Louis Spohr - Sonatas for Harp & Violin
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Chamber
Издатель (лейбл): BIS
Продолжительность: 01:13:14
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Sonata for Violin & Harp, Op. 113
01. I. Allegro brillante
02. II. Adagio
03. III. Rondo allegretto
Sonata for Violin & Harp, Op. 115
04. I. Allegro
05. II. Larghetto
06. III. Rondo
Sonata for Violin & Harp, Op. 114
07. I. Allegro-Vivace
08. II. Andante. Potpourri on Themes from The Magic FluteMasumi Nagasawa, harp
Cecilia Bernardini, violin
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-12-20 20:48:52
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Analyzed: Cecilia Bernardini & Masumi Nagasawa / Spohr: Sonatas for Harp & Violin
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DR Peak RMS Duration Track
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DR15 -0.87 dB -19.47 dB 10:51 01-Sonata for Violin & Harp, Op. 113: I. Allegro brillante
DR15 -2.97 dB -22.44 dB 4:08 02-Sonata for Violin & Harp, Op. 113: II. Adagio
DR14 -1.59 dB -19.61 dB 7:27 03-Sonata for Violin & Harp, Op. 113: III. Rondo allegretto
DR14 -1.52 dB -19.61 dB 13:13 04-Sonata for Violin & Harp, Op. 115: I. Allegro
DR12 -3.02 dB -21.37 dB 4:59 05-Sonata for Violin & Harp, Op. 115: II Larghetto
DR14 -1.79 dB -20.27 dB 10:47 06-Sonata for Violin & Harp, Op. 115: III. Rondo
DR14 -0.20 dB -19.39 dB 12:13 07-Sonata for Violin & Harp, Op. 114: I. Allegro - Vivace
DR15 -1.04 dB -20.14 dB 11:09 08-Sonata for Violin & Harp, Op. 114: II. Andante. Potpourri on Themes from The Magic Flute
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Number of tracks: 8
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2581 kbps
Codec: FLAC
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Об альбоме (сборнике)
In 1805, on the basis of his brilliant yet expressive playing, the 21-year-old Louis Spohr was appointed Konzertmeister at the ducal court in Gotha. By this time he had also begun to make his mark as a composer, and during his years at the court he would add several pieces for the harp to his list of works, inspired by the young harpist Dorette Scheidler. Spohr later recalled his reaction to her playing: ‘I was so deeply moved that I could scarce restrain my tears... I took my leave – but my heart remained behind!’ Only months later, the two were in fact married and Spohr began to compose works which would form the repertoire during future concert tours.
Dorette Spohr played a so-called single-action pedal harp of a similar type to the instrument used on this disc. Soon to be replaced by the double-action pedal system, the single-action pedal harp was best suited for playing in flat keys. As Spohr preferred writing his violin parts in sharp keys, which allowed the resonance of the open strings, he adopted the method of tuning the harp a semitone lower, which had the added benefit of reducing the tension on the strings. The Sonatas Opp 113-115, in D and G major, therefore have harp parts notated in E flat and A flat major respectively. Because of its delicate construction and stringing, the single-action harp has a distinct silvery bell-like sound and these sonatas are among the last important works specifically written for it. They are also the most demanding, but it is clear that Spohr intended them to display not only the technical skill of the two artists but also their musical expressiveness. The performers here are Masumi Nagasawa and Cecilia Bernardini, who have made a particular study of Spohr's writings on performance practice.
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发表于 2020-12-8 15:04:06
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