foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2018-08-09 22:33:31
--------------------------------------------------------------------------------
Analyzed: Patricia Kopatchinskaja, Markus Hinterhäuser / Galina Ustvolskaya: Trio, Sonata, Duet (1-2)
Patricia Kopatchinskaja, Markus Hinterhäuser, Reto Bieri / Galina Ustvolskaya: Trio, Sonata, Duet (3-5)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR17 -0.26 dB -24.61 dB 22:35 01-Sonata for Violin and Piano (1952)
DR16 -0.11 dB -24.37 dB 29:21 05-Duet for Violin and Piano (1964)
DR13 -3.60 dB -22.48 dB 6:08 02-Trio for Clarinet, Violin and Piano (1949): Espressivo
DR9 -19.08 dB -34.55 dB 3:56 03-Trio for Clarinet, Violin and Piano (1949): Dolce
DR15 -0.65 dB -22.13 dB 6:07 04-Trio for Clarinet, Violin and Piano (1949): Energico
--------------------------------------------------------------------------------
Number of tracks: 5
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2280 kbps
Codec: FLAC
================================================================================
Источник: prestoclassical.co.uk
Композитор: Galina Ustvolskaya / Галина Уствольская (1919-2006)
Исполнители:
Patricia Kopatchinskaja, violin
Markus Hinterhäuser, piano
Reto Bieri, clarinet
Об альбоме (сборнике)
Chamber music by Russian composer Galina Ustvolskaya is featured on the second ECM disc by Patricia Kopatchinskaja, recently described by Strings magazine as “the most exciting violinist in the world” and winner of the 2014 Royal Philharmonic Society Instrumentalist of the Year Award.
The unique expressiveness of the work of Galina Ustvolskaya (1919-2006) speaks to the listener with directness and nuanced layers of sound, the powerful, rhythmic stringency of the music testifying to the relentlessness of her vision. Fiercely independent, Ustvolskaya maintained that her music sounded like the work of no other composer, living or dead, and put herself outside all stylistic “schools”. Her work, said Viktor Suslin, has the “narrowness of a laser beam capable of piercing metal”. Its sense of concentration is sometimes ferocious. Entering this sound-world calls for a special kind of commitment and intensity.
Kopatchinskaja and Markus Hinterhäuser play the Sonata (1952) and the Duet (1964) for violin and piano, and together with Reto Bieri, the Trio (1949) for clarinet, violin and piano, all recorded in the acoustically superb studio in Lugano which has become one of ECM’s primary locations. Ojai Music Festival 2018: A Singular Vision Part I - Galina Ustvolskaya - Sonata for Violin and Piano, Duet for Violin and Piano - Patricia Kopatchinskaja, violin, Markus Hinterhäuser, piano Ojai Music Festival 2018: A Singular Vision Part II - Galina Ustvolskaya - Six Sonatas for Piano - Markus Hinterhäuser, piano
/1 
发表于 2020-12-8 15:05:09
提升卡
置顶卡