Beethoven: Symphony No. 1, Op. 21
Berliner Philharmoniker & André Cluytens
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1961/2020
Жанр: Classical/Orchestral
Издатель (лейбл): Erato / Warner
Продолжительность: 00:37:36
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Beethoven:
Symphony No. 1 in C Major, Op. 21:
01. I. Allegro molto - Allegro con brio (9:35)
02. II. Andante cantabile con moto (6:08)
03. III. Menuetto. Allegro molto e vivace (3:31)
04. IV. Adagio - Allegro molto e vivace (6:08)
05. Fidelio, Op. 72: Overture (7:12)
06. Die Ruinen von Athen, Op. 113: Overture (5:02)Berliner Philharmoniker
André Cluytens, conductorКонтейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0Источник (релизер): WEB https://www.highresaudio.com/en/album/view/vgp4tx/berliner-philharmoniker-andr-cl...op-21-remastered
Лог DR
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2020-03-06 22:59:10
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Analyzed: Berliner Philharmoniker & André Cluytens / Beethoven: Symphony No. 1, Op. 21 (Remastered)
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DR Peak RMS Duration Track
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DR13 -1.52 dB -21.12 dB 9:35 01-Beethoven: Symphony No. 1 in C Major, Op. 21: I. Allegro molto - Allegro con brio
DR13 -4.90 dB -23.64 dB 6:08 02-Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
DR12 -3.48 dB -22.69 dB 3:31 03-Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
DR13 -1.18 dB -19.63 dB 6:08 04-Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
DR12 -2.35 dB -19.41 dB 7:12 05-Beethoven: Fidelio, Op. 72: Overture
DR11 -3.47 dB -19.81 dB 5:02 06-Beethoven: Die Ruinen von Athen, Op. 113: Overture
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Number of tracks: 6
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2807 kbps
Codec: FLAC
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Об альбоме (сборнике)
The colors are carefully weighed and balanced, but they are still more German primary colors than French blended colors. The tempos are quick but not especially so, and though they are often impetuous, they are never reckless. Cluytens does not overly emphasize line over form, and although his conception of the scores is more nuanced than a German's might be, it is in no way too subtle. The usual distinctions between more reserved even-numbered symphonies and more aggressive odd-numbered symphonies hold less here than they might, but less so than in many readings by English and American conductors.
Cluytens is a generously talented, highly skilled conductor, and each work is superbly performed by the Berlin. But, while one can easily listen through with pleasure, and even return to each performance and hear new things every time, there are other, better Beethoven cycles out there, and Cluytens can't stand up to the competition as a top rank in the pantheon. EMI's early stereo sound is not perhaps as warm and rich as its later stereo sound, but it's still very impressive for its time.
/1 
发表于 2020-12-8 15:04:01
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