Joseph Haydn - Keyboard Concertos
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2017
Жанр: Classical
Издатель (лейбл): Sony Classical
Продолжительность: 01:14:11
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Keyboard Concerto In D Major, Hob. XVIII:11
01. I. Vivace
02. II. Un Poco Adagio
03. III. Rondo All'Ungarese. Allegro Assai
Keyboard Concerto In G Major, Hob. XVIII:4
04. I. Allegro Moderato
05. II. Adagio Cantabile
06. III. Finale. Rondo (Presto)
Keyboard Concerto In F Major, Hob. XVIII:3
07. I. Allegro
08. II. Largo Cantabile
09. III. Finale. Presto
Keyboard Concerto In F Major, Hob. XVIII:7
10. I. Moderato
11. II. Adagio
12. III. AllegroViviane Chassot, accordion
Kammerorchester Basel
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-03-31 17:34:36
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Analyzed: Viviane Chassot, Kammerorchester Basel / Haydn: Keyboard Concertos (Performed on Accordion)
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DR Peak RMS Duration Track
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DR13 -0.32 dB -19.44 dB 8:00 01-Keyboard Concerto In D Major, Hob. XVIII:11: I. Vivace
DR12 -4.94 dB -22.91 dB 5:58 02-Keyboard Concerto In D Major, Hob. XVIII:11: II. Un Poco Adagio
DR13 -0.46 dB -19.36 dB 4:05 03-Keyboard Concerto In D Major, Hob. XVIII:11: III. Rondo All'Ungarese. Allegro Assai
DR14 -3.91 dB -21.94 dB 8:34 04-Keyboard Concerto In G Major, Hob. XVIII:4: I. Allegro Moderato
DR12 -7.00 dB -25.29 dB 6:52 05-Keyboard Concerto In G Major, Hob. XVIII:4: II. Adagio Cantabile
DR14 -2.40 dB -21.99 dB 4:52 06-Keyboard Concerto In G Major, Hob. XVIII:4: III. Finale. Rondo (Presto)
DR13 -3.63 dB -21.45 dB 9:22 07-Keyboard Concerto In F Major, Hob. XVIII:3: I. Allegro
DR14 -8.37 dB -27.09 dB 9:10 08-Keyboard Concerto In F Major, Hob. XVIII:3: II. Largo Cantabile
DR12 -4.56 dB -21.44 dB 4:05 09-Keyboard Concerto In F Major, Hob. XVIII:3: III. Finale. Presto
DR13 -3.61 dB -21.03 dB 7:48 10-Keyboard Concerto In F Major, Hob. XVIII:7: I. Moderato
DR11 -10.00 dB -25.88 dB 2:47 11-Keyboard Concerto In F Major, Hob. XVIII:7: II. Adagio
DR13 -3.84 dB -20.96 dB 2:40 12-Keyboard Concerto In F Major, Hob. XVIII:7: III. Allegro
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Number of tracks: 12
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2433 kbps
Codec: FLAC
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Об исполнителе (группе)
The Swiss accordionist Viviane Chassot has been one of the few players of her instrument to successfully build a career in the classical concert sphere.
Chassot was born in Zurich in 1979 and settled on the accordion as her instrument when she was 12, obsessed with the idea of playing Bach's music (which she has not as of this writing yet recorded) on it. She attended the University of the Arts in Bern, Switzerland, studying accordion there with Teodoro Anzellotti. By 2004 she had won major prizes such as the Kranichstein Music Award in Germany, and she graduated in 2006 with an accordion performance degree. At that point, however, she experienced a crisis of confidence and set her instrument aside for a year. "Life began again in 2007," she told the newspaper Der Sonntag, and within two years she had released her debut album, a set of Haydn piano sonatas, on Germany's Genuin label.
That was followed by an album of Rameau's Pièces de clavecin in 2011 and New Horizons, a set of new works for accordion in 2014, both on Genuin. The latter album featured works by composers from the German-speaking sphere: Stefan Wirth, Heinz Holliger, Rudolf Kelterborn, Bernhard Lang, and Helena Winkelman. That album was nominated for the German Record Critics' Award. Chassot has been an energetic champion of contemporary music, also performing works by Beat Furrer, Michael Pelzel, Toshio Hosokawa, Roland Moser, Henri Dutilleux, Jörg Widmann, Friedrich Cerha, and Arman Gushchyan. Her 2016 album, Objets Trouvés, was a collaboration with zither player Martin Mallaun, and she has also performed and recorded with chamber groups and with dancers, including those of the Cincinnati Ballet, with whom she has performed at New York's Guggenheim Museum.
Increasing critical attention led to Chassot's signing by the Sony Classical label, becoming surely the only accordionist in the illustrious history of the label's roster. She released her Sony debut, an album of Haydn keyboard concertos, with the Basel Chamber Orchestra, which she conducted from the keyboard. The album received strong critical acclaim even beyond German-language publications. Chassot is professor of accordion at the Basel Music Academy.
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发表于 2020-12-8 15:03:51
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