band Test A (3:05)
13 - Symphonic Band Test B (3:18)
14 - Orchestra (Marimba) Test A (4:12)
15 - Drum Corp (Moving) Test A (0:33)
16 - Drum Corp (Moving) Test B (1:22)
17 - Drum Corp Cheer (0:26)
Official DR value: DR12 / DR14
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1
log date: 2016-04-24 22:13:49
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Analyzed: Various / IsoMike Tests 2006
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DR Peak RMS Duration Track
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DR18 -5.25 dB -31.16 dB 2:49 01-Choir Test A
DR12 -11.05 dB -37.61 dB 5:26 02-Choir Test B
DR14 0.00 dB -29.92 dB 2:58 03-Choir Test C
DR10 -3.83 dB -25.45 dB 1:58 04-Choir Test D
DR9 -0.47 dB -20.59 dB 1:24 05-Choir Test E
DR11 -11.93 dB -32.12 dB 1:18 06-Musical Theater Test A
DR16 -0.09 dB -33.31 dB 5:58 07-Musical Theater Test B
DR11 -4.34 dB -28.16 dB 6:26 08-Musical Theater Test C
DR11 -5.91 dB -28.70 dB 4:22 09-Solo Piano Test A
DR12 -5.81 dB -28.82 dB 10:09 10-Solo Piano Test B
DR9 -8.83 dB -27.88 dB 3:45 11-Solo Piano Test C
DR10 -1.30 dB -20.15 dB 3:05 12-Symphonic Band Test A
DR10 -2.19 dB -20.62 dB 3:18 13-Symphonic Band Test B
DR14 -4.42 dB -30.04 dB 4:12 14-Orchestra (Marimba) Test A
DR14 -2.96 dB -29.59 dB 0:33 15-Drum Corp (Moving) Test A
DR14 -3.43 dB -29.64 dB 1:22 16-Drum Corp (Moving) Test B
DR4 -20.96 dB -43.97 dB 0:26 17-Drum Corp Cheer
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Number of tracks: 17
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 5
Bits per sample: 24
Bitrate: 14112 kbps
Codec: DST64
================================================================================
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Analyzed: Various / IsoMike Tests 2006
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -5.25 dB -30.08 dB 2:49 01-Choir Test A
DR15 -11.06 dB -36.24 dB 5:26 02-Choir Test B
DR18 0.00 dB -28.62 dB 2:58 03-Choir Test C
DR13 -5.34 dB -24.78 dB 1:58 04-Choir Test D
DR11 -0.47 dB -19.22 dB 1:24 05-Choir Test E
DR13 -11.93 dB -30.33 dB 1:18 06-Musical Theater Test A
DR24 -0.09 dB -32.09 dB 5:58 07-Musical Theater Test B
DR14 -4.34 dB -25.84 dB 6:26 08-Musical Theater Test C
DR14 -5.91 dB -26.29 dB 4:22 09-Solo Piano Test A
DR15 -5.81 dB -26.23 dB 10:09 10-Solo Piano Test B
DR12 -8.83 dB -26.06 dB 3:45 11-Solo Piano Test C
DR13 -1.30 dB -19.00 dB 3:05 12-Symphonic Band Test A
DR13 -2.19 dB -19.39 dB 3:18 13-Symphonic Band Test B
DR20 -4.42 dB -29.59 dB 4:12 14-Orchestra (Marimba) Test A
DR17 -5.83 dB -29.58 dB 0:33 15-Drum Corp (Moving) Test A
DR17 -5.03 dB -29.33 dB 1:22 16-Drum Corp (Moving) Test B
DR3 -20.96 dB -41.96 dB 0:26 17-Drum Corp Cheer
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Number of tracks: 17
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
================================================================================
Спектр частот
Доп. информация: This disc contains many tracks that were chosen for reasons other than musical performance as a primary criteria. While very useful to briefly demonstrate capabilities of playback systems, most tracks are excerpted and are not complete compositions or movements. Some tracks are demonstrating 4.0 surround sound capabilities and experiments. A few tracks might include unedited takes from an up-coming commercial release.
Источник (релизер): sa-cd.net
Об альбоме (сборнике)
About the IsoMikeIsoMike™ (Isolated Microphones) is an experimental acoustic baffle system, to address the interference of intrachannel sounds that results in compromised fidelity. For these 4-channel recordings, the microphones were suspended on four arms, separated by IsoMike™ baffles.
Most baffles absorb sound from mid- to high-range frequencies; lower frequencies are more difficult to absorb. Here, the unique shapes of the IsoMike™ baffles are advantageous. As lower frequencies flow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.
Eliminating line-of-sight between the microphones seems to lower some fidelity robbing cancellations, this reveals a layer of extreme detail and a sense of increased sensitivity. As such we took great care, therefore, to reduce the noise level within the auditorium during the recordings.-
About the recordingUse caution on first playing as some of the tracks do reach nearly 0dB. Several of the tracks might scare the cats!
All recordings were made at a low enough level to assure that no clipping occurred, therefore you may need to raise your volume control more than when playing some commercially available CDs where the volume has been normalized and/or compressed.
Since there is NO limiting, the dynamic range might surprise you, your system or your pets. So be VERY cautious the first entire playing so as to not damage amplifiers or speakers.
These tracks contain no gain changes or other such processing, so some tracks will be at a softer or louder level than other tracks. However, the dynamic range within a track is the same as the original live performance.
Small groups may have a performer - to - microphone distance of 10-15 feet, larger groups would have performer - to - microphone distances up to 60 feet. At no time were the microphones in a closemiked configuration. All recordings were made at Weber State University. Performers were students, faculty, staff and guests of Weber State University www.weber.edu
Equipment creditsNeumann M150
www.neumannusa.com
Tascam DS-D98HR & DV-RA1000
www.tascam.com
Millennia Media HV-3D custom
www.mil-media.com
DPA 3529A
www.dpamicrophones.com
Grace Design M906 & M902
www.gracedesign.com
B&W 800D Loudspeakers
www.bwspeakers.com
Pyramix DSD Workstation
www.merging.com
Genex GX9000
www.genexaudio.com
EMM Labs ADC8 MkIV & DAC8 MkIV
www.emmlabs.com
Sennheiser MKH-800 & HD-650
www.sennheiserusa.com
Lipinski Sound L707
www.lipinskisound.com
Magnepan 20.1
www.magnepan.com
Pass Labs X350.5
www.passlabs.com
Kimber Kable Select Series
www.kimber.com
Special thanksRecording Engineers Ray Kimber,
Aaron Hubbard,
Brett Terry &
Nathan Call
Editing and
Mastering Graemme Brown,
Zen Mastering
zenmastering.net
/1 
发表于 2020-12-8 14:56:50
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