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[古典] [SACD-R] [OF] yo-yo Ma,Edgar Meyer,Mark O'Connor - Appalachian Journey - 2000(Cello)

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发表于 2020-12-8 14:58:18 | 显示全部楼层 |阅读模式
Yo-Yo Ma, Edgar Meyer, Mark O’Connor / Appalachian Journey
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2000
Жанр: Cello
Издатель (лейбл): Sony BMG Music Entertainment
Продолжительность: 01:10:35
Наличие сканов в содержимом раздачи: Да (сканы)
Треклист:
01. 1B
02. Misty Moonlight Waltz
03. Hard Times Come Again No More (with James Taylor, guitar & vocals)
04. Indecision
05. Limerock
06. Benjamin (with James Taylor, guitar)
07. Fisher’s Hornpipe (with Alison Krauss, violin)
08. Duet for Cello and Bass
09. Emily’s Reel
10. Cloverfoot Reel
11. Poem for Carlita
12. Caprice for Three
13. Second Time Around
14. Slumber My Darling (with Alison Krauss, vocals)
15. Vistas
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.1.18 / Dynamic Range Meter 1.1.1
log date: 2012-12-19 18:04:43
--------------------------------------------------------------------------------
Analyzed: ? / ?
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -8.21 dB   -25.08 dB      4:02 01-1B
DR13     -10.58 dB   -28.01 dB      4:46 02-Misty Moonlight Waltz
DR11      -7.30 dB   -23.25 dB      3:44 03-Hard Times Come Again No More (with James Taylor, guitar & vocals)
DR14      -8.75 dB   -27.66 dB      4:29 04-Indecision
DR13      -8.04 dB   -24.93 dB      2:28 05-Limerock
DR13      -8.38 dB   -27.83 dB      3:32 06-Benjamin (with James Taylor, guitar)
DR13      -6.64 dB   -24.29 dB      3:44 07-Fisher's Hornpipe (with Alison Krauss, violin)
DR14      -5.99 dB   -27.01 dB      5:54 08-Duet for Cello and Bass
DR13      -6.83 dB   -24.74 dB      2:48 09-Emily's Reel
DR13      -9.07 dB   -28.29 dB      4:25 10-Cloverfoot Reel
DR15      -3.64 dB   -26.24 dB      7:34 11-Poem for Carlita
DR13      -6.42 dB   -27.26 dB      3:48 12-Caprice for Three
DR12     -10.07 dB   -28.21 dB      4:32 13-Second Time Around
DR13     -10.09 dB   -29.20 dB      4:53 14-Slumber My Darling (with Alison Krauss, vocals)
DR16      -4.54 dB   -26.86 dB      9:57 15-Vistas
--------------------------------------------------------------------------------
Number of tracks:  15
Official DR value: DR13
Samplerate:        2822400 Hz / PCM Samplerate: 88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           5645 kbps
Codec:             DSD64
================================================================================

Источник (релизер): https://www.amazon.com.au/APPALACHIAN-JOURNEY-EDGAR-MEYER/dp/B003ODL02M
Об альбоме (сборнике)
From their sold-out concert at New York City’s Avery Fisher Hall, legendary cellist Yo-Yo Ma, violinist Mark O’Connor and bassist Edgar Meyer, along with special guests James Taylor and Alison Krauss, perform works from the trio’s acclaimed albums that span many musical genres.
The follow-up album to the highly successful Appalachia Waltz collaboration, Appalachian Journey continues the combination of classical music with Appalachian, bluegrass, and American roots music in general. Yo-Yo Ma, alongside violinist Mark O’Connor and bass player Edgar Meyer, runs through a number of original compositions fusing the traditions, as well as a few old standards from the genre repertoire. As stated by the artists, Appalachia Waltz explored the combination of the three artists’ sounds put together, while Journey expands upon this theme, exploring the sound of the three artists as a singular group. Joining with the trio are James Taylor on a pair of works (on both guitar and vocals) and Alison Krauss on fiddle and vocals. The vocalists are added specifically on a pair of old Stephen Foster works, the songs themselves thematically bridging the gap between the classical and folk realms. The tone can change easily from cheerful jigging to outright nostalgic, depending largely on who’s doing the soloing at any given time. There’s an embracing down-home atmosphere set up by the artists, using warm tones and motives throughout the album. At the same time, the trio displays some remarkable virtuosity (as would be expected from this group), burning through some fiery sets of triplets on otherwise slow instruments (the cello and bass, specifically), but keeping up with the violin while avoiding the easily hit distortion sounds that usually come from high speed, low frequency playing. Reels fit easily with waltzes here, and also with traditional songs with virtuosic passages from original compositions. The old and the older are easily made compatible here largely on the strength of the performers involved. It’s a worthwhile album for listeners curious about the newer directions being taken in the classical realm.
                                                                                       
                       
                       
                       
                       
                       
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