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[古典] [Tr24] [OF]弗里奇(Frederic)Chopin - Polonaises(Maurizio Pollini) - 1976/1998/2015(古典/钢琴)

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发表于 2020-12-8 15:04:11 | 显示全部楼层 |阅读模式
Frédéric Chopin
Polonaises
Maurizio Pollini
Год издания/переиздания диска: 1976/1998/2015
Жанр: Classical / Piano
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:01:39
Наличие сканов: Sleeve, Digital Booklet


Frédéric Chopin (1810-1849)
01. Polonaise No.1 In C Sharp Minor, Op.26 No.1 (8:24)
02. Polonaise No.2 In E Flat Minor, Op.26 No.2 (8:34)
03. Polonaise No.3 In A, Op.40 No.1 - 'Military' (5:25)
04. Polonaise No.4 In C Minor, Op.40 No.2 (8:08)
05. Polonaise No.5 In F Sharp Minor, Op.44 (10:54)
06. Polonaise No.6 In A Flat, Op.53 -'Heroic' (7:05)
07. Polonaise No.7 In A Flat, Op.61 Polonaise-Fantaisie (13:07)
Maurizio Pollini, piano
Recorded: Grosser Saal, Musikverein, Wien, Austria, 11/1975
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 96kHz
Количество каналов: 2.0

О релизе
Here is Pollini in all his early glory, in performances expertly transferred from 1976. Shorn of all virtuoso compromise or indulgence, the majestic force of his command is indissolubly integrated with the seriousness of his heroic impulse. Never have I been compelled into such awareness of the underlying malaise beneath the outward and nationalist defiance of the Polonaises. The tension and menace at the start of No. 2 are almost palpable, its storming and disconsolate continuation made a true mirror of Poland’s clouded history. The C minor Polonaise’s denouement, too, emerges with a chilling sense of finality, and Pollini’s way with the pounding audacity commencing at 3'00'' in the epic F sharp minor Polonaise is like some ruthless prophecy of every percussive, anti-lyrical gesture to come. At 7'59'' Chopin’s flame-throwing interjections are volcanic indeed, and if there is ample poetic delicacy and compensation (notably in the Polonaise-fantaisie, always among Chopin’s most profoundly speculative masterpieces), it is the more elemental side of his genius, his ‘canons’ rather than ‘flowers’ that are made to sear and haunt the memory.
To say that Pollini is ‘cold’ (a recent jury colleague; his exact description seemed to me as blinkered as it was unprintable) is to miss the point, to show an incapacity to identify with ‘other points of view’, with possibilities that lie at the very heart of re-creation. Others may be more outwardly beguiling (Pollini is already a wide step from Rubinstein’s belle epoque elegance or Horowitz’s reminder of Russian romantic pianism at its most volatile) but Pollini’s magnificently unsettling Chopin can be as imperious and unarguable as any on record. That his performances are also deeply moving is a tribute to his unique status. --Bryce Morrison, Gramophone
Digitally remastered

Отчёты

Динамический диапазон

foobar2000 1.2.2 / Dynamic Range Meter 1.1.1
log date: 2015-05-16 12:24:34
--------------------------------------------------------------------------------
Analyzed: Maurizio Pollini / Chopin: Polonaises
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR16      -2.64 dB   -25.21 dB      8:24 ?-Polonaise No.1 In C Sharp Minor, Op.26 No.1
DR13      -2.66 dB   -22.63 dB      8:34 ?-Polonaise No.2 In E Flat Minor, Op.26 No.2
DR13      -1.98 dB   -18.72 dB      5:25 ?-Polonaise No.3 In A, Op.40 No.1 - 'Military'
DR15      -0.98 dB   -23.60 dB      8:08 ?-Polonaise No.4 In C Minor, Op.40 No.2
DR14      -0.89 dB   -20.22 dB     10:54 ?-Polonaise No.5 In F Sharp Minor, Op.44
DR13      -1.19 dB   -18.17 dB      7:05 ?-Polonaise No.6 In A Flat, Op.53 -'Heroic'
DR15      -2.37 dB   -23.57 dB     13:07 ?-Polonaise No.7 In A Flat, Op.61 Polonaise-Fantaisie
--------------------------------------------------------------------------------
Number of tracks:  7
Official DR value: DR14
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2242 kbps
Codec:             FLAC
================================================================================


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