Lidström: Rigoletto Fantasy / Shostakovich: Cello Concerto No. 1
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Orchestral, Cello
Издатель (лейбл): BIS
Продолжительность: 00:59:54
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestoclassical.co.uk
Треклист:
Mats Lidström (b. 1959)
Rigoletto Fantasy for cello and orchestra
1. Introduction and the Duke’s aria - Questa o quella
2. Caro nome che il mio cor
3. Tutte le feste al tempio
4. Figlia! Mio padre!
5. Scorrendo uniti remota via
6. La donna è mobile
7. Venendo, mi vede alcuno?
8. Cortigiani vil razza, dannata
9. Miei signori, perdono, pietate
10. Solo, difforme, povero
11. O tu che la festa audace hai turbato
Dmitri Shostakovich (1906–1975)
Cello Concerto No. 1 in E-Flat Major, Op. 107
12. I. Allegretto
13. II. Moderato
14. III. Cadenza
15. IV. Allegro con moto
Mats Lidström - cello
Oxford Philharmonic Orchestra
Vladimir Ashkenazy - conductor
Лог проверки качества
foobar2000 1.3.17 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-06-11 02:05:03
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Анализ: Mats Lidström, Oxford Philharmonic Orchestra & Vladimir Ashkenazy / Lidström: Rigoletto Fantasy - Shostakovich: Cello Concerto No. 1
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DR Пики RMS Продолжительность трека
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DR14 -2.10 дБ -22.18 дБ 2:35 01-Rigoletto Fantasy: I. Introduction and the Duke's Aria "Questa o quella"
DR13 -11.17 дБ -29.12 дБ 3:37 02-Rigoletto Fantasy: II. Caro nome che il mio cor
DR16 -6.77 дБ -29.34 дБ 2:06 03-Rigoletto Fantasy: III. Tutte le feste al tempio
DR11 -0.78 дБ -23.09 дБ 1:20 04-Rigoletto Fantasy: IV. Figlia! Mio padre!
DR16 -1.69 дБ -23.90 дБ 3:39 05-Rigoletto Fantasy: V. Scorrendo uniti remota via
DR13 -3.92 дБ -25.38 дБ 2:18 06-Rigoletto Fantasy: VI. La donna è mobile
DR14 -0.10 дБ -21.77 дБ 3:39 07-Rigoletto Fantasy: VII. Venendo, mi vede alcuno?
DR13 -1.59 дБ -21.75 дБ 2:33 08-Rigoletto Fantasy: VIII. Cortigiani vil razza, dannata
DR12 -8.04 дБ -25.32 дБ 4:32 09-Rigoletto Fantasy: IX. Miei signori, perdono, pietate
DR13 -7.04 дБ -26.17 дБ 2:23 10-Rigoletto Fantasy: X. Solo, difforme, povero
DR12 -1.45 дБ -17.17 дБ 1:36 11-Rigoletto Fantasy: XI. O tu che la festa audace hai turbato
DR13 -2.59 дБ -20.47 дБ 6:35 12-Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto
DR15 -2.06 дБ -23.88 дБ 12:04 13-Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato
DR14 -8.41 дБ -27.08 дБ 5:29 14-Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza
DR13 -0.19 дБ -19.24 дБ 5:35 15-Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Allegro con moto
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Количество треков: 15
Реальные значения DR: DR14
Частота: 96000 Гц
Каналов: 2
Разрядность: 24
Битрейт: 2655 кбит/с
Кодек: FLAC
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Об альбоме (сборнике)
Vladimir Ashkenazy and Mats Lidström began their collaboration in London in the 1980s, during Ashkenazy’s tenure at the Royal Philharmonic Orchestra where Lidström was principal cellist. They have since appeared together in concert as well as on disc, including a recording of concertos by Kabalevsky and Khachaturian on BIS. They are here reunited, in front of the Oxford Philharmonic Orchestra, in a performance of what has become a true modern classic: Dmitri Shostakovich’s Cello Concerto No. 1. The concerto was composed in 1959, during the so-called Khruschev Thaw, but even though Soviet censorship and repression had relaxed somewhat following the death of Stalin, the approval from the mighty Composer’s Union was still needed before any public performances could take place. When the concerto was performed before the Union’s committee, Vladimir Ashkenazy – then in his early twenties – was present and has recounted how nervous and uncomfortable Shostakovich appeared while observing the reactions of the committee.
The disc opens with Mats Lidström’s own Rigoletto Fantasy, based on Verdi’s opera. Inspired by virtuosic violin pieces such Sarasate’s Carmen Fantasy, and with professional experience from the orchestra pit of the Royal Swedish Opera, Lidström has selected a string of highlights from Rigoletto, including of course the Duke’s La donna è mobile and Gilda’s Caro nome, joining them together in a virtuosic, dramatic and moving narrative.
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发表于 2020-12-8 15:04:23
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