Patricia Kopatchinskaja · Camerata Bern - Time & Eternity
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): Alpha
Продолжительность: 01:16:00
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44.1
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Anonymous
1. Kol Nidre (Cantor) (00:31)
John Zorn (b. 1953)
2. Kol Nidre (05:52)
Anonymous
3. Elijahu Hanawi (00:59)
Karl Amadeus Hartmann (1905 - 1963)
Concerto funèbre for Violin and String Orchestra
4. I. Introduction (Largo) (01:30)
5. II. Adagio (06:51)
6. III. Allegro di molto (08:43)
7. IV. Choral (04:10)
Anonymous
8. Unsterbliche Opfer (Arr. for String Orchestra and Accordion) - War Cadenza (Improvisation) (04:21)
9. Boze Ojcze, przebaczenie jest wielkim darem (00:45)
Anonymous
10. Dwa serduszka (02:12)
Guillaume de Machaut (1300 - 1377)
11. Messe de Nostre Dame: Kyrie (Transcription for String Orchestra) (03:38)
Franck Martin (1890 - 1974)
12. Polyptyque for Violin and Two Small String Orchestras: I. Image des Rameaux (03:53)
Johann Sebastian Bach (1685 - 1750)
13. Johannes-Passion, BWV 245: Choral "Ach großer König" (Transcription for String Orchestra) (00:46)
Franck Martin
14. Polyptyque for Violin and Two Small String Orchestras: II. Image de la Chambre haute (05:56)
Johann Sebastian Bach
15. Choral "Als Jesus Christus in der Nacht", BWV 265 (Transcription for String Orchestra) (01:24)
Franck Martin
16. Polyptyque for Violin and Two Small String Orchestras: III. Image de Juda (02:01)
Johann Sebastian Bach
17. Johannes-Passion, BWV 245: Choral "Durch dein Gefängnis" (Transcription for String Orchestra) (01:01)
Franck Martin
18. Polyptyque for Violin and Two Small String Orchestras: IV. Image de Géthsémané (04:04)
Johann Sebastian Bach
19. Johannes-Passion, BWV 245: Choral "Wer hat dich so geschlagen" (Transcription for String Orchestra) (00:59)
Franck Martin
20. Polyptyque for Violin and Two Small String Orchestras: V. Image du Jugement (03:54)
Luboš Fišer (1935 - 1999)
21. Crux for Violin, Timpani and Bells (06:31)
Franck Martin
22. Polyptyque for Violin and Two Small String Orchestras: VI. Image de la Glorification (04:04)
Anonymous
23. Ioan Ciurin, Christus ist auferstanden (00:26)
Johann Sebastian Bach
24. Johannes-Passion, BWV 245: Choral "O große Lieb" (Transcription for String Orchestra) (02:17)
Исполнители:
Camerata Bern
Patricia Kopatchinskaja, artistic director & soloist
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-09-13 11:43:40
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Analyzed: Beata Würsten / Time & Eternity (1)
Camerata Bern / Time & Eternity (2-19)
Henri Mugier / Time & Eternity (20)
Ioan Ciurin / Time & Eternity (21)
Wieslaw Pipczynski / Time & Eternity (22-23)
Wojciech Maruszewski / Time & Eternity (24)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -14.35 dB -32.67 dB 0:59 03-Elijahu Hanawi
DR14 -5.89 dB -25.45 dB 5:53 02-Kol Nidre
DR18 -10.14 dB -38.69 dB 1:30 04-I. Introduction (Largo)
DR14 -4.75 dB -25.56 dB 6:51 05-II. Adagio
DR16 -0.56 dB -22.84 dB 8:43 06-III. Allegro di molto
DR15 -5.64 dB -30.19 dB 4:11 07-IV. Choral
DR12 -14.54 dB -35.13 dB 3:39 11-Messe de Nostre Dame: Kyrie (Transcription for String Orchestra)
DR14 -4.63 dB -24.29 dB 3:53 12-Polyptyque for Violin and Two Small String Orchestras: I. Image des Rameaux
DR10 -12.69 dB -26.52 dB 0:46 13-Johannes-Passion, BWV 245: Choral "Ach großer König" (Transcription for String Orchestra)
DR16 -6.51 dB -28.94 dB 5:56 14-Polyptyque for Violin and Two Small String Orchestras: II. Image de la Chambre haute
DR11 -8.76 dB -25.22 dB 1:25 15-Choral "Als Jesus Christus in der Nacht", BWV 265 (Transcription for String Orchestra)
DR14 -2.98 dB -22.98 dB 2:02 16-Polyptyque for Violin and Two Small String Orchestras: III. Image de Juda
DR11 -9.04 dB -24.09 dB 1:02 17-Johannes-Passion, BWV 245: Choral "Durch dein Gefängnis" (Transcription for String Orchestra)
DR15 -9.48 dB -31.61 dB 4:05 18-Polyptyque for Violin and Two Small String Orchestras: IV. Image de Géthsémané
DR11 -12.83 dB -27.78 dB 0:59 19-Johannes-Passion, BWV 245: Choral "Wer hat dich so geschlagen" (Transcription for String Orchestra)
DR15 -1.42 dB -21.78 dB 3:55 20-Polyptyque for Violin and Two Small String Orchestras: V. Image du Jugement
DR16 -0.25 dB -21.36 dB 6:32 21-Crux for Violin, Timpani and Bells
DR13 -6.82 dB -25.66 dB 4:04 22-Polyptyque for Violin and Two Small String Orchestras: VI. Image de la Glorification
DR11 -10.79 dB -26.19 dB 2:17 24-Johannes-Passion, BWV 245: Choral "O große Lieb" (Transcription for String Orchestra)
DR14 -17.22 dB -34.76 dB 0:32 01-Kol Nidre (Cantor)
DR13 -17.31 dB -34.23 dB 0:26 23-Christus ist auferstanden
DR15 -4.53 dB -27.98 dB 4:22 08-Unsterbliche Opfer (Arr. for String Orchestra and Accordion) - War Cadenza (Improvisation)
DR12 -11.20 dB -27.14 dB 2:13 10-Dwa serduszka
DR14 -20.86 dB -38.17 dB 0:45 09-Boze Ojcze, przebaczenie jest wielkim darem
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Number of tracks: 24
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1083 kbps
Codec: FLAC
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Об альбоме (сборнике)
Time and Eternity. Always in search of powerful musical experiences, the violinist Patricia Kopatchinskaja and Camerata Bern – of which she has just taken over the artistic direction – here juxtapose Hartmann’s Concerto funebre, composed in 1939 to express his indignation at the Nazis’ terror, and the Polyptyque for violin and orchestra that Frank Martin wrote in 1973 for Yehudi Menuhin, a work inspired by six scenes from the Passion of Christ painted by Duccio di Buoninsegna around 1310. The Kyrie from Machaut’s Messe de Nostre Dame, composed half a century after the altarpiece and heard here in an arrangement for strings, is interspersed between the movements, along with Bach chorales, ‘as an invocation of eternal consolation’. A Polish folksinger interprets the Jewish song ‘Eliyahu hanavi’, which expresses the hope of salvation and which Hartmann quotes in his concerto. Six hundred years of music to ‘make the victims’ voices heard’, says Patricia Kopatchinskaja. The album opens with Kol Nidrei by John Zorn (born 1953), in response to the eponymous prayer spoken by a representative of the Jewish community. A Catholic priest and an Orthodox priest also say a short prayer.
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发表于 2020-12-8 15:05:15
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