Beethoven: Symphony No. 9, Op. 125 "Choral"
Berliner Philharmoniker & André Cluytens
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1959/2020
Жанр: Classical/Orchestral/Choral/Vocal
Издатель (лейбл): Erato / Warner
Продолжительность: 01:12:29
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral":
01. I. Allegro ma non troppo, un poco maestoso (18:07)
02. II. Molto vivace (11:30)
03. III. Adagio molto e cantabile (17:18)
04. IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) (25:33)Berliner Philharmoniker
Andre Cluytens, conductorКонтейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0Источник (релизер): WEB https://www.highresaudio.com/en/album/view/dpt4zv/berliner-philharmoniker-andr-cl...-9-op-125-choral
Лог DR
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2020-03-28 17:09:24
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Analyzed: André Cluytens / Beethoven: Symphony No. 9, Op. 125 "Choral"
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DR Peak RMS Duration Track
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DR12 -0.73 dB -18.06 dB 18:07 01-Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
DR12 -2.90 dB -20.92 dB 11:30 02-Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
DR16 -4.88 dB -27.45 dB 17:18 03-Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
DR12 -0.69 dB -18.21 dB 25:33 04-Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy)
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Number of tracks: 4
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2814 kbps
Codec: FLAC
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Об альбоме (сборнике)
Andre Cluytens' 1957-1960 cycle of Beethoven symphonies was the first Beethoven cycle directed by a French conductor, but since the orchestra is the super-virtuoso, echt-Deutsch Berliner Philharmoniker, it's hard to say exactly what is French about these performances. The colors are carefully weighed and balanced, but they are still more German primary colors than French blended colors. The tempos are quick but not especially so, and though they are often impetuous, they are never reckless. Cluytens does not overly emphasize line over form, and although his conception of the scores is more nuanced than a German's might be, it is in no way too subtle. The usual distinctions between more reserved even-numbered symphonies and more aggressive odd-numbered symphonies hold less here than they might, but less so than in many readings by English and American conductors.
Cluytens is a generously talented, highly skilled conductor, and each work is superbly performed by the Berlin. But, while one can easily listen through with pleasure, and even return to each performance and hear new things every time, there are other, better Beethoven cycles out there, and Cluytens can't stand up to the competition as a top rank in the pantheon. EMI's early stereo sound is not perhaps as warm and rich as its later stereo sound, but it's still very impressive for its time.
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发表于 2020-12-8 15:04:01
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