[tr24] [OF] Joseph Haydn - Symphonies 88-92，Sinfonia Concertante - 2014（古典）

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Joseph Haydn: Symphonies 88-92, Sinfonia Concertante / Berlin Philharmonic Orchestra, Sir Simon Rattle
Жанр: Classical
Носитель: WEB
Год издания: 2014
Издатель (лейбл): Warner Classics International
Аудиокодек: FLAC 24bit 44.1kHz
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 2:25:23
Источник (релизер): hdtracks.com
Наличие сканов в содержимом раздачи: да
Треклист:
Disc 1
1 Symphony No. 88 in G Major: I. Adagio - Allegro 6:44
2 Symphony No. 88 in G Major: II. Largo 5:45
3 Symphony No. 88 in G Major: III. Menuetto (Allegretto) & Trio 3:57
4 Symphony No. 88 in G Major: IV. Finale (Allegro con spirito) 3:37
5 Symphony No. 89 in F Major: I. Vivace 7:06
6 Symphony No. 89 in F Major: II. Andante con moto 5:59
7 Symphony No. 89 in F Major: III. Menuet 3:31
8 Symphony No. 89 in F Major: IV. Vivace assai 4:28
9 Symphony No. 90 in C Major: I. Adagio - Allegro assai 6:41
10 Symphony No. 90 in C Major: II. Andante 7:37
11 Symphony No. 90 in C Major: III. Menuet & Trio 5:02
12 Symphony No. 90 in C Major: IV. Finale (Allegro assai) 7:06
13 Symphony No. 90 in C Major: IV. Finale (Allegro assai) (version 2) 6:57
Disc 2
1 Symphony No. 91 in E-Flat Major: I. Largo - Allegro assai 7:27
2 Symphony No. 91 in E-Flat Major: II. Andante 7:02
3 Symphony No. 91 in E-Flat Major: III. Menuet 3:25
4 Symphony No. 91 in E-Flat Major: IV. Vivace 5:03
5 Symphony No. 92 in G Major, 'Oxford': I. Adagio-Allegro spiritoso 7:15
6 Symphony No. 92 in G Major, 'Oxford': II. Adagio 7:55
7 Symphony No. 92 in G Major, 'Oxford': III. Menuet 4:34
8 Symphony No. 92 in G Major, 'Oxford': IV. Presto 5:02
9 Sinfonia Concertante in B-Flat Major: I. Allegro 9:33
10 Sinfonia Concertante in B-Flat Major: II. Andante 4:58
11 Sinfonia Concertante in B-Flat Major: III. Finale - Allegro con spirito 6:52
Об альбоме (сборнике)
℗ © 2007 Warner Classics, Warner Music UK Ltd. A Warner Music Group Company.
Sir Simon Rattle, conducting the
Berliner Philharmoniker
From the included liner notes by Sir Simon Rattle:
I have always felt that Haydn is our greatest neglected composer. His life’s work, staggering in its variety and quantity, is a gold mine of invention, intelligence, humour and profound deep feeling. The depths are all the more affecting for being glimpsed rather than openly displayed, as if the music knows that it is enough to discern the shadow to realise that darkness lies beyond.
Could any composer be a better dinner companion? I doubt it. For all of us, it has been an immense privilege to work so closely on these works written in a short space of time, but so utterly different from each other.
Just a word concerning the extraordinary finale of No.90: not many jokes have punchlines that still work after more than 200 years, but this written-in false ending (heard twice because of the repeat) never fails to catch out the audience. The audience reaction, when it realises that it has been fooled not once but twice, are part and parcel of the music, almost an organic necessity. However, we have also provided the possibility of hearing the finale without audience reactions for those who would enjoy being fooled for themselves. But I do believe that, unlike coughing and delinquent mobile phones, these audience sounds are written in to the score, even if invisibly. And I’m sure that if Haydn was writing symphonies today, that one would have a mobile phone in the instrumentation…
I hope that these symphonies give you at least some part of the joy that we have had in performing them.
                                                                                       
                       
                       
                       
                       
                       
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