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[古典] [Tr24] [OF] Hector Berlioz - Symphonie Fantastique - 波士顿交响乐团 - 查尔斯Munch - 1962/2012(古典)

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发表于 2020-12-8 15:03:24 | 显示全部楼层 |阅读模式
Hector Berlioz - Symphonie Fantastique - Boston Symphony Orchestra - Charles Munch
Жанр: Classical
Год записи: 1962
Год издания: 2012
Издатель (лейбл): HDTT
Аудиокодек: FLAC 24bit 192kHz
Тип рипа: tracks
Продолжительность: 49:01
Треклист:
1 Rêveries - Passions (Daydreams - Passions) 13:57
2 Un bal (A ball) 6:25
3 Scène aux champs (Scene in the Country) 14:56
4 Marche au supplice (March to the Scaffold) 4:28
5 Songe dune nuit de sabbat (Dream of a Witches Sabbath) 9:15


Фантастик
“ ...Munch and his orchestra are utterly persuasive in their view of the work and thanks to HDTT, they are with us again in wonderful, near-analogue sound. Incidentally, this 1962 version is rarely seen on a reissue, the 1956 version is the one thats almost always used.... ”
highdeftapetransfers.com
“ ...In any event, it became and has remained one of the most popular orchestral works in the classical repertoire. In the hands of Charles Munch and the Boston Symphony Orchestra, the acknowledged mid-twentieth century leaders of French music performance, it is predictably clear, light, airy, and utterly refined. In this superbly engineered transfer from a four track RCA analogue tape (1962) made in Boston's Symphony Hall, even in its richest instrumental sections, it literally floats before us, naturally warm and breathy. Low strings are especially present, well-defined, and full, grounding the work but without raising any Dionysian issues. This is an early nineteenth century fantasy, Munch reminds us: Freud is not yet on the scene. The famous "March to the Scaffold" takes place in splendidly bright, brass-lit sunlight. And the "Dream of the Witches' Sabbath" is a manic olio of puckishness, melodrama, and brio, ending in one of music history's most fulsome conclusions. It is all seemingly composed to show off the virtuosity of the orchestra, which it does in spades. It is a veritable guide to the orchestra, precursor of Britten's nearly a century later... by Bob Neill positive-feedback.com ”
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