Neeme Järvi, Royal Scottish National Orchestra
Wagner - Overtures & Preludes
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2013
Жанр: Classical/Orchestral
Издатель (лейбл): Chandos
Продолжительность: 01:19:07
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Die Feen: Overture 10:48
2. Christoph Columbus: Overture 8:02
3. Das Liebesverbot: Overture 8:10
4. Rienzi: Overture 11:16
5. A Faust Overture, Op. 59 11:03
6. Der fliegende Hollander (The Flying Dutchman): Overture 11:00
7. Lohengrin, Act III: Prelude 3:04
8. Tristan und Isolde, Act I: Prelude 6:43
9. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act I: Prelude 8:56Royal Scottish National Orchestra
Neeme Järvi, conductorКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0Доп. информация: Chandos CHSA 5126 (2013)
Release Date: September 2013
Originally recorded in 2009
SACD rip via PS3 to iso (4.19GB)
Источник (релизер): ManWhoCan (PS³SACD) https://www.chandos.net/products/catalogue/CHSA%205126 https://www.amazon.co.uk/Wagner-Overtures-Preludes-Scottish-Orchestra/dp/B00E5NXQJA
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-02-10 23:00:39
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Анализ: Royal Scottish National Orchestra / Neeme Jдrvi conducts Wagner: Overtures and Preludes
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DR Пики RMS Продолжительность трека
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DR15 -5.24 дБ -28.34 дБ 10:49 01-Overture to 'Die Feen'
DR14 -3.89 дБ -26.97 дБ 8:02 02-Overture to 'Columbus'
DR13 -7.76 дБ -28.04 дБ 8:10 03-Overture to 'Liebesverbot'
DR14 -4.18 дБ -25.92 дБ 11:16 04-Overture to 'Rienzi, der Letzte der Tribunen'
DR16 -4.90 дБ -30.24 дБ 11:03 05-Eine Faust-Ouvertьre
DR13 -3.97 дБ -25.67 дБ 11:00 06-Overture to 'Der fliegende Hollдnder'
DR12 -8.59 дБ -28.64 дБ 3:04 07-Prelude to Act III of 'Lohengrin'
DR15 -7.05 дБ -32.47 дБ 6:43 08-Prelude to 'Tristan und Isolde'
DR14 -4.12 дБ -26.83 дБ 8:58 09-Prelude to 'Die Meistersinger von Nьrnberg'
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Количество треков: 9
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 176400 Гц
Каналов: 5
Разрядность: 24
Битрейт: 14112 кбит/с
Кодек: DST64
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--------------------------------------------------------------------------------
Анализ: Royal Scottish National Orchestra / Neeme Jдrvi conducts Wagner: Overtures and Preludes
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR15 -4.16 дБ -24.50 дБ 10:49 01-Overture to 'Die Feen'
DR14 -3.93 дБ -24.26 дБ 8:02 02-Overture to 'Columbus'
DR13 -6.98 дБ -24.33 дБ 8:10 03-Overture to 'Liebesverbot'
DR14 -4.15 дБ -22.49 дБ 11:16 04-Overture to 'Rienzi, der Letzte der Tribunen'
DR15 -4.84 дБ -27.83 дБ 11:03 05-Eine Faust-Ouvertьre
DR13 -4.11 дБ -22.41 дБ 11:00 06-Overture to 'Der fliegende Hollдnder'
DR12 -5.55 дБ -23.30 дБ 3:04 07-Prelude to Act III of 'Lohengrin'
DR15 -8.19 дБ -30.03 дБ 6:43 08-Prelude to 'Tristan und Isolde'
DR14 -4.01 дБ -24.48 дБ 8:58 09-Prelude to 'Die Meistersinger von Nьrnberg'
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Количество треков: 9
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 176400 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
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Композитор: Richard Wagner (1813-1883)
Об альбоме (сборнике)
“… Järvi is a master of this repertoire & he continually conjures splendid playing from his Scottish orchestra … the sound is of the highest Chandos quality to match the fine playing …”
– Gramophone
Chandos says:
On this album we bring together some of the highlights from Neeme Järvi’s 5-volume Wagner series with the Royal Scottish National Orchestra. As an added bonus, we have included the Overture to Der fliegende Holländer, a piece not before released.
Among Wagner’s most revolutionary scores is the tragic-romantic opera Tristan und Isolde. The key themes of anticipation, longing, rapture, separation, hope, death, & transfiguration are suggested already in the famous Prelude to the opera, recorded here.
The Overture to Rienzi, Wagner’s 3rd completed opera (1838 – 40), incorporates the melody of Rienzi’s prayer at the start of Act V, which since became the opera’s best-known aria, & ends with a dazzling military march. Die Feen was the composer’s 1st great romantic, although less well-known, opera. The overall style of the work, based on La donna serpente by Carlo Gozzi, owes its essentials to Beethoven, Marschner, & Weber.
Wagner based Das Liebesverbot on Shakespeare’s Measure for Measure. It is perhaps the most Mediterranean-sounding of his operas, something especially apparent in the brimming vitality of the Overture with its sparkling contributions of castanets, triangle, & tambourine.
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发表于 2020-12-8 14:58:15
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